🡄 (Previous day) :: 📅 9 July 2026 📅 13 July 2026 :: (Next day) 🡆 📅 Resources published on 12 July 2026 Sorted Chronologically (old to new). Sort most recent first? A ritual and liturgy for Jews who have felt compelled to withdraw from friendships, organisations, or social and religious environments in which antisemitism, hostility towards Israel, or the dismissal of Jewish grief had become tolerated or normalised. It is intended particularly for those who have already established a practical boundary—by leaving, blocking, unfollowing, or ending a relationship—and who need a Jewish ritual through which to acknowledge the resulting grief and affirm their dignity, solidarity, and continued connection to the Jewish people. In the style of the full Eliyahu haNavi piyyuṭ recited by some communities every Havdalah, a piyyuṭ in honor of Seraḥ bat Asher, retelling the events of her life according to the midrashim. This is not the first time I’ve written a Havdalah piece on Seraḥ, the distaff counterpart to Elijah in the midrash. She also inspired this shorter song. Like the full Eliyahu haNavi piyyuṭ, this is in three-line rhyming stanzas with a repeated refrain. Unlike it, it is in a tashraq reverse alphabetical acrostic, followed by an authorial tag — this time using a matronymic. Categories: Tags: 21st century C.E., 58th century A.M., Acrostic signature, הבדלות havdalot, פיוטים piyyuṭim, Psychopomp, reverse acrostic, Seraḥ bat Asher, זמירות zemirot Contributor(s): | ||
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