“Bore ‘Ad Anah” is a kinah recited in a number of Sephardic communities on Tisha B’av (or in some cases on Shabbat Hazon, the Shabbat preceding Tisha B’av), particularly in the Spanish-Portuguese and North African traditions. The author is unknown, but his name is likely Binyamin based on the acrostic made up of the first letters of the verses. In the kinah, the Children of Israel are compared to a wandering dove caught in a trap by predators, crying out its father, God. The kinah was likely written as a poignant response to the Spanish Inquisition, appropriate to Tisha B’av since the expulsion of the Jews from Spain occurred on the 9th of Av in the year 1492. The version presented here was likely censored, as many manuscripts have the fifth verse presented in the following manner directly calling out their Catholic oppressors,” יועצים עליה עצות היא אנושה זרים העובדים אלילים שלושה אם ובן ורוח כי אין להם בושה גדול ממכאובי.” “They counsel against her and she languishes, the strangers who worship three idols, father, son and spirit, for they have no shame and great is my suffering.” . . .
[For this translation, I used] two translations of Laments, [and] the book of mourning poems read on Tish’a B’Av. Chapters 1, 2, 4 and 5 were translated by Rabbi David Mevorach Seidenberg, with attention to the principles of the Buber-Rosenzweig Bible. This translation strives to be “concordant” by translating related Hebrew words with related English words, and by following the order and syntax of the Hebrew as much as possible. In some cases alternate translations are given, indicated by a slash. This translation also focuses on the more physical, earthy meaning of words, drawing the reader from modern thought patterns towards more ancient ways of seeing and feeling. Chapter 3 is partly retranslated from James Moffat’s 1922 translation. Moffat followed the principles of “idiomatic” translation, recasting the Hebrew according to the word order, meaning, and sense of everyday English. Moffat, more than most idiomatic translators, evokes the emotional depth of the Hebrew. For brief essays on the theology of Eikhah and links to songs, see the end of this booklet. . . .
The 7th of Adar is the traditional date for the yahrzeit of Moshe Rabbeinu and it is also remembered as the day of his birth 120 years earlier. This variation of of the piyyut, Hanenu Yah Hanenu (Forgive Us Yah, Forgive Us), sung on 7 Adar, is attributed to Rabbi Yosef Ḥayyim of Baghdad (the Ben Ish Ḥai, 1832-1909). The earliest published version we could find appears in בקשות: ונוסף עוד פתיחות ופיוטים הנוהגים לומר בזמה הזה (1912) containing piyyutim by Israel ben Moses Najara (1555-1625), a Jewish liturgical poet, preacher, Biblical commentator, kabbalist, and rabbi of Gaza. The contemporary audio recording of the Iraqi nusaḥ presented here was made by משה חבושה (Moshe Ḥavusha). . . .
The 7th of Adar is the traditional date for the yahrzeit of Moshe Rabbeinu and it is also remembered as the day of his birth 120 years earlier. This variation of of the piyyut, Tsa’akah Yokheved, popularly sung on 7 Adar, is first attested in a 1712 Sepharadi mahzor published in Amsterdam, as transcribed above with some minor changes with the contemporary audio recording of the Iraqi nusaḥ made by משה חבושה (Moshe Ḥavusha). (The piyyut appear without niqqud.) An older version (perhaps the original version), attributed in the Maagarim database to Shmuel Shlomo and dated before 1050 CE, is attested in two manuscripts: “London, British Library 699” and “Berlin, Staatsbibliothek, Ham. 288”. Ibn Ezra (1089-1167) quotes a stanza from the version we have presented here (“וכבד אמי אחרי התנחמי”) indicating that this version may be at least as old. . . .
“A Memory’s fire burns within me still” was adapted by Andrew Meit from Gabriel Seed’s translation of the kinah, Aish Tukad b’kirbi (“A Fire Shall Burn Within Me”). . . .
“Alelai Li” is a kinah recited on the morning of Tisha bAv. It was written by HaKalir around the 7th century. According to the Koren Mesorat HaRav Kinot, it is number 17 of 50. The title is the refrain of the poem and is an onomatopoeic whimper (try saying it aloud, focusing on the alliteration). It is difficult to translate the opening word “im” which means “if” or “should”. This is an allusion to Job 10:15, “If I have done evil, then woe unto me.” I have decided to translate the kinah not in the conditional tense (which would render “If these horrible things happened, then woe is me!”) but as a lament upon memory; however, the former would be a more accurate (if not more awkward in English) translation. Adding to the awkwardness of the poem’s language is the feminine conditional verb that each line has after the word “im”. I have maintained this strange verb tense and placement in my translation by using the English progressive tense. The kinah ends with a collection in lines in a different meter suggesting that the Holy One (and the paytan himself) is angered that the Jewish people announce their sufferings but not their transgressions. . . .
“Oy Meh Haya Lanu” is a kinah traditionally recited on the night of Tisha b’Av directly after the reading of Eikha. According to the Koren Mesorat HaRav Kinot, it is number 1 of 50. The title is the refrain of the poem, a reflective lament. This kinah is based on the fifth and final chapter of Eikha, taking the opening phrase of each line of the megillah as the first line of each couplet and poetically expanding the description for the second. This translation is an attempt to convey the vulgarity and horror of the paytan’s depiction of the destroyed Jerusalem in vernacular English. The kinah ends just as the megillah ends, with the four verses of pleas for redemption. . . .
