The Amidah’s choreography is designed to call to mind an appearance before a sovereign so as to invoke the proper “stance.” Consider, though, the variety of God-communications depicted just in the book of Genesis: God talks to Adam and Eve, to Cain, Noah, and Abimelech. God even talks to the serpent. God heeds Ishmael “where . . . → Read More: On Standing Before God-Who-Sees-Me (a kavanah by Virginia Avniel Spatz)

