The first translation of the siddur into English and the first siddur published in the Americas.

“A PRAYER composed and delivered by the Reverend Isaac Touro, in the Jewish Synagogue, in Newport, Rhode Island, on Thursday the 28th Day of November, 1765, being the Day appointed, by his Honour the Governor’s Proclamation, for a general Thanksgiving in this Colony. Translated from the Hebrew.”

Written by future founding father Benjamin Franklin in 1755, “A Parable Against Persecution,” also known as “the 51st Chapter [of Genesis],” is an example of what is often called ‘pseudo-biblicism,’ a trend from the 1740s to the mid-19th century of writing modern events in the already-archaic style of the King James Bible. More strictly, “A Parable Against Persecution” is an example of pseudepigrapha in that it is meant to be read as part of the book of Genesis, telling a story of Abraham facing a non-coreligionist, acting rashly, and learning a lesson about religious tolerance. Already in 1755 we can see Franklin’s radically liberal religious views.

This undated 18th century prayer (before 1756) by an unknown author for “the opening of [a] lodge, etc., and used by Jewish Freemasons” was published in “Old Forms of Lodge Prayers,” The Hebrew Leader (31 December 1889), p. 4. (The Hebrew Leader regularly included news of interest to Jewish member of masonic fraternities.) The provenance of the prayer is offered in the lede: “Appended to a copy of the Constitutions of the Ancient and Honorable Fraternity of F. and A. Masons, published in 1801, by Bro. D. Longworth, at the Shakespeare Gallery, New York City (kindly loaned to us by R.W. Henry C. Banks), we find a number of forms which at the present day appear unique. These forms are spoken of as having been in use for a long period during the last century; and from them we extract two or three Prayers, one or the other of which it was customary to repeat, according to the religious faith of the members of the lodge’ which had assembled. We give them for the benefit of our readers.” The source for the prayer in its re-printed form is a 1756 work, Ahiman Rezon: or, a help to a brother; shewing the excellency of secrecy, … Together with Solomon’s temple an oratorio, as it was performed for the benefit of free-masons by Laurence Dermott (1756).

A plaudit of gratitude in Latin and Hebrew for Pope Benedict XIV’s interventions after the River Tiber overflowed its banks and flooded the Jewish Ghetto in Rome.

The Prayer for the mitsvot of kindling the lights of Shabbat from the Teḥinah of the Three Gates by Sarah bat Tovim (18th century).

The Prayer for the mitsvot of preparing Ḥallah from the Teḥinah of the Three Gates by Sarah bat Tovim (18th century).

A piyyut of the 18th century by R. David Ḥassin, one of the greatest composers of Morocco. In this piyyut, dedicated to the city of Tiberias and recounting its praises, we tour Tiberias and the graves of the tannaim and amoraim there, and come to the place of Maimonides’ burial according to tradition. From the dead, the composer moves on to tell the prose of the living – R. Ḥayyim Abulˁafia, who renewed Jewish settlement in Tiberias to where he had moved with his students in the year 5500 [1740], doing much to revitalize the Jewish settlement and build the city, for which R. David Ḥassin praises and blesses him at the conclusion of the poem. This poem was very beloved and merited widespread circulation, and is found in poetry books of many different Mizraḥi communities. This poem has also merited a number of imitations and adaptations, testifying to its great popularity. The most well-known imitation is a poem by the Israeli diaspora-emissary R. Eliyahu Ḥazzan, who arrived at Morocco, came across this song, and composed an imitation, also called “As Every Day I Hope” — except R. Eliyahu Ḥazzan’s song is dedicated to Jerusalem and tours around it.

An exhortation given by Ḥakham Ishak Nieto published before his translation of the Sliḥot, in Spanish with English translation by Isaac Pinto (1766).

Part one of Ḥakham Ishak Nieto’s two volume set of prayerbooks: Orden de las Oraciones de Ros Ashanah y Kipur (London, 1740), the basis of all subsequent S&P translations (e.g., those of Isaac Pinto and of Aaron and David de Sola).

The Book of Religion, Ceremonies, and Prayers; of the Jews as practised in their synagogues and families on all occasions: on their Sabbath and other Holy-Days throughout the Year (1738) by Abraham Mears (under the pseudonym Gamaliel ben Pedahzur) is the first translation of a siddur in English.

