A collection of five teḥinot compiled for the use of German-Jewish women gravely concerned for the well-being of their husbands, fathers, and sons serving as military personnel during what became known as World War Ⅰ.

A small prayerbook for German-Jewish men serving as military personnel on behalf of the German Empire (Second Reich) during what later became known as World War Ⅰ.

Gebetbuch für israelitische Soldaten im Kriege (1914) was translated and arranged by Rabbi Dr. Max Grunwald for Jewish military personnel in the Austro-Hungarian Armed Forces in service to Kaiser Franz Joseph Ⅰ (1830-1916) during what became known as World War Ⅰ.

“Am Grabe einer jungen Schwester” by Lisa Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 547-549.

“Am Grabe eines jungen Bruders” by Lisa Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 546-547.

“Am Grabe des Gatten” by Lisa Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 544-545.

“Am Grabe der Mutter” by Lisa Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 540-541.

“Am Grabe der Eltern” by Anna Lachmann can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 538-540.

“Am Tage der Beschneidung” by Anna Lachmann can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 404-405.

This paraliturgical reflection of the piyyut “Lekha Dodi” by Lise Tarlau (“Lecho daudi”) can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 74-76.

This paraliturgical reflection of the prayer “Magen Avot” by Lise Tarlau (“Mogen owaus”) can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 79.

This paraliturgical adaptation of the piyyut Shalom Aleikhem by Lise Tarlau (“Engelsgruß. (Scholaum alechem.)”) can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 85.

This untitled prayer by Lise Tarlau for concluding the vidui prayers on Yom Kippur (“Sündenbekenntnis. (Widduj.)”) can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 217-218.

This paraliturgical prayer-poem, “Gebet während des Priestersegens (Ribbaunau schel aulom)” by Lise Tarlau, can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 318-319.

“Gebet eines jungen Mädchens am Neujahrsfeste” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 126-128.

“Zum Offenbarungsfeste” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 340-341.

“Gebet einer Mutter am Hochzeitstage ihrer Tochter” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 441-444.

“Gebet eines Waisenkindes” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 530.

“Der Schmerz” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 523-525.

“Olenu” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 80-81.

“Geschem” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 363-365.

This paraliturgical translation of “Haschkiwenu” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 78.

“Tal” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages 315-317.

“Nachtgebet eines Kindes” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 30.

“Abendlied” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 29.

“Beruria” by Lisa Tarlau is an eponymous ode provided as the preface to Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), pages v-viii.

“Schlußgebet” by Lise Tarlau can be found in Rabbi Max Grunwald’s anthology of Jewish women’s prayer, Beruria: Gebet- und Andachtsbuch für jüdische Frauen und Mädchen (1907), page 23.

An anthology of prayers (teḥinot) for Jewish women written in vernacular German by Rabbi Dr. Max Grunwald and thirty-one other authors including women.

“O Tag des Herrn!” is a paraliturgical Kol Nidrei by Leopold Stein. Here it is translated from German to English by the Unitarian minister Frederick Lucian Hosmer on behalf of the Reform rabbi Isaac S. Moses. Hosmer’s translation appears in Hymns and Anthems for Jewish Worship (ed. Isaac S. Moses, 1904), hymn №107 pp. 69-71.

Birkonim (bentschers) with table songs sung on the Sabbath with accompanying translations are now commonplace, but they not always were. The first major collection with accompanying translations was Dr. Leo Hirschfeld’s בזמרות נריע לו Die häuslichen Sabbathgesänge für Freitag⸗Abend, Sabbath⸗Tag und Sabbath⸗Ausgang (1898), an anthology of Sabbath table songs organized according to their traditional feast (Sabbath night, day, and Sabbath afternoon) in the Ashkenazi tradition.

“דיא חנוכה ליכט” by Morris Rosenfeld (1862-1923) p.132-134. It was translated from the Yiddish into English by Rose Pastor Stokes & Helena Frank and published under the title, “The Feast of Lights” in Songs of Labor and Other Poems (1914), p. 65-66. Another translation, by Helena Frank alone was published in Apples & Honey (ed. Nina Salaman 1921), p. 242-244. The German translation by Berthold Feiwel was published in Lieder des Ghetto (1902), p. 81-83, and illustrated by Efraim Moses Lilian.

This paraliturgical Birkat haMazon by Rabbi Arnold Kiss, “Étkezés utáni ima” (Magyar, 1897) and “Gebet nach dem Speisen” (German, 1907), was first published in his anthology of prayers for Jewish women, Mirjam on p.200-202 of the original Magyar edition and p.354-357 of the subsequent German edition. I’ve set separate English translations side-by-side with the Magyar and German in order to highlight the subtle differences between the two. –Aharon Varady

This prayer for the well-being of children by Rabbi Arnold Kiss, “Gyermekek üdvéért” (Magyar, 1897) and “Gebet für das Heil des Kindes” (German, 1907), was first published in his anthology of prayers for Jewish women, Mirjam on p.291-293 of the original Magyar edition and p. 546-549 of the subsequent German edition. I’ve set separate English translations side-by-side with the Magyar and German in order to highlight the subtle differences between the two. As I am not a native speaker of German or Magyar, please correct and improve upon my effort. –Aharon Varady

This prayer by Rabbi Arnold Kiss for the well-being of a husband by their wife, “A nő imája férjéért,” was first published in his anthology of prayers for Jewish women, Mirjam (1897) on p.246-248. It doesn’t appear to me to have been translated in the subsequent German edition (1907). I’ve set my English translation side-by-side with the Magyar. –Aharon Varady

A collection of prayers in Magyar for Jewish women composed by the rabbi of Veszprém, later, the chief rabbi of Buda.

