“La Marseillaise” is the national anthem of France. This Hebrew translation was made by Efrayim Dror for the Free French Army (Forces Françaises Libres) and its many Jewish volunteers during the early years of World War II. The translation was published in 1951. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled “Chant de guerre pour l’Armée du Rhin” (“War Song for the Army of the Rhine”). The French National Convention adopted it as the Republic’s anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. After the fall of Napoleon in 1815 “La Marseilles” was banned and it became the anthem of the French left. The Government brought back the iconic anthem in an attempt to motivate the French people during the Franco-Prussian War. During the nineteenth and early twentieth centuries, “La Marseillaise” was recognized as the anthem of the international revolutionary movement; as such, it was adopted by the Paris Commune in 1871, albeit with new lyrics under the title “La marseillaise de la Commune.” Eight years later, in 1879, it was restored as France’s national anthem. On Simḥat Torah (18–19 October) 1973, the Lubavitcher Rebbe adapted the melody to the Jewish prayer “Ha’aderet v’ha’emuna”. In ḤaBaD, the melody is believed to convey the idea of a “spiritual French revolution” – in that Torah should be spread around the world as an advent to the messianic era. . . .

A ḥatimah (closing) prayer delivered by Ḥazzan Gershom Seixas at a special Thanksgiving Day service by K.K. Shearith Israel in 1789. . . .

The Bill of Rights, the first ten amendments to the Constitution of the United States of America, were first adopted in 1791. They were closely modeled on the Commonwealth of Virginia’s Declaration of Rights drafted by George Mason in May 1776. This translation, by Judah David Eisenstein was published in 1891. . . .

Prayers recited on special occasions and thus not part of the fixed liturgy offered America’s foremost Jewish congregation far greater latitude for originality in prayer. At such services, particularly when the prayers were delivered in English and written with the knowledge that non-Jews would hear them, leaders of Shearith Israel often dispensed with the traditional prayer for the government and substituted revealing new compositions appropriate to the concerns of the day. A prayer composed in 1784 (in this case in Hebrew) by the otherwise unknown Rabbi (Cantor?) Hendla Jochanan van Oettingen, for example, thanked God who “in His goodness prospered our warfare.” Mentioning by name both Governor George Clinton and General George Washington, the rabbi prayed for peace and offered a restorationist Jewish twist on the popular idea of America as “redeemer nation”: “As Thou hast granted to these thirteen states of America everlasting freedom,” he declared, “so mayst Thou bring us forth once again from bondage into freedom and mayst Thou sound the great horn for our freedom.” . . .

A prayer of a physician from Markus Herz in German with its Hebrew and English translations. . . .

The Preamble to the Constitution of the United States of America, in English with Hebrew and Yiddish translations. . . .

Fred MacDowell: “Then, as now, war was looked upon by many as a great evil, especially between brothers, and many American Colonists only wanted the oppressive measures of King George III to be lifted, bloodshed ended, and peace restored. The nascent American Congress called for a day of “Humiliation, Fasting and Prayer” along these lines for May 17, 1776. It was for this occasion that this prayer was recited in Congregation Shearith Israel in New York. As you can see, a complete service was arranged for this occasion, meant to invoke the solemnity and seriousness of the occasion; after morning prayer, Taḥanun was to be sung to the tune of a Yom Kippur pizmon; a dozen Psalms recited, and then the Ḥazan would recite this prayer written for the occasion, and of course all were to be fasting. The prayer hopes for a change of heart for King George III and his advisors, that they would rescind their wrath and harsh decrees against “North America,” that the bloodshed should end, and peace and reconciliation should obtain between the Americans and Great Britain once more, in fulfillment of the Messianic verse that Nation shall not lift up sword against nation. Of course this was not meant to be, and six weeks later the American Congress declared independence from Great Britain, and there was no walking back from the hostilities which had already occurred.” . . .

The text of the Declaration of Independence of the United States of America and its signatories in English, with a Yiddish translation published in 1954. . . .

In Avignon, France, in 1767, Eliyahu Karmi (Elijah Crémieux) compiled a siddur preserving the nusaḥ of the Comtat Venaissin titled the סדר התמיד (Seder HaTamid). Just after the section for תפלת שחרית (the morning prayers), Karmi provides the following advice for how to organize one’s workday. . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. I’m working on transcribing all of these, but to start, here’s an Al haNissim for the twenty-eighth of Shvat in Avignon. Written in rhymed prose, this text tells the story of a gentile who fell headfirst down a deep well near the synagogue, but successfully managed to flip himself over and wedged his feet in the walls. Even more miraculously, afterwards he declared that it was his own fault he fell in the pit! The Jews of the Comtat, an area under direct papal control at the time, were well aware of the tenuousness of their position, and were the man a talebearer then they could have faced a pogrom or exile. . . .

