| Source (Hebrew) | Rhyming translation (English) |
|---|---|
אֵשֶׁת נְעוּרִים הָאֲהוּבָה אֲשֶׁר אֵרַשְׂתָּ בְּרֹב מֹהַר וְרֹב טוֹבָה וְאֵיךְ עַתָּה יוֹשֶׁבֶת עֲלוּבָה גְּעוּלָה וּמְאוּסָה וַעֲזוּבָה |
Erst radiant the Bride adored, On whom rich wedding-gifts are poured, She weeps, sore wounded, ov’erthrown, Exiled and outcast, shunned and lone. |
לְבוּשָׁהּ בַּעֲדִי עֲדָיִים אֲשֶׁר הִתְנֵיתָ בִּבְרִית וּבִתְנָאִים וְאֵיךְ עַתָּה סוֹבֶבֶת דְּלָתַיִם וְשׁוֹכֶבֶת בֵּין שְׁפַתָּיִם |
Laid all aside her garments fair, The pledges of a bond divine, A wandering beggar-woman’s wear Is hers in lieu of raiment fine. |
חֲבוּשָׁה בְּשֵׁשׁ וּמֶשִׁי כְּלוּלָה הִיא הָיְתָה בְּכָל הָאָרֶץ מְהֻלָּלָה וְאֵיךְ עַתָּה נֶחְשֶׁבֶת מֵחֻלָּלָה לְלַעַג וּלְבֹשֶׁת וְלִקְלָלָה |
Chanted hath been in every land The beauty of her crown and zone; Now doomed, dethroned, she maketh moan, Bemocked — a byword — cursed and banned. |
נְוַת פַּעֲמַיִם בִּנְעָלֶיהָ אֲשֶׁר כְּנָפֶיךָ פְּרוּשִׂים עָלֶיהָ וְאֵיךְ עַתָּה נִגְּפוּ רַגְלֶיהָ עַל הֶהָרִים אַחַר עוֹלָלֶיהָ |
An airy, joyous step was hers Beneath Thy wing. But now she crawls Along and mourns her sons and errs At every step, and, worn out, falls. |
נָא יוֹשֵׁב הַכְּרוּבִים תֵּרֶא בְּכָל זֹאת לֹא פָנְתָה אֶל רְהָבִים לֹא עַל פָּרָשִׁים וְלֹא עַל רוֹכְבִים כִּי עַל רַחֲמֶיךָ הָרַבִּים |
And yet to Thee she clingeth tight. Vain, vain to her man’s mortal might Which in a breath to naught is hurled, Thy smile alone makes up her world. |
This translation of the poem “Éshet Neürim” by Elḥanan ben Yitsḥaq of Dampierre (d. 1184) was made by Israel Zangwill and first published in his collection of poetry, Blind Children: Poems (1903), under the title, “Israel as Bride and as Beggar” on page 118. (An earlier translation in German was made by Leopold Zunz in Die synagogale Poesie des Mittelalters (1855), p. 249.)
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