Rabbi Zalman Schachter-Shalomi, z”l, included his translation of “Rabbi Elimelekh of Lizhensk’s prayer to be able to pray” in his Siddur Tehillat Hashem Yidaber Pi (2009). To the best of my ability, I have set his translation side-by-side with a transcription of the vocalized text of the prayer. Reb Zalman may have made his translation to a slightly different edition of this prayer as indicated in several places. If you can determine which edition of Rabbi Elimelekh’s prayer was translated by Reb Zalman, please contact us or share your knowledge in the comments.

The megillah for Plum-Jam Purim or Powidlpurim, a family Purim celebrated by the Brandeis family of Bumsla, Bohemia (Czech: Mladá Boleslav; German: Jungbunzlau) on 10 Adar to commemorate David Brandeis’ liberation from prison on trumped-up charges of poisoning. First published along with a German translation and some genealogical notes in Magazin für die Wissenschaft des Judenthums, vol. 15, 1888. According to Chef/Rabbi Gil Marks z”l, the celebration of Plum-Jam Purim was the origin of prune hamantaschen as a concept — prior to 1731 all hamantaschen had a poppy seed filling!

The text of Ma’aseh Yehudit, the story of Judith, as found in Sefer Ḥemdat Yamim, a mystical compilation of customs and tiqqunim first published in İzmir in around 1731. (This text is also found as “Maaseh Yehudit, Version 2” in Judah David Eisenstein’s monumental Otzar Midrashim compilation.) Sefer Ḥemdat Yamim is a unique work, likely compiled by a Sabbatean but largely based on earlier pre-Sabbatean mystical sources, and because of this any specific text in it is quite difficult to date. This specific version of the story of Judith shows substantial influence from the Septuagintal text not found in earlier Jewish variants, giving a likely terminus post quem of several generations after the Inquisition when Spanish benei anusim brought their knowledge of the Vulgate’s apocrypha with them to Judaism. Even so, it is very clearly a fundamentally Jewish work. It is appropriate to recite on Yom haBanot (1 Tevet) or any time throughout Ḥanukkah, perhaps with Esther cantillation.

An announcement of ḥerem stam (a general threat of excommunication) on the occurrence of stolen or waylaid goods, found in this form in a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 21r). If a community member was stolen from, they could go to the sexton (shammash), who would declare the theft and proclaim a general threat of excommunication on all who knew anything about the occurrence and failed to speak on the matter.

A Mi Sheberakh for the ill, from a 1730 Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach (HUC Ms. 453, 23v). Uniquely among Mi Sheberakh texts, instead of just listing ancestors, it specifies examples of divine healing from the Bible and the Gemara.

A schedule for the reading of psalms for special Shabbatot and holidays, according to HUC Ms. 453, fol. 15r, a Seder Hazkarot Neshamot copied by Shabetai Sheftel ben Zalman Auerbach from 1730.

A prayer in the event of excessive raining causing economic hardship, from Mantua in 1729.

Born into Judaism, Paul Christian Kirchner was baptized a Christian in 1713. In 1717, he first published the word “Jüdisches Ceremoniel” or “Jewish Ceremony,” for which he is most well known — a firsthand recollection (and, to be honest, criticism) of Jewish practices throughout the year and life cycle. While the work is written by an apostate for a Christian audience, and thus it is certainly not an unbiased source — and it had been almost a decade since he left the community so some of his memories are a bit muddled — it is still a fascinating work if only for its depiction of Jewish practices otherwise forgotten. In this portion of Kirchner’s description of the Seder night, he describes a ritual somewhat similar to the one still practiced in many North African communities to this day along with six — count ’em, six! — questions asked by the eldest (‽) child to the father.

This qinah, a variation of Maaseh Metz, was written by an unknown author and copied by Glikl into her memoirs. The text appearing here was made from that transcribed and published in Chava Turniansky’s critical edition, Glikl: Memoirs (1691-1719) (Shazar 2006), pp. 596-597, and Sara Friedman’s English translation of that edition, edited by Turniansky (Brandeis University Press 2019), pp. 306-307.

