You are here:   📚︎ Compiled Prayer Books (Siddurim, Haggadot, &c.)   —⟶   Liturgical Prayerbooks   —⟶   Maḥzorim (Festival Prayerbooks)   —⟶   Maḥzorim for Regalim   —⟶   Maḥzorim for Sukkot   —⟶   📖 מַחֲזוֹר לְחַג הַסֻּכּוֹת (אשכנז) | Maḥzor l’Ḥag ha-Sukkot, arranged by Wolf Heidenheim (translation by Jenny…

📖 מַחֲזוֹר לְחַג הַסֻּכּוֹת (אשכנז) | Maḥzor l’Ḥag ha-Sukkot, arranged by Wolf Heidenheim (translation by Jenny Marmorstein 1967)

מחזור לחג הסכות Prayerbook for the Feast of Tabernacles (1967) is volume 8 in a set of maḥzorim reprinting Wolf Heidenheim’s arrangement of liturgy according to the Ashkenazi custom, accompanied by an English translation by Jenny Marmorstein, z”l (1920-2020). For services on Shemini Atseret (and Simḥat Torah), find the companion volume 9 in this set.

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This work is in the Public Domain according to the 1994 Uruguay Round Agreements Act due to the expiration of the term of copyright in its home country (50 years after publication in Switzerland).


TRANSLATOR’S PREFACE[1] This preface was only published in the front matter of the first volume of this set of maḥzorim. We’ve included it here to rectify that omission. 

A new English rendering of our liturgy for the most sacred days of the year obviously requires a word of introduction. The Hebrew text on which this present attempt is based, will be familiar to those who follow the German rite; and it might well be regarded as a form of perpetuation of the memory of our blessed martyrs that their own particular liturgy should have survived intact in far-flung areas of the English-speaking world.

My aim has been to combine intelligibility with dignity in contemporary English. Archaisms have been avoided wherever possible. For instance, the archaic second person singular is reserved for the Divine and the normal second person plural of current usage applied to human beings. With regard to interpretation, the German translation of the late Rabbi Dr. Selig Bamberger of Hamburg has been closely followed throughout the numerous passages of mediaeval poetry, which depend so largely on Scriptural and Aggadic allusions.

Finally, I must acknowledge my gratitude to my husband and the many friends who have been generous with their help and advice.

 

Notes

Notes
1This preface was only published in the front matter of the first volume of this set of maḥzorim. We’ve included it here to rectify that omission.

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