This teḥinah calls us to remember that we are all personally, as well as communally, responsible for our relationship with the Earth. It also calls us to action, and to recall that even small actions realigning ourselves with the work of the Earth, can be seen as a mitsvah. . . .

“Gebet für das Coming-Out” was first offered by Rabbi Lior Bar-Ami on 19 March 2020. . . .

A prayer for healing in Hebrew with English translation by the author. . . .

“Gebet für Pride (HaMaariw Arawim)” was first offered by Rabbi Lior Bar-Ami sometime before May 2024. . . .

“Gebet für den Pride Month” was first offered by Rabbi Lior Bar-Ami sometime before May 2024. . . .

“Gebet für Berlin Pride” was first offered by Rabbi Lior Bar-Ami in 19 March 2020. . . .

This piyyut tells the story of Naomi and Ruth through an imagined dialogue. Naomi, aged and alone, is taken aback by Ruth’s unwavering attachment. Ruth explains that it is with Naomi—and her faith—that she finds the truth and authenticity she longs for. It can also be read as an allegorical dialogue between the Torah and the people of Israel, you insist on remaining loyal to her. פתרונו כפול: פשוטו על נעמי ורות ורומז לתורה עם כנסת ישראל. . . .

The genre of B’raḥ Dodi piyyutim, a variety of geulah piyyut oriented around many Shir haShirim citations, is exclusively associated with Pesaḥ in Ashkenazi practice. Maḥzorim for Pesaḥ include B’raḥ Dodi piyyutim for the first two days and Shabbat Ḥol ha-Moed of Pesaḥ and nowhere else. So to reflect the themes of Pesaḥ Sheni, a B’raḥ Dodi piyyut is a great fit! . . .

A zulat for Pesaḥ Sheni. Each line begins with a word from Numbers 9:11 followed by a letter spelling out “Remember me for good, amen,” excepting the final five lines. The first of these concluding lines is the refrain from the ahavah for the same set, and the final four all begin with hei and transition into the berakhah. This zulat focuses largely on the Temple, where Pesaḥ Sheni offerings were held. . . .

An ahavah for Pesaḥ Sheni. An acrostic spelling out “Yitsḥaq son of Avraham, the priest, ḥazaq,” with a refrain derived from Mishnah Pesaḥim 9:1. . . .

An ofan for Pesaḥ Sheni in tripartite stanzas. Each stanza begins with a citation of Numbers 9:12-14, then an acrostic spelling out “the son of Avraham the priest, ḥazaq.” . . .

A yotser for Pesaḥ Sheni. Each stanza is written with a threefold acrostic — the first two lines in atbash, the third spelling “Yitsḥaq Har’el Ḥazaq,” and the fourth a verse from Numbers 9. . . .

This prayer for Victory in Europe Day was written by Rabbi Lior Bar-Ami and first published to his Facebook page on 8 May 2024. . . .

This is an original Al haNissim paragraph for Yom ha-Atsma’ut, focusing on the actual reason for Zionism’s necessity — European antisemitism. As I put it when I wrote the first draft of this paragraph, “Zionism was necessary because of the Europeans. The original enemy of Israel’s independence was the European nations who wanted us assimilated or dead. Israel was not declared independent from the Arab world, it was declared independent from Britain, and I think we should remember that on Yom ha-Atsma’ut.” . . .

An adaptation of El Malei Raḥamim for victims of the 7 October massacres, and for the soldiers and other security personnel fallen in its aftermath was prepared for the Yizkor services held on the 7th day of Passover 5754 (2024) by Lt. Col. Shai Abramson, Chief Cantor of the IDF. The English translation was made by Ematai and published on their website and on social media. . . .

This prayer for peace was written on 29 April 2024, at the end of Passover, by Rabbi Shira Levine as part of an ecumenical assembly, the “Spirit of Galilee.” The Arabic translation was made by Malek Hujerat. . . .

On Passover we end the prayers for rain that began on October 7, and begin the prayers for dew. The prayers end, but the war that began with the October 7 attack does not. Here is a reflection on that. . . .

This prayer for Europe Day was written by Rabbi Lior Bar-Ami and first published to his Facebook page on 9 May 2024. . . .

This is an annually updated chart that I have been creating and sharing for 10+ years. This grid for counting the omer includes the secular date for 2025 as well as Hebrew dates and the sefirot associated with each day of the omer. More information can be found on my website. . . .

