On Tisha be’Av, Jewish communities all over the world add a paragraph called Tefilat Naḥem (the prayer of comfort) to the standard daily Amidah (either for the afternoon service or for all services) praying for a return to Jerusalem. The traditional text discusses Jerusalem being defiled, in the hands of the idol worshipers, putting our people to the sword. But post-1967, Jerusalem has been under Israeli control, and this text has, to many people, felt no longer appropriate in the face of a Jerusalem being rebuilt. Many have written their own versions of a new Tefilat Naḥem for a Jerusalem under Israeli control, but I have felt dissatisfied with a lot of these. Some treat Jerusalem as already fully redeemed, which any glance at the news tells you isn’t the case. Others treat the major step in redeeming Jerusalem as building the Temple, but this seems to me to be only one eschatological part of a larger hope for Jerusalem. Jews have often considered the peace of Jerusalem to be a microcosm of the peace of all the earth. Thus for the Shabbat and Yom Tov Hashkivenu we pray for God to “spread the shelter of peace over us, all Israel, and Jerusalem.” The name Jerusalem, ירושלים, has been analyzed as “they will see peace” יראו שלום, since the peace of Jerusalem means all will see peace. But it’s clear that the peace of Jerusalem is not final or eternal, and it remains a city on the edge of a knife. So my version of Tefilat Naḥem prays not for a return, nor for a Temple, but for the peace of Jerusalem. It can be used at the same time as the standard Tefilat Naḥem (as an extension of the Birkat Yerushalayim in the Shmoneh Esreh for Tisha b’Av) or on its own. Thus I used four asterisks (a tetrapuncta) instead of God’s name, for those who would prefer to avoid a b’rakhah levatalah. Those who would prefer to use this blessing in the Amidah itself could replace the tetrapuncta with the name itself.

Before HaTikvah was chosen, Ḥayyim Naḥman Bialik’s “People’s Blessing” (בִּרְכַּת עָם, also known by its incipit תֶחֱזַֽקְנָה Teḥezaqnah) was once considered for the State of Israel’s national anthem. Bialik was 21 years old when he composed the work in 1894. It later was chosen as the anthem of the Labor Zionist movement. We hereby present the first ever complete English translation of this poem.

“The Tabernacle” by Rosa Emma Collins née Salaman was published in The Latter-Day Saints’ Millennial Star vol. 56, p. 688.

The sephardic folk-song “Kuando el rey Nimrod” in Ladino with English translation.

The proclamation and prayer of chief rabbi Yaakov Yosef, on the centennial of President George Washington’s Inauguration

This “Shir Mizmor l’Purim” by Rabbi Sabato Morais (we think) was first published in The Jewish Exponent on 15 March 1889. It was preserved by Rabbi Sabato Morais in his ledger, an archive of newsclippings recording material he contributed to the press, among other announcements.

A prayer for the well-being, health and recovery of Emperor Frederick Ⅲ by Rabbi Kaufmann Kohler (Temple Beth-El, New York) published in “In Town: Praying for the Emperor,” The Jewish Messenger (4 May 1888), page 2.

“Charity” is a hymn by Felix Adler, first published in The Ethical Record vol. 1, no. 1. (April 1888), sheet music page 4. For an account of this hymn being sung, find The Journal of Industrial Education, “Autumn Festival of the Workingman’s School. Thanksgiving Day, November 28, 1889.” vol. 4, no. 9 (May 1890).

“Task of the Ages” is a short hymn by Felix Adler, first published in The Ethical Record vol. 1, no. 1. (April 1888), sheet music pages 2-3.

“The Children’s Song” is a hymn by Felix Adler, first published in The Ethical Record vol. 1, no. 1. (April 1888), sheet music page 5.

This is a full transcription of the 1919 edition of a Bundist haggadah in Yiddish, first written as a pedagogical and parodic text in 1886.

This is Rabbi Max Landsberg’s prayer for the government as found in his Ritual for Jewish Prayer (1884), pp. 30-32.

