This prayer by chief rabbi of the United Hebrew Congregations of the British Empire Nathan Marcus Adler is found in an order of service prepared for the celebration of Queen Victoria’s jubilee in 1887.

This is a full transcription of the 1919 edition of a Bundist haggadah in Yiddish, first written as a pedagogical and parodic text in 1886.

“God Save the Queen” is an adaptation of “God Save the King,” a work by an unknown author, first circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation was published in a pamphlet circulated by New Road (Whitechapel) Synagogue in 1892 “on the 73rd Birthday of Her Majesty Queen Victoria,” an event attended by then chief rabbi of the British Empire, Rabbi Dr. Hermann Adler​.

This prayer for the well-being of Her Majesty’s military forces in the Sudan, was offered by chief rabbi Nathan Marcus Adler for use by the United Hebrew Congregations of the British Empire in the context of British involvement in the Mahdist War, and specifically after news reached Britain of the Battle of Abu Klea in January 1885.

A prayerbook prepared by Rabbi Edward B.M. Browne according to the Reform movement custom of Temple Gates of Hope (now Prospect Park Synagogue) in 1885.

This is Rabbi Max Landsberg’s public repetition of the weekday amidah as found in his Ritual for Jewish Prayer (1884), pp. 21-28 with adaptations of the traditional blessings found on pp. 52-54.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit festival amidah for Sukkot as found in his Ritual for Jewish Prayer (1884), pp. 21-28 with a unique prayer for Sukkot found on pp. 48-49.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit festival amidah for Shemini Atseret as found in his Ritual for Jewish Prayer (1884), pp. 21-28 with a unique prayer for Shemini Atseret found on pp. 50-52.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit festival amidah for the first day of Pesaḥ as found in his Ritual for Jewish Prayer (1884), pp. 21-28 and pp. 38-41.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit festival amidah for the seventh day of Pesaḥ as found in his Ritual for Jewish Prayer (1884), pp. 21-28 and pp. 42-43.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit festival amidah for Shavuot as found in his Ritual for Jewish Prayer (1884), pp. 21-28 with a unique prayer for Shavuot found on pp. 44-45.

This is Rabbi Max Landsberg’s public repetition of the shaḥarit amidah for a Confirmation Day as found in his Ritual for Jewish Prayer (1884), pp. 21-28 with adaptations of the traditional blessings found on pp. 46-47.

This is the poem, “The New Colossus” (1883) by Emma Lazarus. Lazarus famously penned her sonnet in response to the waves of Russian-Jewish refugees seeking refuge in the Unites States of America as a result of murderous Russian pogroms following the assassination of Tsar Alexander Ⅱ in 1881. At a time when she was also translating classical Jewish poetry, her identification and revisioning of the Statue of Liberty as “the Mother of Exiles,” points to the familiar rabbinic Jewish identification of the Shekhinah (the Divine Presence, in its feminine aspect) with the light of the Jewish people in their Diaspora.

A prayer for the recovery of President James A. Garfield was offered at Beth El Hebrew Congregation (Alexandria, Virginia) by Rabbi Leopold Rosenstraus in a public service on 9 July 1881 after the president was mortally wounded earlier that month (2 July) in an ultimately successful assassination attempt. The prayer was published on the front page of The Hebrew Leader (15 July 1881).

The poem, Hatiḳvah, in its original composition by Naphtali Herz Imber, later chosen and adapted to become the national anthem of the State of Israel, with a full English translation, and the earliest, albeit abbreviated, Yiddish translation

The paraliturgical tkhine for the new month of Nissan read on the shabbat preceding the new moon during the blessing over new month.

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ תַּמוּז (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tamuz”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מְנַחֵם אָב (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Menaḥem Av”) as printed in Shas Tkhine Ḥodoshe (1910) and תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow & Brothers Romm, Vilna 1872/3, 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). Using Shas Tkhine Ḥodoshe as her source, Moreh Zakutinsky probably had not seen the additional paragraph in the earlier printing. –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אֶלוּל (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Elul”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מַרְחֶשְׁוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Marḥeshvan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ כִּסְלֵו (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Kislev”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ טֵבֵת (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tevet”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ שְׁבָט (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Shvat”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a Ḥanukkah piyyut by R. Salomon Berdugo (1854–1906), illustrious payṭan and the chief rabbi of Meknes, Morocco. According to the Kehillot Sharot organization’s notes, found here, “This piyyut speaks of the miracles that occured for the Hasmoneans, both in war against the Greeks and in purification of the Temple. It is customarily sung in Maqam Hijaz.”