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the twenty-ninth of Sivan in Cavaillon. On 29 Sivan 5473 (23 June 1713) a Christian child was found dead and drained of blood. A mob was formed, which stormed the Jewish quarter in Cavaillon looking for any sign of blood in their houses. But none was found, and — miraculously — the total lack of evidence was enough to stop the Jews from being murdered. (Would be nice if that had worked every time there was a blood libel, seeing as there was never any evidence for something that never happened.) To commemorate this close-call escape, the Jews of Cavaillon celebrated a minor festival day, with some additional psalms, an Al haNisim poem by (the otherwise unknown) R. Gad son of R. Judah de Bédarride, and a recitation of the Song of the Sea.

This is a kavvanah for kosher slaughterers to say prior to the blessing over sheḥitah, first published in the early 18th century, and composed within the school of the ARI z”l.

This is Joseph Addison’s ode, “The Spacious Firmament on high,” an adaptation of Psalms 19 in English verse first published in The Spectator (23 August 1712).

This is a faithful transcription of the prayer of Gele (Gella), daughter of the printer Moshe, as found at the end of Tefillah l’Mosheh (2nd ed., Halle, Germany, 1710), a prayerbook Gele typeset when she was only 11-years-old. This prayerbook is rare owing to the destruction of the press following the incarceration of Gele’s father for publishing a prayerbook containing the prayer “Aleinu,” which had been forbidden by royal decree. The translation provided here was made by Dr. Kathryn Hellerstein as found in A Question of Tradition: Women Poets in Yiddish, 1586-1987 (2014, Stanford University Press), p. 63-4. The layout of Gele’s prayer follows that of Ezra Korman from his anthology of Jewish women’s poetry, Yiddishe Dikhterins, also the source of the page image provided. If you know the location of a copy or digital scan of this siddur, please contact us.

This is the tkhine for candlemaking on erev Yom Kippur as found in Sarah bat Tovim’s Tkhine of Three Gates, likely written by her sometime in the early 18th century.

A prayer for protection and blessing offered in the name of of Rebbi Yishmael from the Sefer Shem Tov Qatan.

This is a version of the Invocation of Baraqon, a spell found in the Key of Solomon (Clavicula Solomonis) and its Hebrew translations (Mafteaḥ Shlomo). This particular variation is as found on the folios 70a-70b of a manuscript republished as ספר מפתח שלמה Sepher Maphteaḥ Shelomo (Book of the Key of Solomon): An exact facsimile of an original book of magic in Hebrew (1914) with a partial transcription translated into English by Rabbi Sir Hermann Gollancz. Claudia Rohrbacher-Stricker writes that Gollancz had located the manuscript in the collection of his father, Samuel H. Gollancz. The manuscript itself dated from around 1700 in Amsterdam, in a Sefardic script. Gershom Scholem was able to prove the Arabic origin of the Baraqon operation in “Some Sources of Jewish-Arabic Demonology,” Journal of Jewish Studies, vol. 16 (1965), p. 6.

This prayer by Glikl bat Yehudah Leib was made from the text transcribed and published in Chava Turniansky’s critical edition, Glikl: Memoirs (1691-1719) (Shazar 2006), pp. 242-244, and Sara Friedman’s English translation of that edition, edited by Turniansky (Brandeis University Press 2019), p. 144.

A schedule for hafṯaroṯ for the weekly portions and festivals, as well as psalms for the weekly portions, according to a Damascus Karaite siddur from approximately 1700. According to the work of Jacob Mann’s The Bible as Read and Preached in the Old Synagogue (1940), the Ḳaraite hafṭaroṯ schedule was probably adapted from the practice of the Byzantine Romaniotes, whose practice was in many ways much closer to the one attested here than to rabbinic norms practiced today. Both ultimately derive from the old Western Rite hafṭaroṯ, albeit adapted to the annual cycle originating from the east.

