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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice | ||
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May 2010 Geshem and tal: rain and dew. We pray for each in its season, geshem all winter and tal as summer approaches…not everywhere, necessarily, but in the land of Israel where our prayers have their roots. In a desert climate, water is clearly a gift from God. It’s easy for us to forget that, here with all of this rain and snow. But our liturgy reminds us. Through the winter months, during our daily amidah we’ve prayed “mashiv ha-ruach u-morid ha-gashem” — You cause the winds to blow and the rains to fall! We only pray for rain during the rainy season, because it is frustrating both to us and to God when we pray for impossibilities. . . . נֻסְחָאוֹת | A Historical Map of Jewish Liturgical Influence and Variation, by Aharon Varady after Joseph HeinemannMaps showing the relationship between the nusḥaot are quite helpful to us. The Open Siddur Project is seeking to digitize all the extant nusḥaot witnessed in siddurim and other manuscripts, in order to show the evolution of individual prayers and blessings. This will helpfully represent at least the textual diversity of Jewish spiritual expression in the many geographically dispersed Jewish communities over the past three thousand years. I also hope that representing this diversity in t’fillah will be an inspiration to individuals engaging in davvening as an intellectually engaged and creative discourse speaking across generations. The extent to which we’ll be able to realize this vision will be limited to how many source texts we’ll be able to identify, transcribe, and share with open standards and free culture licenses. Seeing that the design of the map appearing in Hoffman’s book left much to be desired, I redesigned it for clarity while adding some additional nusḥaot. I hope that the following map based on Joseph Heinemann’s work will help inspire fellow researchers to contribute to this project. . . . Categories: Liturgical traditions For a relationship as intimate as that with one’s own spirit, we might assume that the only spiritual tools provided to individuals have this degree of personalization, but this of course, is not so. Printed siddurim were designed with other goals in mind. As a technology the siddur only became widely adopted by the Jewish public in the mid-19th century. Printers of siddurim have designed their siddurim to appeal to mass markets, each edition of the siddur representing a specific communal custom, and when translated, the specific language of a community. It’s no surprise then that for many Jews their spiritual identity is closely mapped to the liturgical variations represented by their Siddurim. . . . | ||
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