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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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2015 —⟶ February 🡄 (Previous month) :: 📅 January 2015 📅 March 2015 :: (Next month) 🡆 📅 Resources published in February 2015 Sorted Chronologically (old to new). Sort most recent first? In the weeks leading up to the birth of our first child in 1997, my partner and I spent a lot of time thinking about the brit. Whether it was a boy or a girl we knew that we would have a celebration. If it was a boy we would have a brit, yet we were not happy with the ceremony as it stood. If it was a girl we needed a ceremony which was equally powerful and yet didn’t draw blood. In response to these two concerns I wrote a liturgy for what I called a chag hachnassah labrit/celebration of entering the covenant which could be easily adapted to boys and girls, and I wrote a piyyut (a liturgical poem) for a milah/a circumcision. Categories: Tags: Contributor(s): I wrote this brachah on the occasion of my son Oryah’s bar mitsvah. The Aramaic/Hebrew and the translation are mine. My partner and I recited the blessing after my son was called up to the Torah. The brachah replaces the ברוך שפטרנו which is recited in some communities. This blessing (which is basically self-explanatory) expresses gratitude for Divine favor leading to this moment and a prayer for Heavenly guidance for my son’s continued path. Though the translation is gender neutral in relation to God, the Hebrew/Aramaic is gendered masculine. This is my practice with regards to my children. I bless my daughter with feminine God language and my son with masculine God language. The blessing can be grammatically adapted for a bat mitsvah. One of the most well-known of the kinot (liturgical poems for mourning), Eli Tsiyon v’Areha is an alphabetical acrostic describing the destruction of Jerusalem. It is recited towards the conclusion of ḳinot, due to the hopeful note in the comparison of Zion to a woman about to give birth, thought by many to be a messianic reference. The author of the work is unknown. Categories: Tags: Contributor(s): My God! Categories: Tags: Contributor(s): | ||
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