Az Bahalokh Yirmiyahu is a kinah, “based on Eikhah Rabati Petikhta 24, in which Jeremiah says to God: “I am like a father who prepared to take his only son to be married, and the son tragically died under the wedding canopy. Do you not feel any pain for me or for my son?” God responds: “Go and rouse Abraham, Isaac, Jacob and Moses from their graves, for they know how to cry…” (Daniel Goldschmidt, Seder Kinot le-Tisha b’Av, Jerusalem, 1972, 98). . . .
“V’ahimah Miyamim Yamimah” is a kinah that recounts the tragic tale of the children of Rabbi Yishmael as told in the Babylonian Talmud (Gittin 58a). The handsome brother and fair sister were separated and sold into slavery during the conquest of Jerusalem. Their respective masters, not knowing the two were siblings, paired them with the intent of creating beautiful offspring. In their shared cell, the two wept all night until morning, when they recognized one another. They cried on each other’s necks until their souls departed from their bodies. The narrator of our story laments their terrible fate, ending each verse with a haunting refrain: “And so I will wail for all time.” . . .
Aish Tukad is a kinah for Tisha B’av, usually recited towards the conclusion of the set of dirges for the morning service (in Goldshmidt’s numbering, it is number 32 of our 46 Kinot). According to Goldshmidt’s introduction, the structure of this Piyyut is based on a Midrash in Eicha Zuta 19, where Moses’ praises for God and Israel are seen as parallel to Jeremiah’s laments, thus creating the concept of a comparison between the joy of the Exodus and the pain of the Temple’s destruction. . . .
Mourn Zion and her cities, like a woman in her birth pains, And like a maiden wrapped in sack-cloth for the husband of her youth Mourn the palace that was abandoned in the sheep’s negligence of its flock, and for the coming of the revulsion of God within the Temple’s rooms. For the exile of the servants of God, who sing her songs, and for their blood that was spilled like the waters of her rivers. . . .
Why is the military victory of the Maccabees not referred to in the Mishna or Gemara but is mentioned only in later writings and in the prayer of Al Ha’Nissim? . . .
Long ago there came a Ḥassid, visiting from Vitebsk to see his Rebbe. Struggling up hills, over cobblestones, through narrow alleyways, the Ḥassid came panting, shaking, to the door of a pale and quiet synagogue. So pale, so quiet was this shul that the pastel paintings on the wall and ceiling stood out as though they were in vivid primary colors. As the Ḥassid came into the shul, he saw his Rebbe high on a make-shift ladder, painting a picture on the ceiling above the bimah. . . .
We pray for those of us Who are so angry That we have lost compassion for the suffering Of anyone who is not a member of our group. And we pray for those of us Who cannot see the suffering Behind the loss of that compassion. We pray for the strength To resist the urge to inhumanity That we feel in times of fear and mourning. We pray for the courage To resist the calls to inhumanity That others may make upon us in times of crisis. . . .
Tisha b’Av, the ninth day of the month of Av, has historically been a day to mourn the Destruction of the First and Second Temples, centers of Israelite practice before the rise of Rabbinic Judaism (First Temple 975 BCE – 586 BCE; Second Temple 515 BCE – 70 CE) and the exiles that followed those destructions. Over the course of Jewish history this day of mourning and fasting has also come to commemorate many other tragedies that have befallen the Jewish people throughout history. This year we are beginning a new tradition. We are suggesting that in addition to, or instead of (depending on the norms of your community and personal practice) the traditional observance of Tisha b’Av, the time has come to use this powerful day to mourn the ongoing destruction of the “temple” that is our Earth, a tragedy for all peoples, creatures and living things, but one that is not complete and thus, with sufficient will and action, is in part, reversible. . . .
This Friday (13th December) is Asarah B’Tevet (10th of Tevet), one of the minor fast days in the Jewish calendar. Mechon Hadar’s Rabbi Ethan Tucker provides an overview of the various halakhic issues that are raised by a fasting on a Friday due to the upcoming Shabbat – how do we balance the tragedy of the fall of Jerusalem in 6th century BCE, which our fasting commemorates, with the joy of Shabbat? . . .
During the time before there was a State of Israel, those ideals in our hearts which we tried to practice and which we wanted others to practice, seemed not achievable where we were because, we felt we had no influence over our world where we were. And so, the longing for our homeland was tied into the longing for our dreams and our vision. Now that the state of Israel is with us, our dreams and our visions still remain distant from our lives and therefore when we say the Tisha B’av prayers we need to remind ourselves of the distance between that which we would have in this world and that which we do have. . . .
Supplemental prayers for the Birkat Hamazon on Tisha b’Av, Tu b’Av, and Shabbat Naḥamu by Gabriel Wasserman . . .
Sovereign of the Universe, accept in lovingkindness and with favor our prayers for the State of Israel, her government and all who dwell within her boundries and under her authority. Reopen our eyes and our hearts to the wonder of Israel and strengthen our faith in Your power to work redemption in every human soul. Grant us also the fortitude to keep ever before us those ideals to which Israel dedicated herself in her Declaration of Independence, so that we may be true partners with the people of Israel in working toward her as yet not fully fulfilled vision. . . .
The idea that tragedy and disaster are punishment for our sins is alien to most most modern Jews. The author(s) of Eikhah believed that what happened to Zion was divine punishment. (This is one reason why it is hard to connect the Holocaust with what we mourn on Tish’a B’av.) Besides the obvious consolation of believing that the tragedy had meaning, the reader might also consider that for the ancients, the two choices were to believe that the destruction was punishment, or that God simply had no interest in them. It is easy to imagine why people would choose the image of a punishing God over the complete absence of God – though the latter possibility is suggested in the very last line of the text, before we go back to repeat the more comforting line “Turn us…” . . .