This replacement barkhu arranges multiple Biblical verses in a catena. It is introduced and closed with verses from the book of Neḥemiah, verses often considered the source for the custom of calling to prayer. In between are poetic texts from the Song of Deborah and from Psalms that direct the term “Barkhu” — the plural imperative “Bless ye!” — at God. It could be recited alone in the location where the Barkhu would traditionally be recited, or said aloud in a community when no minyan is available. Alternatively, it could be used WITH a minyan as a text to introduce the Barkhu, a new step in of a line of poetic introductions to the service written for multiple generations. . . .
This text uses the passage for the Askenazi nusach of the Modim d’Rabbanan and incorporates it into an extended version of the Modim, slightly editing it so as to fit more appropriately and so as not to repeat the word “modim” (which is forbidden on the grounds of appearing, ḥas v’shalom, to pray to multiple deities—see Berakhot 33b). It was first written for a separate project by the editor (https://opensiddur.org/prayers/lunisolar/musaf/dukhening-in-a-musaf-amidah-after-a-heykhe-qedushah-by-isaac-gantwerk-mayer/) but here it can be found alone. It can be silently recited when praying alone or after a heykhe kedusha, to replace the first paragraph of the Modim prayer. . . .
This text takes the basic idea of the Baladi-rite ‘Brikh Shmeh d’Kudsha Brikh Hu’ and adapts it for the Askenazi nusach of the Kaddish. It can be used when praying alone wherever a minyan would say the entire Kaddish. It could also be recited by a community in unison out loud when it can’t make a minyan, to show that even if we don’t have a full minyan, we still welcome mourners as part of our community. . . .
The United Synagogue of America (now knows as the United Synagogue of Conservative Judaism) compiled this Hebrew-English maḥzor for the three regalim (pilgrimage festivals: Pesaḥ, Shavuot, and Sukkot with Shmini Atseret.) Rabbi Dr. Louis Ginzburg was among the editors and writers who helped to compile the maḥzor. . . .
Based upon the Seder Teḥinot al Bet Almin, by Rabbi Yaaqov Sinna (ca. 1615), a collection of teḥinot for when visiting the graves of loved ones, as well as additional prayers for sick relatives and for women approaching childbirth. . . .
A hymn-book containing not only traditional Jewish hymns, but also others of Christian origin (“adapted for Jewish worship”). Upon it was based the Union Hymnal, which was subsequently adopted by Reform congregations in the United States. . . .
The Italian Jewish community is one of the oldest continuous Jewish communities on the planet, dating back to the Roman empire at the latest.The Italian Jewish nusaḥ preserves several archaic practices that Ashkenazi and Sephardi rites no longer follow, many of which were found in gaonic siddurim and preserved only among the Italians. One fascinating custom of the Italian Jews is the recitation of what Ashkenazim and Sephardim call “Kol Nidrei” not in Aramaic, but in Hebrew, under the name “Kol N’darim.” This custom, also found among the Romaniotes of Greece, is elsewhere only found in the siddur of Rav Amram Gaon. The text included here is transcribed, niqqud and all, directly from a 1469 Italian-rite siddur found in the British Library. The scribe uses several non-standard vocalizations, which have been marked in editors’ notes. . . .