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 Contributor(s): |
Isaac Seligman Baer and Jonah Rank
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Mourning, Ḳaddish
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19th century C.E., English Translation, personal, תחינות teḥinot, Without a Minyan, 57th century A.M., Memorial prayers, Paraliturgical Mourner's Kaddish, קדיש יתום Mourner's Ḳaddish, prayers of orphans, Needing Source Images, Needing Attribution
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Please Lord, Sovereign of Compassion, God, Arbiter of the spirits of all flesh, Parent of Orphans and Judge of widows: God, from the source of Your holiness! May my prayer and the Torah of life that I have learned come before you on account of the soul . . . |
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| Contributor(s): |
Eli Steier
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| Categories: |
Learning, Study, and School
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children, אחדות aḥdut (togetherness), public performance, 21st century C.E., 58th century A.M., Prayers of Jewish Educators, Lehrer, Teacher, professional intention
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I wrote this kavvanah a few years ago. At that time I lived in Ithaca, NY. I was a substitute teacher in the Ithaca Central School District. There was a community event at Fall Creek Elementary school, and the way families, faculty, students, and people from the area came together inspired the poem. . . . |
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| Contributor(s): |
Miriam Rubin
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| Categories: |
Yom Kippur, Repenting, Resetting, and Forgiveness
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וידוי vidui, סליחות seliḥot, North America, זמן תשובה Zman teshuvah, 21st century C.E., 58th century A.M., New York, על חטא Al Ḥeyt, Prayers to self, Correspondence to self, Correspondence as prayer
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A prayer of forgiveness to convey to one’s inner and vulnerable self during the period of sometimes unrelenting and harsh introspection prior to the blessing for rain. . . . |
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| Contributor(s): |
Seth (Avi) Kadish
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| Categories: |
TaNaKh (Torah, Nevi'im, Ketuvim)
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תנ״ךְ TaNaKh, sourcetext, 21st century C.E., 58th century A.M., Masoretic Text, critical texts
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Miqra `al pi ha-Mesorah is a new experimental edition of the Tanakh in digital online format, now available as a carefully corrected draft of the entire Tanakh. Two features make this edition of the Tanakh unique: Full editorial documentation and a free content license. Full editorial documentation: Various editions of the Torah or Tanakh in Hebrew may seem identical to the untrained eye, but the truth is that each and every edition—from Koren to Breuer and from Artscroll to JPS—makes numerous important editorial decisions. In most editions these decisions are not transparent, and the student of Torah therefore relies upon the good judgment of the editor. But in Miqra `al pi ha-Mesorah the entire editorial process and the reasoning behind it are fully described in all of their details: Every stylistic alteration and every textual decision made regarding every letter, niqqud, and ta`am in the entire Tanakh is documented. . . . |
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