https://opensiddur.org/?p=3393שִׁוִּיתִי | Shiviti: perceiving the world as an expression of divine Oneness2011-06-30 01:33:27Given that the Torah forbids impressing our imaginations with illustrations of the divine, some other method is necessary to perceive divine Oneness. One method is found in the verse in Psalms 16:8, "I have set YHVH before me at all times." Textthe Open Siddur ProjectAharon N. VaradyAharon N. VaradyAndrew Meithttps://opensiddur.org/copyright-policy/Aharon N. Varadyhttps://creativecommons.org/licenses/by-sa/4.0/Birkhot haShaḥarArt & CraftShivitimeditationשויתי shivitiOpeners
Given that the Torah forbids impressing our imaginations with illustrations of the divine, some other method is necessary to perceive divine Oneness. One method is found in the verse in Psalms 16:8, “I have set YHVH before me at all times.”
שִׁוִּיתִי יְהוָה לְנֶגְדִּי תָמִיד׃
Shiviti YHVH l’negdi tamid
I have set YHVH before me at all times.
But does the verse enjoin one to perceive divine Oneness at all times, or to ponder the Tetragrammaton (the ineffable, four letter divine name) at all times, or to perceive the world as an expression of a Divine Name writ in nature? This ambiguity is at the root of the tradition of the Shiviti, a recursive illustration of the verse’s meaning set as a visual meditation and reminder. Because the object of any given practice is to condition behavior through repetition, the practice of perceiving the world as an expression of divine Oneness can begin as soon as one gains consciousness, and this is where Psalms 16:8 enters into the morning liturgy. Shmueli Gonzales explains more in his post on the Shiviti,
Those of you who have visited any Jewish shrines know exactly what I’m talking about when I mention charts and mystical diagrams. We call them Shiviti and they often take on the form on an enlarged writing of the Four-Letter name surrounded by verses of Psalms or prayers. The most famous of these is probably Psalms 67 drawn in the shape of a menorah. Others incorporate many mystical ways of reading Divine Names, but that are not meant to be pronounced.
Now one might ask, how intrusive into the text of the siddur can these mandala like meditations be? I mean, if they are useful why are they left out of the Baal haTanya’s siddur? You might say, who is he to leave out these things that are so authentic and sacred? Well, if we use a siddur as a seder (an order) of prayers and devotions, and go through it from waking up to going to sleep, then the first occurrence of shiviti is at the beginning of the siddur. That’s right. When one wakes up they are to immediately have in mind this verse “I have set haShem before me at all times.” For this reason in many Sephardic and Edut haMizrach siddurim the first words you will see is these words “shiviti Hashem l’negdi tamid.” [Read more at Shmuel’s blog, Hardcore Mesorah.]
This particular shiviti was originally drawn by a sopher (scribe) in Israel under the pseudonym, בעל הכוכב and shared on a popular message board with the intention “** חובה בכל בית **” — “It’s a duty [to place this] in every home.” Thank you to Andrew Meit for converting this shiviti from a raster image to a vector art SVG. With attribution to this psuedonymous sopher, and respecting his intention for sharing the shiviti he drew, with a Creative Commons Zero (CC0) Public-domain dedication of the derivative vector art.
Image: המנורה כתובה by Ba'al haKokhav, converted to vector art by Andrew Meit (CC0)
Aharon Varady is the founding director of the Open Siddur Project. A community planner (M.C.P, DAAP/University of Cincinnati.) and Jewish educator (M.A.J.Ed., the William Davidson School of Education), his work in open-source Judaism has been written about in the Yiddish Forverts, the Atlantic Magazine, Tablet, and Haaretz. If you find any egregious mistakes in his work, please let him know. Shgiyot mi yavin; Ministarot naqeniשְׁגִיאוֹת מִי־יָבִין; מִנִּסְתָּרוֹת נַקֵּנִי "Who can know all one's flaws? From hidden errors, correct me" (Psalms 19:13). If you'd like to directly support his work, please consider donating via his Patreon account. (Varady also transcribes and translates prayers, besides serving as the primary shammes of the Open Siddur Project.)
Andrew Meit has studied and researched in various areas: the imagination, Martin Buber, Judaism, prophets and prophecy, and Ephraim Moses Lilien. In 1984, Meit earned a Bachelor of Arts in Religious Studies with minors in Mathematics and Philosophy from Stetson University. As a lifelong creative, he is a type and graphics designer focusing on Jewish art and repairing digitally damaged art.Meit is legally deaf-blind, and has several learning problems stemming from contracting congenital Rubella. He is active in the Independent Living Movement; been on several CIL boards. Throughout his life Meit has striven to turn his disabilities into well-made art that inspires and celebrates beauty and truth.Off and on for 40 years, Meit has been involved in interfaith services and study groups. He has informally lectured on Buber. He enjoys writing prayers and creating worship presentations.Although mainly self-taught in calligraphy, drawing and design, Meit formally studied at the Cleveland Art Institute. With the font editor Fontographer, he recreated the well known font GoodCity Modern (a faithful recreation of the Gutenberg’s bible typeface). Over the decades, he produced a digital recreation of the first page of Genesis from the Gutenberg Bible. He artistically colored many of E.M. Lilien’s line art illustrations, created a font based on Buber's handwriting, and recently, he created a new logo for the Florida Orange City Unitarian Universalist Congregation and improved a logo for Applied Jewish Spirituality group.Meit likes to help repair the world through his art; enjoys deep thoughts, playing with puzzles, and learning about Religion. He currently lives in Plantation, Florida.
[…] Shiviti: Perceiving the world as an expression of divine oneness Share this:FacebookTwitterEmailPrintLike this:LikeBe the first to like this. This entry was posted on Thursday, June 21st, 2012 at 4:33 pm and tagged with Meditation, Menorah, Psalm 67, Sheviti, Shiviti and posted in Judaism, Kabbalah, Religion, Shiviti, Tefillah. You can follow any responses to this entry through the RSS 2.0 feed. « Parshat Korach […]
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What does kaf mem bet aleph stand for?
That stands for the rest of the verse of Psalms 16:8: “שִׁוִּיתִי יְהוָה לְנֶגְדִּי תָמִיד כִּי מִימִינִי בַּל אֶמּוֹט.”
On the shiviti whith the candelabrum, what are the two phrases on the sides that the menorah is between?
Those two lines of letters on either side of the menorah are not phrases, but rather together form a 42-letter divine name.
[…] Shiviti: Perceiving the world as an expression of divine oneness Share this:FacebookTwitterEmailPrintLike this:LikeBe the first to like this. This entry was posted on Thursday, June 21st, 2012 at 4:33 pm and tagged with Meditation, Menorah, Psalm 67, Sheviti, Shiviti and posted in Judaism, Kabbalah, Religion, Shiviti, Tefillah. You can follow any responses to this entry through the RSS 2.0 feed. « Parshat Korach […]
[…] Enter the Shiviti. This is a Jewish prayer tool that is one part sacred and one part fine art. Names after the line from Psalm 16 I will keep YHVH before me always (Shiviti YHVH) the most classic form is this prayer as a mandala. Two amazing examples are here at the Open Siddur Project: https://opensiddur.org/prayers/praxes/shiviti/shiviti-perceiving-the-world-as-an-expression-of-divin… […]