This is Rabbi Max Landsberg’s paraliturgical ḳaddish, a private prayer for mourners as found in his Ritual for Jewish Prayer (1884), pp. 11-12.

This is Rabbi Max Landsberg’s paraliturgical ḳaddish, a private prayer for mourners observing the yahrẓeit of their parents as found in his Ritual for Jewish Prayer (1884), pp. 11-12.

This prayer appears in conclusion to “A Summary of the Centenary History of the Mikve Israel Congregation, by Rev. S. Morais” published in the The Jewish Record on 30 March 1883, a clipping of which is found on page 200in the Sobato Morais Scrapbook (a/k/a, the Morais Ledger).

A variation of the prayer Hanoten Teshua by Rabbi Dr. Moses Gaster, from his סדור תפלת ישראל: Carte de rugăciuni pentru Israeliţi (Bucureşti, Editor L. Steinberg Stampfel, Eder & Comp. Pressburg 1883), p.192.

A poem, inspired by psalms, about a dangerous ocean storm or else the violent nature calmed during one of the nights and days of creation.

“The City of Light” is a poem written by Felix Adler. The earliest publication I could find for it dates to 1882, in Unity: Freedom, Fellowship and Character in Religion vol. 8, no. 12 (16 Feb. 1882), p. 477.

This prayer for the government by Rabbi Sabato Morais, preserved in an undated newspaper clipping from an unknown newspaper, was offered on Thanksgiving Day (24 November) in 1881. It was preserved by Rabbi Sabato Morais in his ledger (p. 234, clipping 414), an archive of newsclippings recording material he contributed to the press, among other announcements. (Many thanks to the Library of the University of Pennsylvania for helping to make this resource accessible.) We were able to date the prayer from the context offered by surrounding clippings that detailed the circumstances in which the prayer was given. Another clipping provided an outline of the sixty-first annual meeting of the Female Hebrew Benevolent Society (founded 1820, thus giving the date of 1881). With that date likely, references to activities in surrounding clippings began to make sense, especially the attention given to the relief work that year of the Alliance Israélite Universelle in eastern Europe. The Kiev pogrom of 1881 began during the spring that year. In the prayer itself, the year 1881 provides the necessary context for understanding Rabbi Morais’s references to the “hour of peril” and “the stability of the government” — the mortal injury to President James A. Garfield shot that summer and who died that fall. When this prayer was offered, Chester A. Arthur, was president of the United States.

This prayer for the recovery of President James A. Garfield after he had been shot and his wound infected was offered by Rabbi Sabato Morais and recorded in The Sunday Dispatch, “The Suspense of a Nation. A Thought and a Prayer” on 4 September 1881. It was preserved by Rabbi Morais in his ledger (p. 175, clipping 297), an archive of newsclippings recording material he contributed to the press, among other announcements. (Many thanks to the Library of the University of Pennsylvania for helping to make this resource accessible.)

This prayer for the recovery of President James A. Garfield after he had been shot and his wound infected was offered by Rabbi Sabato Morais and recorded in the Jewish Record, “Prayers for Our Sick President. Synagogue Mickvé Israel” on 26 August 1881. It was preserved by Rabbi Morais in his ledger (p. 174, clipping 296), an archive of newsclippings recording material he contributed to the press, among other announcements. (Many thanks to the Library of the University of Pennsylvania for helping to make this resource accessible.)

The poem, Hatiḳvah, in its original composition by Naphtali Herz Imber, later chosen and adapted to become the national anthem of the State of Israel, with a full English translation, and the earliest, albeit abbreviated, Yiddish translation

This “Prayer for Confirmation” was offered by Rabbi Dr. Max Lilienthal on Shavuot (20 April 1881), a manuscript copy of which it found its way into the collection of the Jacob Rader Marcus Center of the American Jewish Archives, Cincinnati, Ohio. Many thanks to the Jewish Women’s Archive for providing a copy of the manuscript through their website.