All Jews around the world today follow some variant of the annual cycle of Torah readings, developed in the Babylonian diaspora in the talmudic era. In this cycle, the entire Torah is read once a year. (Some Reform communities recite a selection from each parasha, while many Conservative communities follow an ersatz triennial system where a third of each parashah is read every week, but the parashiyot still follow the annual cycle.) The old Erets Yisrael rite had a triennial, or technically semiseptennial, cycle, going through the entire Torah once every three and a half years. But there is a third cycle that has otherwise been completely forgotten about: the semiannual cycle. This cycle was developed by ‘Anan ben David, the legendary founder (or if you ask the Ḳaraites, reviver) of the Ḳaraite movement, in his (only fragmentarily preserved) Sefer ha-Mitsvot. In it, the entire Torah is read twice a year, concluding on the intermediate sabbath of both Pesaḥ and Sukkot before starting anew the next week. This idea did not catch on, even among the Ḳaraites, who to this day use an adaptation of the rabbinic annual cycle instead. But it has largely been preserved. Here it is restored and reconstructed for those whose main complaint with the Torah reading is it isn’t long enough.

A pizmon for Shabbat Zakhor and Purim, found in many Livorno siddurim (seen as the standard form for most Sephardic communities) as far back as the 18th century and possibly earlier. It is signed with the name Avraham, as well as the names Moshe and Aharon, but the author is otherwise unknown. Seder Mishmeret haKodesh (1847) inserts it as an introduction to the Mi Khamokha piyyut of Yehuda haLevi, recited on Shabbat Zakhor. The bouncy, joyous tune used for this piyyut, of Italian origin, is also used for Purim songs in multiple languages, such as Fate Onore al Bel Purim, Con Gran Placer Señores, and Haman Mamzer el Malo.

A paraliturgical birkat hamazon in Ladino.

In the 18th century, the common practice among Western Sephardim was to read some or all of the aftarót recited in the three weeks before the fast of Aḇ with a verse-by-verse “Ladino” (in this case meaning standard Early Modern Spanish, not Judezmo) translation. According to Joseph Jesurun Pinto (ḥazzan of Shearith Israel in New York from 1759 to 1766), it was customary in Amsterdam for only the final of the three aftarót, the aftará of Shabbat Ḥazon, to be recited with this Spanish targum, while in London it was customary for all three to be recited. This practice fell out of common usage in the past few centuries, although the Western Sephardic community of Bayonne preserved it up until the Shoah. But to this day a unique cantillation system is used in most Western Sephardic communities for the three aftarót before the fast. Attached is a transcript of a Spanish verse-by-verse targum of the aftará for the Shabbat before 9 Aḇ, based on one found in a publication from Amsterdam in 1766. Each verse is included in Hebrew, as well as the original Spanish text, and a slightly modernized Spanish text underneath to clarify archaic forms or words that have fallen out of use.

In Yemenite practice, directly after the four questions are recited the youngest literate person at the table reads a brief Judeo-Arabic passage, here transcribed per the Yemenite transliteration system (wherein gimel dagesh = j and qof = g) and translated into Arabic and Hebrew. Instructional notes say this passage is “for the benefit of women and toddlers,” the two main classes of people who would have not had access to Hebrew education at the time.

Yah Hatsel Yonah is a traditional piyyut for Ḥanukkah, of unknown origin (although it spells out the name Yehuda as an acrostic). Beloved in Iraqi Jewish circles, it discusses the hope that Israel, likened to a dove, will be able to celebrate Ḥanukkah during a time of true redemption. Included is a relatively literal (but de-gendered) translation, as well as a poetic singable one.

This is one of the earliest essays on Jewish prayer to appear in English, “A Brief Account of the Jewish Prayers” (Isaac Abendana, 1695). The essay was published in the 1695 issue of Abendana’s The Jewish Kalendar, an annual periodical in which was typically appended an article on Jewish history and practice of interest to the work’s main audience: Christian Hebraists. Besides a survey of the topic, included in the essay is a translation of the blessing from the Amidah, “Shomeah Tefillah” noting the variations between the Ashkenazi and Sefaradi liturgical customs.

This is a transcription of the Megillat Aqdamut (also known by other names) in its first printing in Yiddish, in Fürth 1694. The transcription is based on an earlier transcription of the Fürth 1694 printing published by Isaac Rivkind in “די היסטאָרישע אַלעגאָריע פון ר׳ מאיר שַ״ץ” (“The Historical Allegory of Rabbi Meir, shatz [Shaliaḥ Tsibur]”) the first chapter in Filologishe shriftn vol. 3 (1929), pp. 1-42. (The transcription of the Aqdamut appears on pages/numbered columns 12-33.) The legendary retelling serves as a frame tale for the recitation of the Aramaqic targumic piyyut, Aqdamut Milin, by Rabbi Meir ben Yitsḥaq Nehorai of Orléans (d. ca. 1095).