A riff on the mitsvah to obliterate Amaleq in Parashat Zakhor, adapted to the horrors committed by HAMA”S and its allies on 7 October 2023. . . .

This “Blessing upon Observing a Solar Eclipse” was offered by Rabbi Colman Reabo on 8 April 2024, a day in which a total solar eclipse was witnessed across a wide swath of North America. . . .

This prayer for the well-being of the captives taken hostage by ḤAMA”S and its allies on 7 October 2023 was written by the Ashkenazi chief rabbi of the State of Israel, David Lau, and shared by his office in the month preceding Pesaḥ 2024. The prayer is intended to be read at the Passover seder in the Maggid section before והיא שעמדה (v’hi she’amda). . . .

This prayer for International Women’s Day by Rabbi Lior Bar-Ami was first published on their Facebook page, 8 March 2024. . . .

This variation on the discourse of the four children in the Haggadah was (barring minor edits) first composed for my family’s experimental small-scale seder in 2019, my second time ever leading a seder. I had come to the conclusion that for a text whose entire ikkar is for the children to learn, the Four Children narrative shows some shockingly bad pedagogy. So I decided to write a subversive take on it, where I applied its framework to some of the most serious problems facing the Jewish community today, and the mainline Jewish community’s failings in dealing with them. . . .

A satirical look at contemporary Israeli civil society in Hebrew and English, as adapted from Tom Lehrer’s sardonic “National Brotherhood Week” (1965). . . .

This prayer for election day in the State of Israel (27 February 2024) was written and shared by Rabbi Noa Mazor, and shared in Hebrew and English via her Facebook page. . . .

“All Four (Are One),” riffing on the story in the haggadah of the four children, is a prayer-poem on the theme of intracommunal discord six months after October 7th (possibly reflected in the family dynamics at the seder table itself). Written by Rabbi Rachel Barenblat, it was first published on the website of Bayit: Building Jewish on 2 April 2024. . . .

This prayer was offered by Rabbi Andy Vogel and Rabbi Seth Goldstein and published at each of their websites on 3 April 2024. On Rabbi Vogel’s site, the prayer included the statement, “We encourage you to use the words of this prayer as you see fit; no attribution is needed.” . . .

An English-language adaptation of the Roman rite psalm system for all days when Torà is read, to be recited while the Torà is being taken from the bimà. All Hebrew words are transcribed in accordance with the traditional Italian Hebrew phonological system, in a slightly modified Italian orthography. . . .

A prayer-poem was written by Kohenet Ilana Joy Streit in January 2024. . . .

This piyyut envisions Queen Esther’s prayer as she enters King Ahasuerus’ palace unbidden. In Tractate Megilla 15b, the sages associate verses from Psalm 22 with Esther in these pivotal moments. Written in the first person, this poem weaves together verses from Psalms and the Book of Esther, along with interpretations and commentaries of Talmudic Sages, to evoke Esther’s prayer at this crucial moment. Its structure mirrors the Rosh Hashanah piyyut “‘Et Sha‘are Ratson”, which recounts the binding of Isaac through the perspectives of its protagonists. Like Isaac, Esther is headed to a sacrifice, but she goes with full awareness and intent for the sake of her people. . . .

A kavvanah for the month of Adar in the pivotal US presidential election year of 2024 (the Jewish leap year of 5784). . . .

The Opening Prayer given in the U.S. Senate on 25 January 2024. . . .

“Shirat Miriam and Devorah / Uri, Uri” (Song of Miriam, Song of Deborah / Rise up, Rise Up) was first published in 2024, as the second of four piyyutim published through the Diwan Ashira Project by Ephraim Kahn. . . .

“Ashamnu” was written by the author in response to the conflict in Gaza on 30 December 2023 and first published on 1 October 2024 on their Substack account. . . .

This is a macaronic poem for Yom Meturgeman. Macaronic poetry is poetry in multiple languages at once. In this case, the languages reflected are Hebrew, Aramaic, Judeo-Arabic, Yiddish, Ladino, and English, with a repeated Hebrew refrain. Each language is meant to rhyme with the colloquial Hebrew as it would be read — i.e. though the Yiddish doesn’t rhyme with the modern Hebrew pronunciation, it rhymes with the traditional Ashkenazi one. . . .

