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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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2026 —⟶ July 🡄 (Previous month) :: 📅 June 2026 📅 August 2026 :: (Next month) 🡆 📅 Resources published in July 2026 Sorted Chronologically (old to new). Sort most recent first? An ofan for Tu b’Av, the second part of an intended cycle of yotsrot. Structured around Hosea 11:1 and Ezekiel 3:12, and focusing on the bridal love between Israel and God as well as the corresponding of Israel’s and angelic hymning. Written in honor of my friend Eliran’s anniversary. Categories: Tags: 21st century C.E., 58th century A.M., acrostic, Acrostic signature, ofanim, פיוטים piyyuṭim, יוצרות yotsrot Contributor(s): Romani Siddur Leţedacah (2026) by Alex Carstea is a complete siddur for weekdays, shabbat, and festivals in Romanian translation (without Hebrew text). Categories: Tags: Contributor(s): In the era of the Sanhedrin, every fast day would have a Ne’ilah service between Minḥah and the conclusion of the fast. While these are no longer in practice for any days other than Yom Kippur, the editor personally feels like it could be worth bringing them back. The following is a fourth blessing for the Amidah intended to serve as the center of a Tishah b’Av Ne’ilah service, incorporating passages from other Tishah b’Av and Yom Kippur liturgies as well as some original passages. Categories: Tags: Contributor(s): This is a prayer of lament and warning for the sake of the lives of all the peoples of the land, and for the sake of the heart of the Jewish and Israeli people, to help us all resist the cruelty that beckons. Dedicated to Awdah al-Hathaleen, whose spirit and kindness and courage remain with us. A ritual and liturgy for Jews who have felt compelled to withdraw from friendships, organisations, or social and religious environments in which antisemitism, hostility towards Israel, or the dismissal of Jewish grief had become tolerated or normalised. It is intended particularly for those who have already established a practical boundary—by leaving, blocking, unfollowing, or ending a relationship—and who need a Jewish ritual through which to acknowledge the resulting grief and affirm their dignity, solidarity, and continued connection to the Jewish people. In the style of the full Eliyahu haNavi piyyuṭ recited by some communities every Havdalah, a piyyuṭ in honor of Seraḥ bat Asher, retelling the events of her life according to the midrashim. This is not the first time I’ve written a Havdalah piece on Seraḥ, the distaff counterpart to Elijah in the midrash. She also inspired this shorter song. Like the full Eliyahu haNavi piyyuṭ, this is in three-line rhyming stanzas with a repeated refrain. Unlike it, it is in a tashraq reverse alphabetical acrostic, followed by an authorial tag — this time using a matronymic. Categories: Tags: 21st century C.E., 58th century A.M., Acrostic signature, הבדלות havdalot, פיוטים piyyuṭim, Psychopomp, reverse acrostic, Seraḥ bat Asher, זמירות zemirot Contributor(s): This is an original Hebrew tehillah/piyyuṭ that I composed in January 2025 for my local Nash Didan (Persian-Azerbaijani-Assyrian-Jewish) community. The composition weaves together classic liturgical motifs, echoing the themes of Psalms 1, Ashrei, and Aleinu, while remaining a distinct, contemporary composition. It may be recited during Pesuqei d’Zimra, as a supplementary reading near the conclusion of a service, or however best its cadence speaks to the heart of the worshipper—be it chanted in the polyphonic chorus of a congregation or whispered in solitary devotion. The piyyut also functions as a Maskilic shibutz “domestication” of the Gathic Avestan manthras—an endeavor inspired by Rav Meshullam Zalman Schachter-Shalomi’s reclamation of universal sacred sparks, clothing ancient wisdom in the living vestments of the Holy Tongue. Categories: Tags: Contributor(s): מחזור ליום ראשון ושני של פסח Prayerbook for [the first and second day of] Pesaḥ is volume 5 in a set of maḥzorim reprinting Wolf Heidenheim’s arrangement of liturgy according to the Ashkenazi custom, accompanied by an English translation by Jenny Marmorstein, z”l (1920-2020). Categories: Tags: Contributor(s): מחזור ליום שביעי ושמיני של פסח Prayerbook for [the seventh and eighth day of] Pesaḥ is volume 6 in a set of maḥzorim reprinting Wolf Heidenheim’s arrangement of liturgy according to the Ashkenazi custom, accompanied by an English translation by Jenny Marmorstein, z”l (1920-2020). Categories: Tags: Contributor(s): This is the bilingual Hebrew-Croatian, nusaḥ Ashkenaz kol-bo (everyday) siddur of Rabbi Dr. Šalom Miroslav Freiberger, z”l (1903-1943): סדור רנה ותפלה Molitvenik (1938). תפלות ישראל Izraelitički Molitvenik is a bilingual Hebrew-Croatian everyday prayerbook in the liturgical custom of Ashkenaz, compiled and translated in 1891 by Rabbi Dr. Gavro Schwarz z”l (1872-1942). A Hebrew translation (and Jewish adaptation) of Julia Ward Howe’s abolitionist anthem “The Battle Hymn of the Republic” (1861). Categories: Tags: 19th century C.E., 57th century A.M., anti-racist, anti-slavery, Hebrew translation, marching songs, Needing Vocalization, Patriotic hymns, spirituals, United States, Slaveholders' Rebellion (1861-1865), זמירות zemirot Contributor(s): A pizmon (a seliḥah with a refrain, to be recited aloud) recited in the Sephardic rite for the seventeenth of Tammuz, Elohei Yeshuatenu, like most seliḥot for that day, features stanzas for each of the five tragedies that occurred on the day. But what’s unique about it is the legend of its author. This piyyuṭ is signed with the name Andreas, the signature of the legendary Jewish Pope Andreas, whose popular story can be found throughout the Jewish world. “Yom Nilḥamu Vi” is the reshut offered before the Barkhu preceding the Shaḥarit blessings before the Shema. It is the eighth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): “Nishmat Emunim” is the third reshut offered before Nishmat at the outset of the Zemirot (preceding Shaḥarit). It is the fifth reshut among the reshuyot in the Old Sefaradi Tiqun for Shabbat Ḥazon — the final shabbat before 9 Av. Categories: Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, phonetic acrostic translation, פיוטים piyyuṭim, רשויות reshuyot, rhyming translation, שבת חזון Shabbat Ḥazon Contributor(s): This is the first of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the first reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Alphabetic Acrostic, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut by Levi ibn al-Tabban is the second of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the second reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut by Shmuel (possibly Shmuel haNagid, although it is not found in his diwan) is the third of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is the third and final reshut recited before Nishmat at the outset of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut is the fourth of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is recited before the Ḳaddish prior to Barkhu and the blessings before the Shema of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): This reshut is the fifth of six reshuyot for the first sabbath of rebuke, Shabbat Divrei, the first Sabbath of Rebuke after 17 Tammuz. It is recited before Barkhu and the blessings before the Shema of the Shaḥarit service. Categories: Tags: 12th century C.E., 49th century A.M., acrostic, Acrostic signature, Nusaḥ Sefaradi, פיוטים piyyuṭim, רשויות reshuyot, שבת דברי Shabbat Divrei, Three Weeks of Mourning Contributor(s): | ||
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