בסיעתא דשמיא

Méditation Pour le Dimanche by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Isaac Leeser (1863)

This is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the prayer for Sunday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Meditations, translated by Hester Rothschild. In 1863, Isaac Leeser published his own translation. This is the first time that Leeser’s translation and its source have been set next to each other. Commenting on Rothschild’s translation, Leeser wrote: . . .

Méditation Pour le Lundi by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Isaac Leeser (1863)

This is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the prayer for Monday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Meditations, translated by Hester Rothschild. In 1863, Isaac Leeser published his own translation. This is the first time that Leeser’s translation and its source have been set next to each other. . . .

[Gebet] Am Montag by Fanny Schmiedl Neuda (1855)

This is the prayer for Monday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Sunday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

תהלים מ״ח בלשון אנגלית | The Psalm for Monday, Psalms 48 (translation by Reb Zalman Schachter-Shalomi, z”l)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the Psalm of the Day for Monday (Psalms 48) in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the Psalm. –Aharon N. Varady . . .

ידיד נפש | Yedid Nefesh attributed to Elazar ben Moshe Azikri ca. 16th c. (Arabic translation by Hillel Farḥi, ca. 1913)

Yedid Nefesh is a piyyut composed by Elazar ben Moshe Azikri (1533-1600) commonly found in the morning baqashot of Sepharadi siddurim and as a petiḥah for Kabbalat Shabbat in many siddurim. This is a faithful transcription of Yedid Nefesh translated into Arabic from סדור פרחי سدور فرحي Siddur Farḥi (nusaḥ Sefaradi, minhag Egypt 1913, 1917) by Hillel Farḥi (1868-1940). (A copy of Siddur Farhi can be ordered from the Farḥi Foundation here.) Transcription of the Arabic was made by Wikisource contributor Avigdor24, here. Please help to proofread and improve this transcription. Join us in the digital transcription of Siddur Farḥi on Hebrew Wikisource. . . .

תהלים פ״ב בלשון אנגלית | The Psalm for Tuesday, Psalms 82 (translation by Reb Zalman Schachter-Shalomi, z”l)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the Psalm of the Day for Monday (Psalms 82) in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the Psalm. –Aharon N. Varady . . .

מה טבו | A Paraliturgical Mah Tovu in French by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Hester Rothschild (1855)

This is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the prayer for entering a synagogue, Mah Tovu, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was written by Rabbi Arnaud Aron and Jonas Ennery for their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Mediatations, translated by Hester Rothschild. Aron and Ennery were directly inspired by tkhines literature. . . .

[Gebet] Am Dienstag by Fanny Schmiedl Neuda (1855)

This is the prayer for Tuesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Tuesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

Thirteen Intentions of Faith Taught at the Beit HaMidrash of Elat Chayyim by Reb Zalman Schachter-Shalomi

This list of thirteen supplications for emunah (faith) in particular beliefs was included by Rabbi Zalman Schachter-Shalomi, z”l, in his Siddur Tehillat Hashem Yidaber Pi (2009). . . .

[Gebet] Am Mittwoch by Fanny Schmiedl Neuda (1855)

This is the prayer for Wednesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Wednesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

תפילה קודם התפילה מרבי אלימלך מליזשענסק | Rabbi Elimelekh of Lizhensk’s prayer to be able to pray (interpretive translation by Reb Zalman Schachter-Shalomi)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Rabbi Elimelekh of Lizhensk’s prayer to be able to pray” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the prayer. Reb Zalman may have made his translation to a slightly different edition of this prayer as indicated in several places. If you can determine which edition of Rabbi Elimelekh’s prayer was translated by Reb Zalman, please contact us or share your knowledge in the comments. . . .

[Gebet] Am Donnerstag by Fanny Schmiedl Neuda (1855)

This is the prayer for Thursday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Thursday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

A Prayer For Kavanah by Amanda Rush

Hashem, as I open my Siddur, let me pray with proper kavanah. Let me pray with sincerity, paying careful attention to every word I utter. Hashem, let me concentrate with my whole being on the meaning of each and every word, sentence and prayer. Keep my mind from wandering to other subjects, and keep me from neglecting to put my heart and soul in to each and every prayer, praise and blessing. May my prayer come before You, O Hashem, at a time of grace, and may it be accepted favorably by You. Amen. . . .

