Contributor(s):

Andrew Meit and Mashiaḥ Asgari

Shared on:

12 July 2011 under the Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license

Categories:

Art & Craft, Shiviti

Tags:

19th century C.E., meditation, שויתי shiviti, Psalms 67, 57th century A.M.

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https://opensiddur.org/?p=3425 שִׁוִּיתִי | Shiviti by Mashiaḥ Asgari (ca. late 19th – early 20th c. Herat, Afghanistan) 2011-07-12 16:50:56 A digital reproduction of a Shiviti held in the Royal Library of Denmark's Simonsen Manuscripts Collection. Text the Open Siddur Project Andrew Meit Andrew Meit Mashiaḥ Asgari https://opensiddur.org/copyright-policy/ Andrew Meit https://creativecommons.org/licenses/by-sa/4.0/ Art & Craft Shiviti 19th century C.E. meditation שויתי shiviti Psalms 67 57th century A.M.

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Digital restoration by Andrew Meit of a Shiviti by Mashiaḥ Asgari held in The Royal Library of Denmark David Simonsen Manuscripts Collection (CC0)

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We are grateful to Andrew Meit for restoring a Shiviti, originally prepared by Mashiaḥ Asgari, currently held in the Royal Library of Denmark’s Simonsen Manuscripts Collection. The image was slightly adjusted by Aharon Varady. All files including the vector art are shared with a Creative Commons Zero (CC0) Public Domain dedication.

For more information on this particular Shiviti, please visit the Royal Library of Denmark’s collection. We need your help in identifying all the verses, divine names, and allusions to numinous powers in this Shiviti. Please provide more information in the comments below.

For more information on Shiviti art, please read this post by Shmueli Gonzales. To see more Shiviti art shared by the Open Siddur Project, click here.

Source

Shiviti by Mashiaḥ Asgari held in The Royal Library of Denmark David Simonsen Manuscripts Collection

 

“שִׁוִּיתִי | Shiviti by Mashiaḥ Asgari (ca. late 19th – early 20th c. Herat, Afghanistan)” is shared through the Open Siddur Project with a Creative Commons Public Domain Dedication 1.0 Universal license.

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Andrew Meit

Andrew Meit has studied and researched in various areas: the imagination, Martin Buber, Judaism, prophets and prophecy, and Ephraim Moses Lilien. In 1984, Meit earned a Bachelor of Arts in Religious Studies with minors in Mathematics and Philosophy from Stetson University. As a lifelong creative, he is a type and graphics designer focusing on Jewish art and repairing digitally damaged art.Meit is legally deaf-blind, and has several learning problems stemming from contracting congenital Rubella. He is active in the Independent Living Movement; been on several CIL boards. Throughout his life Meit has striven to turn his disabilities into well-made art that inspires and celebrates beauty and truth.Off and on for 40 years, Meit has been involved in interfaith services and study groups. He has informally lectured on Buber. He enjoys writing prayers and creating worship presentations.Although mainly self-taught in calligraphy, drawing and design, Meit formally studied at the Cleveland Art Institute. With the font editor Fontographer, he recreated the well known font GoodCity Modern (a faithful recreation of the Gutenberg’s bible typeface). Over the decades, he produced a digital recreation of the first page of Genesis from the Gutenberg Bible. He artistically colored many of E.M. Lilien’s line art illustrations, created a font based on Buber's handwriting, and recently, he created a new logo for the Florida Orange City Unitarian Universalist Congregation and improved a logo for Applied Jewish Spirituality group.Meit likes to help repair the world through his art; enjoys deep thoughts, playing with puzzles, and learning about Religion. He currently lives in Plantation, Florida.

Mashiaḥ Asgari

Mashiaḥ Asgari, resident of Herat, was a young singer and scribe in 19th or early 20th century Afghanistan.

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ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." –Psalms 90:17

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Works of related interest:

 

שִׁוִּיתִי | Shiviti: perceiving the world as an expression of divine Oneness

רְפָא צִירִי | Refa Tsiri, a piyyut for healing by Rabbi Refael Antebi Tabbush (ca. late 19th c.)

חֲבִיבִי יָהּ חֲבִיבִי | Ḥavivi Yah Ḥavivi, by Asher Mizrahi (ca. early 20th c.)

Early and Late My God I Seek, a hymn on “Hope in God” by Penina Moïse (Ḳ.Ḳ. Beth Elohim 1842)

אֲשׁוֹרֵר שִׁירָה | Ashorer Shirah, a piyyut in honor of the Torah by Ḥakham Raphael Baruch Toledano (ca. 20th c.)

מַה נָּאווּ עֲלֵי | Mah Navu Alei, a piyyut by Rabbi Shimon bar Nissim (ca. 20th c.)

חׇנֵּנוּ יָהּ חׇנֵּנוּ | Ḥonenu Yah Ḥonenu (Forgive Us Yah in the Merit of Moshe Rabbenu), by the Ben Ish Ḥai (ca. 19th c.)

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2 comments to שִׁוִּיתִי | Shiviti by Mashiaḥ Asgari (ca. late 19th – early 20th c. Herat, Afghanistan)

• Noam Sienna

  2016-05-22 at 7:48 pm · Reply.

  I’ve known of this wonderful piece for several years, but upon examining it closer recently I realized that the artist actually gave his name and location in a colophon at the bottom! This information is not listed in the online cataloguing data from the Koniglige Bibliothek (I’ve written them to ask to add it) but I thought you’d like to know:
  “The writer is the young singer, Mashiah Asgari, the small, dust beneath the feet of // the sages, resident of Herat, Afghanistan, [indecipherable]…”

  Interestingly, another shiviti by the same scribe was sold by Kedem Auctions in 2013 for $738, see here: https://www.kedem-auctions.com/he/node/9853

• Olimpius

  2021-06-09 at 3:51 am · Reply.

  Can someone provide the text of the Shiviti?