בסיעתא דשמיא

Israelite Samaritan Kiddush for the Shabbat Evening Meal, translated by Benyamim Sedaka

Benyamim Sedaka’s English translations of the Israelite-Samaritan “Blessing on the Food” (Kiddush) and Abraham ben Marchiv Tsedaka Hassafari’s opening to the Friday night Shabbat meal . . .

פרק שירה | Perek Shirah (Chapter of Song), a hymn of creation

Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. . . .

אשת חיל | Eyshet Ḥayil (Proverbs 31:10-31) For an Accomplished Woman, translated by Rabbi Zalman Schachter-Shalomi

Rabbi Zalman Schachter-Shalomi’s interpretive translation of Proverbs 31:10-31, popularly read before the first festive meal for shabbat on Friday night. . . .

אשת חיל | An adaptation of Eyshet Ḥayil by Alex and Peri Sinclair

A woman of valour who can find?
For her price is far above rubies.

The heart of her husband does safely trust in her,
And he has no lack of gain.

She does him good and not evil
All the days of her life.

My beloved is mine, and I am his,
That feeds among the lilies. . . .

Motzi — a kavanah before eating challah

Trisha Arlin shares “Motzi”, a kavanah (intention) for the blessing, Hamotzi Lehem Min Ha’aretz, over challah. Describing the kavanah she writes that it’s, “based on Rabbi Ellen Lippmann’s tradition on having us create a chain of touch around room that leads to and from the challah, which she then explains as both exemplifying the connection created when people eat together and the chain of work that went to creating the challah itself.” . . .

קידוש של שבת ט״ו בשבט | Shabbat Kiddush of Liberation for Shabbat Tu Bish’vat by Mark X. Jacobs (1993)

We call to sukkat shalom, the shelter of peace, all of our various selves To rest from the contortion of social life and the demands of others. We liberate ourselves and each other from roles and titles labels and closets positions and pretendings internalized oppressions and oppressive projections hierarchies and competition. . . .


בסיעתא דארעא