Resources employing English language← Back to Languages & Scripts Index To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Prayer for the New Moon, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. . . . This is a transcription, vocalization, and translation of a manuscript of a prayer for peace in Europe held in the collection of the Columbia University Library. The prayer is undated but the language of the prayer and the use of Italian indicate to me that this was a prayer made by an Italian Jewish community during either the first Italian War of Independence 1848-9, or one of the two succeeding wars in 1860 and 1870. . . . A paraliturgical Mah Tovu, in French with English translation. . . . This is the “Prière Pour la Fête de Hanouka” as found in אמרי לב Prières D’un Cœur Israélite, a collection of paraliturgical prayers and teḥinot in French by Jonas Ennery & Rabbi Arnaud Aron (Consistoire central israélite de France 1848/53). In the 1848 edition, the prayer can be found on pages 158-160. In the 1852 edition, on pages 401-403. . . . A hymn for peace and the end of war. . . . “Preis der Gotteslehre” is a hymn translated by Felix Adler from one found in Gebete und Gesänge zu dem von der Genossenschaft für Reform im Judenthum zu Berlin eingerichteten Gottesdienst für die Zeit zwischen dem Schewuoth- und Roschhaschanah-Fest des Weltjahres 5606/7, hymn №23, pp. 19-20 (1846) and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №3, pp. 6-7. We have tentatively dated this translation to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The original hymn in German has three stanzas. . . . “Ribon kol ha-Olamim” was almost certainly written by Rabbi Max Lilienthal in 1846 soon after he arrived in New York City where he was elected chief rabbi of New York’s “united German-Jewish community.” It was first published in L. Henry Frank’s prayerbook, Tefilot Yisrael: Prayers of Israel with an English translation (1848) without attribution. In 1998, Dr. Jonathan Sarna elucidated its authorship in an article, “A Forgotten 19th Century Prayer for the U.S. Government: Its Meaning, Significance and Surprising Author.” In Hesed Ve-Emet: Studies in Honor of Ernest S. Frerichs, eds. J. Magness and S. Gitin, 431-440. Athens, Ga.: Scholars Press, 1998. . . . “Columbia, the Gem of the Ocean” (originally “Columbia, the Land of the Brave”) was an American patriotic song popular in the United States during the 19th and early 20th centuries. Adapted by Thomas A’Becket, Sr. around 1843 from the British patriotic song “Britannia, the Pride of the Ocean”, Columbia was long used as an unofficial national anthem of the United States, in competition with other songs. . . . A prayer of repentance and thanksgiving recited at the Shaare Shalom synagogue in Kingston, Jamaica in response to the massive Guadeloupe earthquake of 1843. . . . “When morning paints the eastern sky,” by Cordelia Moïse Cohen (1809-1869), first published in 1842, appears under the subject “Immortality of the Soul” as Hymn 54 in Hymns Written for the Service of the Hebrew Congregation Beth Elohim, South Carolina (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1842), p. 57. That page is missing in the one copy of the first edition we know to exist. Thankfully, the hymn appears under the same subject as Hymn 40 in Hymns Written for the Use of Hebrew Congregations (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1856), p. 44. . . . |