This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” . . .

Written by future founding father Benjamin Franklin in 1755, “A Parable Against Persecution,” also known as “the 51st Chapter [of Genesis],” is an example of what is often called ‘pseudo-biblicism,’ a trend from the 1740s to the mid-19th century of writing modern events in the already-archaic style of the King James Bible. More strictly, “A Parable Against Persecution” is an example of pseudepigrapha in that it is meant to be read as part of the book of Genesis, telling a story of Abraham facing a non-coreligionist, acting rashly, and learning a lesson about religious tolerance. Already in 1755 we can see Franklin’s radically liberal religious views. . . .

A plaudit of gratitude in Latin and Hebrew for Pope Benedict XIV’s interventions after the River Tiber overflowed its banks and flooded the Jewish Ghetto in Rome. . . .

The Prayer for the mitsvot of kindling the lights of Shabbat from the Teḥinah of the Three Gates by Sarah bat Tovim (18th century). . . .

The Prayer for the mitsvot of preparing Ḥallah from the Teḥinah of the Three Gates by Sarah bat Tovim (18th century). . . .

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Rabbi Elimelekh of Lizhensk’s prayer to be able to pray” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the prayer. Reb Zalman may have made his translation to a slightly different edition of this prayer as indicated in several places. If you can determine which edition of Rabbi Elimelekh’s prayer was translated by Reb Zalman, please contact us or share your knowledge in the comments. . . .

An announcement of ḥerem stam (a general threat of excommunication) on the occurrence of stolen or waylaid goods, found in this form in a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 21r). If a community member was stolen from, they could go to the sexton (shammash), who would declare the theft and proclaim a general threat of excommunication on all who knew anything about the occurrence and failed to speak on the matter. . . .

A Mi Sheberakh for the ill, from a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 23v). Uniquely among Mi Sheberakh texts, instead of just listing ancestors, it specifies examples of divine healing from the Bible and the Gemara. . . .

A prayer in the event of excessive raining causing economic hardship, from Mantua in 1729. . . .

This is a kavvanah for kosher slaughterers to say prior to the blessing over sheḥitah, first published in the early 18th century, and composed within the school of the ARI z”l. . . .

This qinah, a variation of Maaseh Metz, was written by an unknown author and copied by Glikl into her memoirs. The text appearing here was made from that transcribed and published in Chava Turniansky’s critical edition, Glikl: Memoirs (1691-1719) (Shazar 2006), pp. 596-597, and Sara Friedman’s English translation of that edition, edited by Turniansky (Brandeis University Press 2019), pp. 306-307. . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the twenty-ninth of Sivan in Cavaillon. On 29 Sivan 5473 (23 June 1713) a Christian child was found dead and drained of blood. A mob was formed, which stormed the Jewish quarter in Cavaillon looking for any sign of blood in their houses. But none was found, and — miraculously — the total lack of evidence was enough to stop the Jews from being murdered. (Would be nice if that had worked every time there was a blood libel, seeing as there was never any evidence for something that never happened.) To commemorate this close-call escape, the Jews of Cavaillon celebrated a minor festival day, with some additional psalms, an Al haNisim poem by (the otherwise unknown) R. Gad son of R. Judah de Bédarride, and a recitation of the Song of the Sea. . . .

This is a faithful transcription of the prayer of Gele (Gella), daughter of the printer Moshe, as found at the end of Tefillah l’Mosheh (2nd ed., Halle, Germany, 1710), a prayerbook Gele typeset when she was only 11-years-old. This prayerbook is rare owing to the destruction of the press following the incarceration of Gele’s father for publishing a prayerbook containing the prayer “Aleinu,” which had been forbidden by royal decree. The translation provided here was made by Dr. Kathryn Hellerstein as found in A Question of Tradition: Women Poets in Yiddish, 1586-1987 (2014, Stanford University Press), p. 63-4. The layout of Gele’s prayer follows that of Ezra Korman from his anthology of Jewish women’s poetry, Yiddishe Dikhterins, also the source of the page image provided. If you know the location of a copy or digital scan of this siddur, please contact us. . . .