Méditation Pour le Mardi by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Isaac Leeser (1863)

To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Shir Shel Yom (Psalm of the Day) for Tuesday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Meditations, translated by Hester Rothschild. In 1863, Isaac Leeser published his own translation. This is the first time that Leeser’s translation and its source have been set next to each other. . . .

תהלים צ״ד בלשון אנגלית | The Psalm for Wednesday, Psalms 94 (translation by Reb Zalman Schachter-Shalomi, z”l)

This psalm was the Wednesday song of the Levites in the Holy Temple. . . .

A Prayer for Daily Guidance by Rosa Emma Salaman (1851)

Rosa Emma Salaman’s “Prayer for Daily Guidance” was written December 20, 1851 and published in the Occident 10:2, Iyar 5612/May 1852, p. 85. 226. . . .

תהלים פ״א בלשון אנגלית | The Psalm for Thursday, Psalms 81 (translation by Reb Zalman Schachter-Shalomi, z”l)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the Psalm of the Day for Thursday (Psalms 81) in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the Psalm. . . .

Méditation Pour le Mercedi by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Isaac Leeser (1863)

To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Shir Shel Yom (Psalm of the Day) for Wednesday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Meditations, translated by Hester Rothschild. In 1863, Isaac Leeser published his own translation. This is the first time that Leeser’s translation and its source have been set next to each other. . . .

תהלים צ״ג בלשון אנגלית | The Psalm for Friday, Psalms 93 (translation by Reb Zalman Schachter-Shalomi, z”l)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the Psalm of the Day for Friday (Psalms 93) in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the Psalm. . . .

[Gebet] Am Freitag by Fanny Schmiedl Neuda (1855)

This is the prayer for Friday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Friday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

תהלים כ״ד בלשון אנגלית | The Psalm for Sunday, Psalms 24 (translation by Reb Zalman Schachter-Shalomi, z”l)

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of the Psalm of the Day for Sunday (Psalms 24) in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the Psalm. –Aharon N. Varady . . .

(אשרי (תהלים קמ״ה | Ashrei (Psalms 145 by David), with an English Translation in Alphabetic Acrostic by Rabbi Sam Seicol

A modern translation of the Ashrei in alphabetic parallel to the Hebrew. . . .

[Gebet] Am Sonntag by Fanny Schmiedl Neuda (1855)

This is the prayer for Sunday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Sunday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

Méditation Pour le Dimanche by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Hester Rothschild (1855)

This is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the prayer for Sunday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Mediatations, translated by Hester Rothschild. This is the first time the translation and its source have been set next to each other. This transcription was made possible with the help of French Wikisource contributors. If you can read French, you can help to complete our transcription by proofreading it on Wikisource. . . .

Méditation Pour le Lundi by R’ Arnaud Aron and Jonas Ennery (1848), translated to English by Hester Rothschild (1855)

This is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the prayer for Monday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. (This particular paraliturgical prayer may be original or it may be based on an earlier work in German or Yiddish. Please contact us or comment below if you can identify it.) The prayer was included by Rabbi Arnaud Aron and Jonas Ennery in their opus, אמרי לב Prières d’un Coeur Israelite published in 1848 by the Société Consistoriale de Bons Livres. In 1855, an abridged English translation of Prières d’un Coeur Israelite was authorized by Nathan Marcus Adler, chief rabbi of the British Empire and published as Prayers and Mediatations, translated by Hester Rothschild. This is the first time the translation and its source have been set next to each other. This transcription was made possible with the help of French Wikisource contributors. If you can read French, you can help to complete our transcription by proofreading it on Wikisource. . . .

Seder Avodat Lev: early morning prayers of the farmers of the Adamah Fellowship

Image: ADAMAHniks on the truck – 3 by Batya Schuman, 2006 (License: CC-BY 2.0)

DOWNLOAD: PDF | ODT | TXT

Download Avodat-Lev-2016.pdf (PDF, 127KB)

Avodat HaLev Shaḥarit: Service of the Heart

This work is available for you to adopt, adapt, and redistribute. All translations are shared copyleft with a Creative Commons Attribution ShareAlike . . .

