Shared by Virginia Avniel Spatz in 5770/2010 with a Creative Commons Attribution/ShareAlike (CC BY-SA) 3.0 Unported license. A version of this kavanah (intention) was originally produced for the Institute for Contemporary Midrash Summer Institute, 1999.
The Amidah’s choreography is designed to call to mind an appearance before a sovereign so as to invoke the proper “stance.” Consider, though, the variety of God-communications depicted just in the book of Genesis: God talks to Adam and Eve, to Cain, Noah, and Abimelech. God even talks to the serpent. God heeds Ishmael “where he is” (Gen. 21:17), and Hagar names “YHVH who spoke to her..’God-who-sees-me’” (Gen. 16:13). So, in stepping up to greet God, it is sometimes fruitful to picture, instead of a royal audience, an opportunity to meet God in the cool of the garden (Gen. 3:8) or to approach, at a desert spring, “God-who-sees-me.”
בראשית ג:ח
וַֽיִּשְׁמְע֞וּ אֶת־ק֨וֹל יְהוָ֧ה אֱלֹהִ֛ים מִתְהַלֵּ֥ךְ בַּגָּ֖ן לְר֣וּחַ הַיּ֑וֹם וַיִּתְחַבֵּ֨א הָֽאָדָ֜ם וְאִשְׁתּ֗וֹ מִפְּנֵי֙ יְהוָ֣ה אֱלֹהִ֔ים בְּת֖וֹךְ עֵ֥ץ הַגָּֽן׃
בראשית טז:יג
וַתִּקְרָ֤א שֵׁם־יְהוָה֙ הַדֹּבֵ֣ר אֵלֶ֔יהָ אַתָּ֖ה אֵ֣ל רֳאִ֑י כִּ֣י אָֽמְרָ֗ה הֲגַ֥ם הֲלֹ֛ם רָאִ֖יתִי אַחֲרֵ֥י רֹאִֽי׃
בראשית כא:יז
וַיִּשְׁמַ֣ע אֱלֹהִים֮ אֶת־ק֣וֹל הַנַּעַר֒ וַיִּקְרָא֩ מַלְאַ֨ךְ אֱלֹהִ֤ים׀ אֶל־הָגָר֙ מִן־הַשָּׁמַ֔יִם וַיֹּ֥אמֶר לָ֖הּ מַה־לָּ֣ךְ הָגָ֑ר אַל־תִּ֣ירְאִ֔י כִּֽי־שָׁמַ֧ע אֱלֹהִ֛ים אֶל־ק֥וֹל הַנַּ֖עַר בַּאֲשֶׁ֥ר הוּא־שָֽׁם׃
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