Four things to pray and learn for the last night and day of Ḥanukkah. . . .

The Opening Prayer given in the U.S. Senate on 12 December 2023 . . .

In the midst of terrible violence and war in Israel and Gaza, these words came in response to the questions: how to engage meaningfully with Ḥanukkah in 5784 with integrity. How can it still be a source of wisdom and liberation? . . .

An original Ladino adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Chanukah” or in Hebrew as “Y’mei ha-Ḥanukka.” I’m aware that the custom of spinning tops was not originally a Sefaradi one. So sue me, I was looking for something to rhyme with “libertaḏ.” I’ve included the Rashi script, the Aki Yerushalaim orthography, and (as an added bonus) the Cyrillic transcription used by the Jews of the Balkans. . . .

A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October, as written and shared by דנה פרל. . . .

An original Judeo-Arabic adaptation of the song “Oy Khanike” (derived from the Yiddish poem of the same name by Mordkhe Rivesman) also known in English as “Oh Ḥanukkah” or in Hebrew as “Y’mei ha-Ḥanukka.” With thanks to Mazen Haddad for his help with the Arabic! Some notes: 1) Case endings and nunation, which would (in colloquial dialects) often be skipped or dropped, are transcribed in brackets. 2) The word “sufnāj” is a Moroccan Arabic dialectal word which is the agent noun for sfenj, a traditional type of North African doughnut. . . .

A supplemental stanza to the popular 13th century piyyut, Maoz Tsur, for the Ḥanukkah occurring in the aftermath of the horrors on 7 October. . . .

This prayer was written on Friday, November 24th 2023, 11th of Kislev 5784, early afternoon (Israel Time), when we were all waiting to witness the first group of hostages come back home from captivity in the hands of Hamas. Having close friends who have relatives kidnapped who do not fit into the criteria of being released now, I was looking for words to pray at this moment. Referring to the words of Israeli poet Yehuda Amichai z”l, and his “remarks” on Kohelet’s “For everything there is a season”, I tried to describe how all feelings are mixed in these awful hours, and in the days since. I am thankful to Rabbi Ayelet Cohen for her translation of this prayer into English. –Rabbi Oded Mazor . . .

“Upon My Heart” was offered by Rabbi Menachem Creditor and shared via the Open Siddur Project discussion group on 20 November 2023. The added hashtag “#bringthemhomenow” helps to contextualize the prayer-poem, as written to express the yearning for the return of the captives taken hostage during the 7 October massacres by HAMA”S and its allies. . . .

This Yizkor prayer for the victims of October 7th 2023, was written by Rabbi Binyamin Holzman and first published on the website Geluyah on 7 November 2023. The English translation was made by an unknown translator and set side-by-side with the Hebrew source by the Shalom Hartman Institute. . . .

This prayer for the welfare of IDF soldiers and the captives of HAMA”S in Gaza was written by Ze’ev Kainan on 16 October 2023 in the days following the terrible events of 7 October 2023. . . .

“An important message, November 2023” is a shipping notice from God and a meditation on parochial empathy. . . .

Qinat Be’eri was written by Yagel Haroush in the month of Marḥeshban after the massacres on 7 October and disseminated on social media. . . .

This is a Hebrew adaptation of the poems traditionally recited by the Beta Israel community for the festival of Sigd, altered and adapted to fit the traditional qedushta form of poetic Amidah additions. The texts of the first few prayers were rewritten substantially and combined with relevant verses so as to fit in the strict form of the magen, mehaye, meshalesh, and El Na. After this, the qiqlar is slightly edited to fit a couplet rhyme scheme, while the silluq (the freest of the genres of qedusha piyyut) is almost entirely preserved — the only change being several verses whose placement is postponed so as to better lead into the qedusha as a silluq should. Regarding translations, the silluq largely uses my original translation with slight alterations (replacing the clunky use of ‘God’ as a pronoun with a gender-neutral THEIR, translating the Agaw passages into Latin rather than English to preserve general comprehensibility while clarifying that this is a different language), while the rest of the poems are different enough for their translation to largely be from scratch. These would be recited with the Ark open for all the piyyutim, as one would on the Yamim Noraim, ideally using melodies from the Sigd liturgy. . . .