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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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2021 —⟶ March 🡄 (Previous month) :: 📅 February 2021 📅 April 2021 :: (Next month) 🡆 📅 Resources published in March 2021 Sorted Chronologically (old to new). Sort most recent first? A rhyming translation of the pizmon for maariv on Yom Kippur. The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): The cosmological piyyut, Adon Olam, in its Ashkenazi variation in Hebrew with an English translation. Categories: Tags: 11th century C.E., 49th century A.M., ABCB rhyming scheme, אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim, rhyming translation Contributor(s): An English translation of an abridged arrangement of the piyyut, Adon Olam. Categories: Tags: 11th century C.E., 49th century A.M., אדון עולם Adon Olam, cosmological, חתימות ḥatimot (concluding prayers), Openers, פיוטים piyyuṭim Contributor(s): A rhymed translation of the piyyut sung following the Havdallah ritual. Categories: Tags: 11th century C.E., 49th century A.M., Acrostic signature, המבדיל בין קדש לחל Hamavdil Bein Ḳodesh l'Ḥol, הבדלות havdalot, נעילה neilah, פיוטים piyyuṭim, rhyming translation Contributor(s): A millennium-old tradition, recorded by Rav Sherira Gaon in 10th-century Iraq. He would always have three cooked foods on the seder plate. The egg, a product of the birds of the sky, a sign of renewal and rebirth, represented Moses, the law, the heavens, and the revelational aspects of faith. The shankbone, a product of the animals of the field, a commemoration of the original Pesaḥ sacrifice, represented Aaron, the priesthood, the earth, and the ritual aspects of faith. And the fish, representing the constant flowing nature of water, represented Miriam, prophecy, the waters, and the spiritual aspects of faith. Categories: Tags: 10th century C.E., 47th century A.M., Geonic prayers, haggadah supplements, miriam's fish, סגולות segulot, סימנים simanim, symbolic foods Contributor(s): Rav Saadia Gaon lists three additions to the Seder Pesaḥ which he considers not necessary, but acceptable. This is the first, a poetic version of the Kiddush. Interestingly enough, it is still recited in many Yemenite communities, which are in general less likely to incorporate poetic sections to their liturgy. Here it is recorded and translated into English according to two nusḥaot — that recorded in the siddur of Rav Saadia (marked in blue), and that recorded in modern Yemenite texts (marked in red). In cases where only the spelling differs rather than the meaning, the editor generally went with Rav Saadia as the older variant. Categories: Tags: 47th century A.M., 9th century C.E., Geonic prayers, קידוש ḳiddush, Needing Source Images, Yemenite Jewry Contributor(s): Rav Saadia Gaon lists three additions to the Seder Pesaḥ which he considers not necessary, but acceptable. This is the third, a poetic insert of the blessing of redemption known as Ata Ga’alta. In the form of an alphabetical acrostic, this poem is still recited in many eastern communities including the Babylonians, Persians, and Yemenites, and was a feature of the the old Kaifeng rite. Here it is recorded and translated into English according to the nusaḥ of Saadia Gaon, with notes in several locations for additional phrases used in some customs. The ancient Jewish community of Djerba, an island off the coast of southern Tunisia, has many unique customs and practices. Among them is that during the Maggid, after the citation of Joshua 24:2-4 and before the paragraph beginning “Praise the One who keep faith with the people Israel,” an extensive work in Judeo-Tunisian Arabic is recited, telling the well-known story of Abraham’s realization of divine unity and his ordeal in the oven of fire. Here is a transcript of that text, vocalized according to the original manuscripts, transcribed, and translated into English and modern Hebrew. Categories: Tags: Contributor(s): In many eastern communities, including the communities of Aleppo and Yemen as well as the haggadah of Ḥakham Ovadia Yosef, this text is added to the extrapolation of the First Fruits declaration found in the Pesaḥ Maggid. Specifically, it is found after the citation of Exodus 12:12, specifically within or after the passage concluding “…who is Me and there is no other.” Categories: Tags: Contributor(s): Emunim ʿIrkhu Shevaḥ is a brief piyyut recited in North African communities in Rabban Gamliel’s list, between Pesaḥ and Maror. It spells out “Aaron the Priest” as an alphabetical acrostic, but it is uncertain whether this is an authorial signature or a mystical reference to the Biblical figure. Categories: Tags: Contributor(s): An alphabetic acrostic pizmon for seliḥot and Yom Kippur with an alphabetic acrostic English translation. The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: 44th century A.M., 7th century C.E., acrostic, Alphabetic Acrostic, Latin translation, אומץ גבורתיך Omets G'vuratekha, פיוטים piyyuṭim Contributor(s): This is Ha Laḥma Anya in Aramaic with translations in Ladino and English, from the Passover Seder Haggadah of Rabbi Emily Aviva Kapor-Mater, Haggadah Shir Geulah (2015, v.2.1/2016). This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” The alphabetic acrostic piyyut, Adir Hu, in its Latin translation by Johann Stephan Rittangel as found in his translation of the Pesaḥ seder haggadah, Liber Rituum Paschalium (1644). Categories: Tags: 17th century C.E., 55th century A.M., acrostic, אדיר הוא Adir Hu, Alphabetic Acrostic, Latin translation, פיוטים piyyuṭim, זמירות zemirot Contributor(s): The piyyut, Dayenu, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: Contributor(s): The piyyut, Omets G’vurotekha by Elazar ha-Qalir, in its Latin translation by Johann Stephan Rittangel. Categories: Tags: 43rd century A.M., 5th century C.E., acrostic, Alphabetic Acrostic, אז רוב נסים Az rov nisim, Latin translation, פיוטים piyyuṭim Contributor(s): The color of beets, which never leaves our hands, symbolizes the teachings of the sages, which are still passed down. And the redness symbolizes the blood of the covenant, still there after all these years. Categories: Tags: 3rd century C.E., 41st century A.M., beets, haggadah supplements, סגולות segulot, סימנים simanim, symbolic foods Contributor(s): | ||
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