The paraliturgical tkhine for the new month of Nissan read on the shabbat preceding the new moon during the blessing over new month.

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ תַּמוּז (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tamuz”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מְנַחֵם אָב (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Menaḥem Av”) as printed in Shas Tkhine Ḥodoshe (1910) and תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow & Brothers Romm, Vilna 1872/3, 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). Using Shas Tkhine Ḥodoshe as her source, Moreh Zakutinsky probably had not seen the additional paragraph in the earlier printing. –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אֶלוּל (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Elul”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מַרְחֶשְׁוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Marḥeshvan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ כִּסְלֵו (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Kislev”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ טֵבֵת (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tevet”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ שְׁבָט (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Shvat”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

This is a Ḥanukkah piyyut by R. Salomon Berdugo (1854–1906), illustrious payṭan and the chief rabbi of Meknes, Morocco. According to the Kehillot Sharot organization’s notes, found here, “This piyyut speaks of the miracles that occured for the Hasmoneans, both in war against the Greeks and in purification of the Temple. It is customarily sung in Maqam Hijaz.”

The Chanson Internationale (‘International Song’) was originally written in 1871 by Eugène Pottier, a French public transportation worker, member of the International Workingmen’s Association (The First International), and activist of the Paris Commune. He wrote it to pay tribute to the commune violently destroyed that year. The song became the official anthem of The Second International, of the Comintem, and between 1921 and 1944 also of the Soviet Union. Most socialist and communist parties adopted it as their anthem during the last decades of the 19th century and throughout the 20th century, adapting it in local languages (Russian, Yiddish, etc.) to their particular ideological framework. The anthem was first translated into Hebrew by Avraham Shlonsky in 1921.

A tiqqun for Erev Rosh Ḥodesh Nissan, as found in Sefer Zokhrenu le-Ḥayyim, a Ḳabbalistic haggadah for the Passover seder with translation and commentary published in Livorno in 1870 for use of the Tripolitanian Jewish community.

An extended tiqqun for Rosh Ḥodesh Nissan, as found in Sefer Zokhrenu le-Ḥayyim, a Ḳabbalistic haggadah for the Passover seder with translation and commentary published in Livorno in 1870 for use of the Tripolitanian Jewish community.

This Thanksgiving Day Prayer for 24 November 1870 was reprinted in The Philadelphia Inquirer on the following day 25 November 1870. It was preserved by Rabbi Morais in his ledger (page 44, clipping 057), an archive of newsclippings recording material he contributed to the press, among other announcements. (Many thanks to the Library of the University of Pennsylvania for helping to make this resource accessible.) Unfortunately, due to the fragility of the paper, a bit of the newsclipping providing the beginning of the prayer was lost. Thankfully, the missing text was recovered from a scan of the newspaper page made by the Fulton History project.

The opening prayer offered before the Virginia House of Delegates on 26 May 1870.

The poem, “He of Prayer” as published in Henry Abarbanel’s English School and Family Reader (1883), p.14, where it is attributed to the newspaper The Jewish Times, a New York newspaper that circulated from 1869-1877.

A prayer for the French Emperor, Napoleon III, a year before he was captured by the Prussians in the doomed Franco-Prussian War of 1870, including the formula of the prayer, haNoten Teshuah, as adapted for Napoleon III.

This Thanksgiving Day Prayer for 27 November 1868 was reprinted in The Philadelphia Inquirer on 27 November 1868. It was preserved by Rabbi Morais in his ledger (page 36, clipping 044), an archive of newsclippings recording material he contributed to the press, among other announcements. (Many thanks to the Library of the University of Pennsylvania for helping to make this resource accessible.)

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Ḳaddish before Barkhu that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qedushah of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qadish Shalem of Shaḥarit that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Qaddish of Minḥah that used to be found in many traditional Ashkenazi siddurim.

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Arvit that used to be found in many traditional Ashkenazi siddurim.