Yevanim Tsur B-Af — a piyyuṭ intended to be sung before Qaddish (after the Amidah) in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria.

Yedidekha El Yelidei Ish Tam — a piyyuṭ intended to be sung before Qaddish (after the Torah Reading) of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria.

Ashir BiZmirim — a piyyuṭ intended to be sung before Qaddish (after Yishtabaḥ) in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. It may be sung to the melody of Yaḥid Arba, or the melody of Ya’atzor Me-’Ami.”

Todot Nitnah — a piyyuṭ intended to be sung before Yishtabaḥ in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. It may be sung to the melody of ‘Et Dodim Kala, or the melody of Shiv’a Sh’ḥaqim.”

Yom Yom Eftaḥ Pi — a piyyuṭ intended to be sung before Nishmat (of Shaḥarit) of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria.

Yevanim ‘Amdu Qamu — a piyyuṭ intended to be sung before Yishtabaḥ in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria. It may be sung to the melody of Ḥai Ani Goel Avi Aleikhem.”

Ashorer Shirim Naim — a piyyuṭ intended to be sung before Nishmat in the Shaḥarit of Shabbat Ḥanukkah — was written by the great Moroccan paytan Yaaqov ibn Tsur (1673–1753) of Fez. It was first put to print in the Sefer ‘Et l-Kol Ḥefetz, printed by ibn Tsur’s descendants in 1893 in Alexandria.

These are two supplemental stanzas for Maoz Tsur with regard to the present exile, written by Yeḥiel Michel Segal Epstein Ashkenazi (ca. 1625-1681, author of the Qitsur SheLaH), as compiled in the Kitzur Shnei Luḥot haBrit, a controversial yet influential work by Ashkenazi published in 1683.

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the ninth of Nisan in Carpentras. On 9 Nisan 5442 (17 April 1682), the gentile murderer of a Jew from Carpentras was drowned according to law. A mob began to form to attack the Jews for deigning to not be murdered. The rector of the comtat, Michele Antonio Vibò, decided to send guards to protect the Jews from the mob. This decision was celebrated by the Jews with multiple piyyuṭim and a full recitation of Hallel. Uniquely for the minor Purims analyzed in the Seder ha-Tamid so far, we know the author of one of these piyyutim, a sage and payṭan by the name of R. Mordecai Astruc!

“Auf, auf, den Herrn zu loben” is a hymn by the Lutheran composer of hymns, Johann Franck (1618-1677). The first two stanzas were translated by Rabbi James Koppel Gutheim and published as “Ein gottergehener sinn (Pious Resignation.)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №4, pp. 8-9. The use of these two stanzas in a Jewish context can be found in Gebet- und Gesangbuch für die sabbathe und Feste des Jahres: eingefuehrt in der israelitischen Gemeinde zu Coblenz (1850), hymn №18, p. 117. The source of the text from a Christian hymnal is that of Schatzkästlein von hundert und fünfzig geistreichen Liedern älterer Zeit (Samuel Christian Gottfried Küster, 1821) where it is hymn №6, p. 10. The original printing of the hymn is found in the first volume of Franck’s collected hymns Teutsche Gedichte, enthaltend geistliches Zion samt Vaterunserharfe nebst irdischem Helicon oder Lob-, Lieb-, Leidgedichte, etc (Guben, 1674), pp. 212-214.

In Margaliyot Tovot (“Precious Pearls,” 1665), Yaaqov ben Yitsḥaq Tsahalon abridged Baḥya ibn Paquda’s Ḥovot ha-Levavot (“Duties of the Heart,” ca. 1080) and interspersed it with prayers including this prayer for healers (Tefilat ha-Rof’im) which he recommended should be recited by physicians at least once every week.

This is a 17th century prayer for the Holy Roman Emperor found in Ms. 110 (Jewish Museum in Prague, Czech Republic).

This prayer, “Tiferet baḥurim (The Glory of Young Men)” by Pinḥas Barukh Monselice, found in the manuscript, Oxford, Bodleian Library Ms. 1418 Regg. 33 (Ferrara, from the second half of the 17th century), is intended for use by newly married men on their wedding night.