A prayer for protection and blessing offered in the name of of Rebbi Yishmael from the Sefer Shem Tov Qatan. . . .

This is a version of the Invocation of Baraqon, a spell found in the Key of Solomon (Clavicula Solomonis) and its Hebrew translations (Mafteaḥ Shlomo). This particular variation is as found on the folios 70a-70b of a manuscript republished as ספר מפתח שלמה Sepher Maphteaḥ Shelomo (Book of the Key of Solomon): An exact facsimile of an original book of magic in Hebrew (1914) with a partial transcription translated into English by Rabbi Sir Hermann Gollancz. Claudia Rohrbacher-Stricker writes that Gollancz had located the manuscript in the collection of his father, Samuel H. Gollancz. The manuscript itself dated from around 1700 in Amsterdam, in a Sefardic script. Gershom Scholem was able to prove the Arabic origin of the Baraqon operation in “Some Sources of Jewish-Arabic Demonology,” Journal of Jewish Studies, vol. 16 (1965), p. 6. . . .

In the 18th century, the common practice among Western Sephardim was to read some or all of the aftarót recited in the three weeks before the fast of Aḇ with a verse-by-verse “Ladino” (in this case meaning standard Early Modern Spanish, not Judezmo) translation. According to Joseph Jesurun Pinto (ḥazzan of Shearith Israel in New York from 1759 to 1766), it was customary in Amsterdam for only the final of the three aftarót, the aftará of Shabbat Ḥazon, to be recited with this Spanish targum, while in London it was customary for all three to be recited. This practice fell out of common usage in the past few centuries, although the Western Sephardic community of Bayonne preserved it up until the Shoah. But to this day a unique cantillation system is used in most Western Sephardic communities for the three aftarót before the fast. Attached is a transcript of a Spanish verse-by-verse targum of the aftará for the Shabbat before 9 Aḇ, based on one found in a publication from Amsterdam in 1766. Each verse is included in Hebrew, as well as the original Spanish text, and a slightly modernized Spanish text underneath to clarify archaic forms or words that have fallen out of use. . . .

In Yemenite practice, directly after the four questions are recited the youngest literate person at the table reads a brief Judeo-Arabic passage, here transcribed per the Yemenite transliteration system (wherein gimel dagesh = j and qof = g) and translated into Arabic and Hebrew. Instructional notes say this passage is “for the benefit of women and toddlers,” the two main classes of people who would have not had access to Hebrew education at the time. . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the ninth of Nisan in Carpentras. On 9 Nisan 5442 (17 April 1682), the gentile murderer of a Jew from Carpentras was drowned according to law. A mob began to form to attack the Jews for deigning to not be murdered. The rector of the comtat, Michele Antonio Vibò, decided to send guards to protect the Jews from the mob. This decision was celebrated by the Jews with multiple piyyuṭim and a full recitation of Hallel. Uniquely for the minor Purims analyzed in the Seder ha-Tamid so far, we know the author of one of these piyyutim, a sage and payṭan by the name of R. Mordecai Astruc! . . .

Yah Hatsel Yonah is a traditional piyyut for Ḥanukkah, of unknown origin (although it spells out the name Yehuda as an acrostic). Beloved in Iraqi Jewish circles, it discusses the hope that Israel, likened to a dove, will be able to celebrate Ḥanukkah during a time of true redemption. Included is a relatively literal (but de-gendered) translation, as well as a poetic singable one. . . .

In Margaliyot Tovot (“Precious Pearls,” 1665), Yaaqov ben Yitsḥaq Tsahalon abridged Baḥya ibn Paquda’s Ḥovot ha-Levavot (“Duties of the Heart,” ca. 1080) and interspersed it with prayers including this prayer for healers (Tefilat ha-Rof’im) which he recommended should be recited by physicians at least once every week. . . .

This is a 17th century prayer for the Holy Roman Emperor found in Ms. 110 (Jewish Museum in Prague, Czech Republic). . . .

This prayer, “Tiferet baḥurim (The Glory of Young Men)” by Pinḥas Barukh Monselice, found in the manuscript, Oxford, Bodleian Library Ms. 1418 Regg. 33 (Ferrara, from the second half of the 17th century), is intended for use by newly married men on their wedding night. . . .

A kinah/elegy for those massacred in the Chmielnicki massacres of 1648–1649 composed by a possible eyewitness to the tragedy. . . .