סידור ולא נבוש | Jewish Prayer as Shame Resilience Practice: Siddur v’Lo Nevosh for Shaḥarit by Rabbi Shoshana Friedman

For those of us who speak a religious language, we can understand our journey of building shame resilience as one of the many ways we can uplift, exalt, praise, and honor not just our own lives but the Life of life itself. Whenever we feel unworthy of love and belonging, we can remember that the very self which we are struggling to believe is lovable is none other a manifestation of God’s own Self. Our belief that we are worthy to live and belong is one way we can practice our trust in God. And if the God language doesn’t do it for us, we can get in touch with our own wonder at being alive, call it whatever name or conjure whatever image works for us, and remember that our journey to live a wholehearted life honors that wonder. Ultimately we can affirm that any step toward a wholehearted life lifts up holiness in this world. . . .

שִׁוִּיתִי | Shiviti: perceiving the world as an expression of divine Oneness

Given that the Torah forbids impressing our imaginations with illustrations of the divine, some other method is necessary to perceive divine Oneness. One method is found in the verse in Psalms 16:8, “I have set YHVH before me at all times.”

שִׁוִּיתִי יְהוָה לְנֶגְדִּי תָמִיד׃ Shiviti YHVH l’negdi tamid I have set YHVH before me at all times.

. . .

פתח אליהו | Pataḥ Eliyahu – Elijah Began Saying (That We Might Pray Well) translated by Rabbi Zalman Schachter-Shalomi from the Tikkunei Zohar

Elijah began saying: Lord of the worlds You Who are One and not just a number You are the highest of the highest most hidden of the undisclosed no thought scheme grasps You at all. . . .

שיר של מרים | The Song of Miriam, a petiḥah by Rabbi Ruth H. Sohn (1981)

“The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001). . . .

פרק שירה | Perek Shirah (Chapter of Song), a hymn of creation

Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. . . .

ידיד נפש | Yedid Nefesh attributed to Elazar ben Moshe Azikri ca. 16th c. (translation by Rabbi Zalman Schachter-Shalomi)

You who love my soul Compassion’s gentle source, Take my disposition and shape it to Your will. Like a darting deer I will flee to You. Before Your glorious Presence Humbly I do bow. Let Your sweet love Delight me with its thrill Because no other dainty Will my hunger still. . . .

מודה אני | Modah/Modeh Ani (translation by Andrew Shaw)

Thankful am I in your Presence, Spirit who lives and endures, for You’ve returned to me my soul with compassion. Abundant is your faith! . . .

A Kavanah for Waking Up by Andrew Shaw

An original liturgical poem inspired by the Modah|Modeh Ani prayer. . . .

יגדל אלוהים חי | Yigdal by Daniel ben Judah (a new German translation)

Gelobt sei der lebendige Gott! Ihn grenzt nicht Raum, ihn grenzt nicht Zeit. Er ist der Einzige, dem nichts gleicht in seiner hehren Einzigkeit. Er ist nicht Form, ist nicht Gestalt, „der Heilige“, sich gleichend bloß. Der Urbeginn, vor allem Sein: Anfang, der selber anfangslos. So waltet er als Herr der Welt, von dessen Macht das All erzählt. Mit dessen Geist erfüllte er G-ttkünder, die er auserwählt. Nie stand, wie Mosche, einer auf, der je so klar sein Bild erschaut. Die wahre Torah gab uns Gott durch ihn, der seinem Haus vertraut. Und nie verwirft Gott sein Gesetz, nie gibt er es für ein anderes hin. Er schaut in unser Herz und weiß das Ende schon beim Anbeginn. Von ihm wird nach Verdienst und Schuld uns Lohn und Strafe einst zuteil. Die Zeit des G-ttesreiches kommt und bringt den Harrenden das Heil. Die Toten weckt er auf zur Zeit. Gelobt sei Gott in Ewigkeit. . . .

ברכות השחר | Morning blessings for waking up and starting the day, adapted by Andrew Shaw

In these still, quiet moments I am not asleep, and not yet awake. In the threshold of day and night, with the mixture of darkness and light, my body is once again coming to life. I am reborn, each day, from the womb of your compassion. May all of my actions be worthy of the faith you’ve placed in me. With words of thanks I’ll greet the dawn. . . .

Meditation on the Akeidah in Birkot haShaḥar by Shim’on Menachem

My God and the God of my ancestors,
My limbs, my heart, the tips of my fingers buzz with creation.
This body is Your instrument
Ready to move
On the knife’s edge of action. . . .

