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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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תפלה למשה | Prayer of Gratitude at the Consecration of the Montefiore Synagogue at Ramsgate, by Sir Moses Montefiore (1833) Contributor(s):This prayer by Sir Moses Montefiore appears in Order of Service at the Dedication of the Synagogue Founded by Moses Montefiore and Judith his Wife, in commemoration of the happy event of their visit to the holy city of Jerusalem, the inheritance of their forefathers and as an humble tribute to the Almighty for his great and manifold blessings (Ramsgate: 30th Sivan (16th June) 5593 [1833]. — Eve of Rosh Ḥodesh), pp 9-10. . . . אֵל שְׁמֹר הַמֶּֽלֶךְ | God Save the King (Hebrew translation with an additional stanza by Hyman Hurwitz 1831) Contributor(s):“God Save the King” was originally written by an unknown author and circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation, “El Shemor haMelekh,” as translated by Hyman Hurwitz with an added fourth stanza, was first published in his The Etymology and Syntax of the Hebrew Language (1831), pp. 276-279, during the reign of King William Ⅳ (1765-1837). . . . Contributor(s):There are various traditions as to the numbering of the commandments, as well as the enumeration of verses of the Decalogue, the Ten Commandment. In this transcription of the Ladino text we are following the numeration of verses according to the Constantinople Codex of 1547 C.E., as edited by the great scholar Professor Moshe Lazar (z”l) of the University of Southern California in 1988. This newly typeset text is an original transcription by Reb Shmuel Gonzales, of the Boyle Heights Chavurah – of the grassroots Jewish community of East Los Angeles, California; transcriber and editor of Sephardic texts for the Open Siddur Project; in celebration of Shavuot of 5783, and published in May of 2023. . . . Contributor(s):In many eastern Sephardic and Mizraḥi communities, there is a custom that a poetic “ketubah,” or marriage-contract, is recited before the Torah service on Shavuot. This custom, based on the midrashic idea that the Torah is the ketubah for the marriage between the bride Israel and the groom God, is beloved by the ḳabbalists. By far the most commonly used Shavuot ketubah is that of the great paytan and meḳubal Yisrael ben Moshe Najara, who wrote the following some time in the sixteenth century. This is a new translation of Najara’s poem. . . . Gaudeamus Igitur | אָז עוֹדֶֽנּוּ צְעִירִים | Az Odenu Tse’irim (So, let us rejoice), a Hebrew translation by Isaac Gantwerk Mayer of De Brevitate Vitæ (1287) Contributor(s):An original Hebrew translation of the popular medieval commercium song and graduation anthem “De Brevitate Vitæ,” more commonly known as “Gaudeamus Igitur.” First attested in 1287, this Latin poem is irrevocably associated with college life for academics all over the world. It has been translated into many languages, and this Hebrew edition can be added to the list. . . . Contributor(s):“Elimelekh G’la” is a Byzantine-era Western Aramaic poetic retelling of the Book of Ruth. It was probably originally used as part of the liturgy for Shavuot, perhaps as a poetic addition to the recitation of a Targumic interpretation of the Book of Ruth. (The verses from Ruth and Psalms appended to the coda of the piyyuṭ would suggest such a Sitz im Leben.) But in any case, it has a great acrostic structure and rhyme scheme, and ought to be preserved! Here is included a vocalized text, largely based on the unvocalized text compiled in Jewish Palestinian Aramaic Poetry from Late Antiquity (ed. Yahalom and Sakaloff, 1999) where it’s the tenth poem recorded. ‘ve added a rhyming poetic translation that preserves the Hebrew acrostic. Credit to Laura Suzanne Lieber’s literal translations of these poems (in Jewish Aramaic Poetry from Late Antiquity: Translations and Commentaries, 2018), which have served as a very helpful resource for the project. . . . |
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