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We are grateful to Andrew Meit for restoring a Shiviti from the Royal Library of Denmark’s Simonsen Manuscripts Collection. The image was slightly adjusted by Aharon Varady. All files including the vector art are shared with a Creative Commons Zero (CC0) Public Domain dedication. . . . → Read More: Shiviti (restored by Andrew Meit, from the David Simonsen Manuscripts Collection) 
Given that the Torah forbids impressing our imaginations with illustrations of the divine, some other method is necessary to perceive divine Oneness. One method is found in the verse in Psalms 16:8, “I have set YHVH before me at all times.”
. . . → Read More: Shiviti: perceiving the world as an expression of divine Oneness 
Beginning late last year, I began a project to translate the Birkat Hamazon using Rabbi Simeon Singer’s English translation and the Nusaḥ ha-Ari as the basis for publishing birkonim (or in Yiddish, benchers). The original work was sponsored by the Teva Learning Center and its executive director, Nili Simhai, to be used in birkhonim specifically designed for use during weekdays during Teva’s Fall season. . . . → Read More: How to craft a Pamphlet Birkon for Blessings After Eating and other prayers 
When works are printed bearing shemot, any one of the ten divine names sacred to Judaism, they are cared for with love. If a page or bound work bearing shemot falls to the ground it’s a Jewish custom to draw up the page or book and kiss it. Just as loved ones are cared for after they’ve fallen and passed away, when the binding fails and leaves fall from siddurim and other seforim they are collected in boxes and bins and brought for burial, where their holy words can decompose back into the earth from which their constituent elements once grew, and were once harvested to become paper and books, and ink, string, glue. While teaching at the Teva Learning Center last Fall 2010, I collected all our shemot that we had intentionally or unintentionally made on our copy machine, or which we had collected from the itinerant teachers who pass through the Isabella Freedman Retreat Center on so many beautiful weekend shabbatonim. While leafing through the pages, I found one and kept it from the darkness of the genizah. . . . → Read More: Barukh Shem Kavod Malkhuto — an illustrated meditation on the unification of imagination and awareness through empathy 
To help creators of new works navigate the panoply of free/libre, open source, and copyleft licenses, I made a decision tree flowchart as an image map with clickable links to respective licenses and relevant articles. . . . → Read More: A Decision Tree for Choosing Free/Libre Licenses for Cultural and Technological Work 
“Unicode is a computing industry standard for the consistent encoding, representation and handling of text expressed in most of the world’s writing systems.”[1] The importance of sharing documents with Unicode 4.0+ compliant Hebrew fonts was underlined for us in early 2010, after the liturgy of a popular siddur was contributed to the Open Siddur Project . . . → Read More: Free/Libre and Open Source Licensed Unicode Hebrew Fonts |
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 Copyleft 2009-2012 Contributors to The Open Siddur Project. חלק מהזכויות שמורות | Some Rights Reserved.
All copyrighted work published on opensiddur.org remains the ©pyright of its respective copyright holders. All copyright holders have graciously shared their work under one of the following free/libre, free-culture licenses until the term of their copyright expires and their work enters the Public Domain.Please look for license iconography indicating the license under which the copyright owner has chosen to share their work.
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