This is Rabbi Benjamin Szold’s הגיון לב (Higayon Lev) Israelitisches Gebetbuch für die Häusliche Andacht, “second completely revised edition” edited by Rabbi Marcus Jastrow (1875). This work was subsequently translated into English by Benjamin Szold’s daughter, Henrietta Szold, and her manuscript used as the draft for the Jewish Ministers’ Association’s Jewish Home Prayer-Book (1887).

A siddur in Hebrew with English translation compiled by Rabbi Isaac Mayer Wise for Liberal/Reform congregations establishing a Minhag America.

A collection of hymns used by Temple Emanu-El in New York City. The hymn book mainly contains hymns in German with English translation by Rabbi James Koppel Gutheim (1817-1886) with another handful in English including one by Rabbi Moritz Mayer (1821-1867), and the rest by a young Felix Adler (before his founding of Ethical Culture).

“Hannukah” by Minna Kleeberg appears as hymn number 38 in מנהג אמעריקא: תפלות בני ישורון Minhag America: Hymns, Psalms & Prayers in English and German by Rabbi Isaac Mayer Wise, et al (1868), p. 105 and 107.

A collection of hymns, psalms, and paraliturgical prayers for festivals and other events in German and English compiled by Rabbi Isaac Mayer Wise for Liberal/Reform congregations establishing a Minhag Ameriḳa.

“Schema Jisrael (Shema Yisrael)” is a hymn written by Moritz Mayer (1821-1867) and posthumously published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №33, pp. 66-67. It may have been published earlier in the author’s lifetime. If you know of an earlier source for this hymn, please leave a comment or contact us.

“[Gebete] Am Geburtstage der Mutter” was written by Rabbi Benjamin Szold and included in his הגיון לב Israelitisches Gebetbuch für die häusliche Andacht (1867), page 252.

“[Gebete] Am Geburtstage des Lehrers” was written by Rabbi Benjamin Szold and included in his הגיון לב Israelitisches Gebetbuch für die häusliche Andacht (1867), pp. 252-253.

“[Gebete] Am eigenen Geburtstage” was written by Rabbi Benjamin Szold and included in his הגיון לב Israelitisches Gebetbuch für die häusliche Andacht (1867), page 253.

After the popular reception among German speaking Jewry of Fanny Neuda’s Stunden Der Andacht (1855), additional sifrei teḥinnot, collections of prayers composed in the vernacular for women, were published in German. One of them, Hanna. Gebet- und Andachtsbuch für israelitische Frauen und Mädchen, published in 1867, was compiled with teḥinnot composed by the leading luminaries of Liberal Judaism in Breslau, Silesia: Jacob Freund (1827-1877), Rabbi Abraham Geiger (1810-1874), and Rabbi Moritz Güdemann (1835-1918), Manuel Joël (1826-1890), and Moritz Abraham Levy (1817-1872). The title of the collection is a direct reference to the biblical figure, Ḥanna whose petitionary prayer for a child was answered with the birth of her son, the prophet Shmuel.

“[Gebete] Am Geburtsfeste des Vaters” was written by Rabbi Benjamin Szold and included in his הגיון לב Israelitisches Gebetbuch für die häusliche Andacht (1867), page 251.

This is Rabbi Benjamin Szold’s הגיון לב (Hegyon Lev, “Meditation of the Heart”) Israelitisches Gebetbuch für die häusliche Andacht (1867).

One of the most revolutionary alterations made by the early Reform movement in Germany was their replacement of Kol Nidre with a German hymn, sung to the same melody: O Tag des Herrn. But when the early Reformers came to the United States, they adopted a new language, English. In 1866, the American Reform Jewish community was largely bilingual in German and English, and Isaac Mayer (No Relation) Wise’s 1866 service for the Day of Atonement took account for that, including a singable English translation of the singable German replacement for Kol Nidre. I have also included a musical score which uses I. M. Wise’s English text in Louis Lewandowsky’s original setting of O Tag des Herrn.

A maḥzor for Yom Kippur in Hebrew with English translation compiled by Rabbi Isaac Mayer Wise for Liberal/Reform congregations establishing a Minhag America.

A maḥzor for Rosh haShanah in Hebrew with English translation compiled by Rabbi Isaac Mayer Wise for Liberal/Reform congregations establishing a Minhag Ameriḳa.