שירת הים | The Song of the Sea, sung with a Moroccan Nusaḥ by R’ Hillel Ḥayim Yisraeli-Lavery

According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later. . . .

Adventures in Ancient Jewish Liturgy: The Ten Commandments and the Sh’ma in the Nash Papyrus

Once upon a time, according to the Mishnah, it was the nusaḥ (liturgical tradition) of the Cohanim in the Bet Hamikdash[ref]Priests of the Temple in Jerusalem[/ref] for the Ten Commandments to be read prior to the Sh’ma. . . .

שמע | An illustrated meditation on the unification of imagination and awareness through empathy

When works are printed bearing shemot, any one of the ten divine names sacred to Judaism, they are cared for with love. If a page or bound work bearing shemot falls to the ground it’s a Jewish custom to draw up the page or book and kiss it. Just as loved ones are cared for after they’ve fallen and passed away, when the binding fails and leaves fall from siddurim and other seforim they are collected in boxes and bins and brought for burial, where their holy words can decompose back into the earth from which their constituent elements once grew, and were once harvested to become paper and books, and ink, string, glue. While teaching at the Teva Learning Center last Fall 2010, I collected all our shemot that we had intentionally or unintentionally made on our copy machine, or which we had collected from the itinerant teachers who pass through the Isabella Freedman Retreat Center on so many beautiful weekend shabbatonim. While leafing through the pages, I found one and kept it from the darkness of the genizah. . . .

שמע | Sh’ma: An Interpretation for the 21st Century by Rabbi Arthur Waskow

Sh’sh’sh’ma Yisra’el — Listen, You Godwrestlers! Pause from your wrestling and hush’sh’sh To hear — YHWH/ Yahh Hear in the stillness the still silent voice, The silent breathing that intertwines life; YHWH/ Yahh elohenu Breath of life is our God, What unites all the varied forces creating all worlds into one-ness, Each breath unique, And all unified; YHWH / Yahh echad! Yahh is One. Listen, You Godwrestlers! No one people alone owns this Unify-force; YHWH / Yahh is One. . . .

Adventures in Ancient Jewish Liturgy: the Birkat Kohanim

The earliest artifacts recording Jewish liturgy (or for that matter any Hebrew formulation found in the Torah) are two small silver amulets, discovered in 1979 by Israeli archaeologist Gabriel Barkay. He discovered the amulets in a burial chamber while excavating in Ketef Hinnom, a section of the Hinnom Valley south of Jerusalem’s Old City. The inscriptions on these amulets conclude with parts of the Birkat Kohanim (Priestly Blessing), the three-part blessing in which the Kohanim are instructed to bless the people of Israel in Numbers 6:22-27. The script in the amulets dates them approximately to the reign of King Yoshiyahu (late 7th or early 6th century BCE) predating the Nash papyrus, and the earliest of the Dead Sea Scrolls by four centuries. . . .

תחנון | Taḥanun, translated by Reb Zalman Schachter-Shalomi

My God! my soul is Yours my body is Your servant, take pity on what You have created; my soul is Yours and my body is Yours, God help us for Your sake. We come to You because we want to honor Your reputation. Help us in our moral struggle for the sake of Your reputation; because You are kind and compassionate. Forgive us, for there is so much we need to be forgiven for. . . .

After Shaḥarit: Abiding Advice for Daily Living by Eliyahu Carmi (1767) translated by Abe Katz

In Avignon, France, in 1767, Eliyahu Karmi (Elijah Crémieux) compiled a siddur preserving the nusaḥ of the Comtat Venaissin titled the סדר התמיד (Seder HaTamid). Just after the section for תפלת שחרית (the morning prayers), Karmi provides the following advice for how to organize one’s workday: . . .

The Samaritan Prayerbook for Weekday Evenings & Mornings

This is the beginning of an Israelite-Samaritan daily prayerbook. This work is still very much in progress. The file includes the title page, the Samaritan equivalent of “birkot hashahar” (the early morning blessings before prayer), and the first couple of pages of actual prayer. It is all in Samaritan script, an offshoot of paleo-Hebrew which developed after the Jews had already switched to today’s square “ashurit” script. . . .


בסיעתא דארעא