One of the most prominent martyrs in the Chmielnicki massacres of 1648–1649 was the kabbalist and sage Yəḥiel Mikhel ben Eliezer ha-Kohen, known to posterity as the Martyr of Nemiryv. This unique poetic El Malei Raḥamim was said in his honor, and communities that fast on 20 Sivan still recite it to this day. . . .

From the Pri Etz Hadar, the first ever published seder for Tu Bishvat, circa 17th century: “speech has the power to arouse the sefirot and to cause them to shine more wondrously with a very great light that sheds abundance, favor, blessing, and benefit throughout all the worlds. Consequently, before eating each fruit, it is proper to meditate on the mystery of its divine root, as found in the Zohar and, in some cases, in the tikkunim, in order to arouse their roots above.” . . .

The piyyut, “Adon haKol” by Rabbi Shalom Shabazi . . .

Johann Stephan Rittangel (1606-1652) was a Christian Hebraist and Professor of Oriental Languages at the University of Königsberg (Prussia) from 1640 till his death. Born Jewish, he converted to Christianity (to Catholicism and afterward to Calvinism, and then Lutheranism). After making a translation of the Sefer Yetsirah into Latin in 1642, he made this translation of the Passover Haggadah. In the Haggadah, Rittangel included musical scores for two piyyutim popularly sung during the final course of the Passover seder: “Adir Hu” and “Ki Lo Na’eh.” . . .

During the first twelve days of Nissan, there is a custom to read the portions about the twelve tribal princes who brought offerings and gifts to the holy Sanctuary. Miraculously without consulting with each other, they each brought the same gifts, but with different intentions. When we read these offerings followed by this prayer, our souls can connect to these tribes, even though we may not descend from these tribes directly (genealogically-speaking). . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of texts for the twenty-fifth of Iyar in Cavaillon, commemorating the abatement of a deadly plague on 25 Iyyar 5391 (27 May 1631), including an Al haNisim of uncertain origin and a series of Biblical readings. Uniquely among the local festivals in this siddur, 25 Iyyar calls for a Torah reading not of the Song of the Sea, but the plague against Israel in Numbers 17. . . .

A piyyut providing the 42 letter divine name as an acrostic, recorded in the work of Rabbi Isaiah Horowitz. . . .

A 42 Letter Divine Name acrostic piyyut to comfort someone in the process of dying. . . .

This vidui prayer for those privileged to live past the age of 50 is found in Rabbi Mosheh ben Zevulun Eliezer Halperin’s Zikhron Mosheh (Lublin: 1611), siman 13. . . .

A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” . . .

This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . .

An early 17th century song for Yom T’ruah (Rosh haShanah) by Karaite Ḥakham, Zeraḥ ben Nathan of Troki. . . .

This is a transcript and translation of the Maariv service for Shabbat evening in the Old Persian rite, as recorded in MS Adler 23 ENA (https://hebrewbooks.org/20923) in the JTS Library. The Old Persian rite shows some fascinating unique linguistic features. The first thing that immediately strikes one is its tendency towards poetic extensions and doublings, even in texts (such as the Avot blessing) where most other rites are almost completely uniform. It also shows some nonstandard vocalizations that appear to be influenced by the Babylonian system of vocalization. In modern Persian communities the standard rite is a variation of the Sephardic rite used throught the Mizraḥi world, but this older rite with its unique facets deserves to be preserved as well. This is part 1 of a planned series of transcripts and translations from MS Adler 23 ENA. . . .

An early 17th century song for Yom T’ruah (Rosh haShanah) by Karaite Ḥakham, Zeraḥ ben Nathan of Troki. . . .

This seliḥah, “Moshel ba-Elyonim Atah Yadata,” was written by Rabbi Mosheh ben Yeshayah Menaḥem Bachrach during an epidemic. It is included in the Seliḥot of Posen, Krakow, Prague, Worms, and Alsace. The text here was transcribed from the Siddur Kol Bo, vol. 3 (1923), p. 33. . . .

The Megillat Saragossa (also known as the Megillat Syracusa) in Hebrew and English, named after the tale of rescue and reversal of fortune in the cultural memory of some Sepharadi communities, to be read on the 17th of Shəvat. . . .

A different version of the poem Lekhah Dodi according to the book Seder haYom by R. Moshe ibn Makhir of righteous blessed memory, vocalized and translated into English by Isaac Mayer. . . .