The siddur, Aḇodath Yisrael was first prepared for Temple Oheb Shalom (Baltimore, Maryland) by Rabbi Benjamin Szold (1829-1902). Before Szold’s arrival in 1859, the congregation had adopted for use in its Shabbat service the Minhag America by the Reform rabbi, Isaac Meyer Wise. After much discussion with his congregation Szold introduced Aḇodath Yisrael, which hewed more closely to traditional Ashkenazi custom. The first edition of this prayer-book appeared in 1863 with German translation, and was widely adopted by congregations in the United States. New editions were published in 1864 and 1865 (the latter with English translation), and another, revised edition in 1871, by Rabbis Marcus Jastrow of Philadelphia (1829-1903) and Henry Hochheimer of Baltimore (1818-1912).

A siddur in Hebrew with English translation compiled by Rabbi Isaac Mayer Wise for Liberal/Reform congregations establishing a Minhag America.

Rabbi David Einhorn’s (1809-1878) prayer book `Olat Tamid (lit. the perpetual sacrifice)…first penned in Germany, served as the model for the Union Prayer Book,….the prayer book of the American Reform movement for almost eight decades. It reflected what is now called “classical Reform,” eliminating prayers for the restoration of Zion, mentions of the messiah, and bodily resurrection of the dead, while diminishing mentions of Jewish chosenness and the like.

The Chanson Internationale (‘International Song’) was originally written in 1871 by Eugène Pottier, a French public transportation worker, member of the International Workingmen’s Association (The First International), and activist of the Paris Commune. He wrote it to pay tribute to the commune violently destroyed that year. The song became the official anthem of The Second International, of the Comintem, and between 1921 and 1944 also of the Soviet Union. Most socialist and communist parties adopted it as their anthem during the last decades of the 19th century and throughout the 20th century, adapting it in local languages (Russian, Yiddish, etc.) to their particular ideological framework. The anthem was first translated into Hebrew by Avraham Shlonsky in 1921.

The weekday evening service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871.

An elegy by Walt Whitman for President Abraham Lincoln after his assassination, in English with Hebrew translation.

The Sabbath morning service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871.

The weekday morning service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871.

The Sabbath eve service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871.

An index to the Ḳaraite prayer services for weekday and sabbath mornings and evenings, as derived from the prayerbook of Abraham Firkovich (1871) by Nehemia Gordon,

A tiqqun for Erev Rosh Ḥodesh Nissan, as found in Sefer Zokhrenu le-Ḥayyim, a Ḳabbalistic haggadah for the Passover seder with translation and commentary published in Livorno in 1870 for use of the Tripolitanian Jewish community.

An extended tiqqun for Rosh Ḥodesh Nissan, as found in Sefer Zokhrenu le-Ḥayyim, a Ḳabbalistic haggadah for the Passover seder with translation and commentary published in Livorno in 1870 for use of the Tripolitanian Jewish community.

A prayer for the French Emperor, Napoleon III, a year before he was captured by the Prussians in the doomed Franco-Prussian War of 1870, including the formula of the prayer, haNoten Teshuah, as adapted for Napoleon III.

An Ashkenazi siddur with a French translation compiled by Elḥanan ben Netanel Durlacher.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Ḳaddish before Barkhu that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qedushah of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qadish Shalem of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Qaddish of Minḥah that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Arvit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qedushah of Minḥah that used to be found in many traditional Ashkenazi siddurim.

“Gebet Statt Kaddisch” is a memorial prayer replacement (tashlum) for the ḳaddish yatom (orphans’ ḳaddish) when praying alone or where there is no minyan. It is found in Dr. Seligmann Baer and Rabbi Joseph Nobel’s Tozeoth Chajm: Vollständiges Gebet- und Erbauungsbuch zum Gebrauche bei Kranken, Sterbenden… (1900).