This English translation of the prayer “Asher Yatsar” by Rabbi Zalman Schachter-Shalomi z”l, was first published in his Siddur Tehillat Hashem Yidaber Pi (2009). Versification by Aharon Varady according to the nusaḥ ha-ARI z”l. . . .

A sabbath Supplement to Reb Zalman’s Siddur Tehillat Hashem Yidaber Pi ~ As I Can Say It (for Praying in the Vernacular) (2009). . . .

A Proclamation of Fundamental Animal Rights drafted by the West German Green Party in 1989 upon the 200th anniversary of the “Declaration of the Rights of Man” (1789), in German with translations in English, French, and Portuguese. . . .

The Nobel prize winning collection of “song-offerings” or Gitanjali by Rabindranath Tagore, in Bengali and English, translated to Hebrew by David Frischmann. . . .

“O Tag des Herrn!” is a paraliturgical Kol Nidrei by Leopold Stein. Here it is translated from German to English by the Unitarian minister Frederick Lucian Hosmer on behalf of the Reform rabbi Isaac S. Moses. Hosmer’s translation appears in Hymns and Anthems for Jewish Worship (ed. Isaac S. Moses, 1904), hymn №107 pp. 69-71. . . .

This translation of Ḥayyim Naḥman Bialik’s “Shabbat ha-Malkah” by Israel Meir Lask can be found on pages 280-281 in the Sabbath Prayer Book (Jewish Reconstructionist Foundation, 1945) where it appears as “Greeting to Queen Sabbath.” The poem is based on the shabbat song, “Shalom Alekhem” and first published in the poetry collection, Hazamir, in 1903. I have made a faithful transcription of the Hebrew and its English translation as it appears in the Sabbath Prayer Book. The first stanza of Lask’s translation was adapted from an earlier translation made by Angie Irma Cohon and published in 1920 in Song and Praise for Sabbath Eve (1920), p. 87. (Cohon’s translation of Bialik’s second stanza of “Shabbat ha-Malkah” does not appear to have been adapted by Lask.) . . .

A hymnal prepared by Rabbi Benjamin Szold and translated from German into English by Rabbi Marcus Jastrow. . . .

“Schema Jisrael (Shema Yisrael)” is a hymn written by Moritz Mayer (1821-1867) and posthumously published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №33, pp. 66-67. It may have been published earlier in the author’s lifetime. If you know of an earlier source for this hymn, please leave a comment or contact us. . . .

A collection of Jewish women’s prayers compiled by Rabbi Moritz Mayer, including twenty-four original English translations of prayers by Fanny Neuda from her collection, Stunden der Andacht 1855. . . .

A comprehensive arrangement of seliḥot (סליחות, penitential prayers) for the entire year, translated into English by the great scholar David Asher. . . .

This is the prayer for Sunday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Sunday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Tuesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Tuesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Wednesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Wednesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Thursday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Thursday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is an abridged translation by Hester Rothschild in 1855 titled אמרי לב Prayers and Meditations, adapted from Prières d’un Cœur Israelite published by the “Société Consistoriale de Bons Livres” (1848). The original work by Rabbi Arnaud Aron and Jonas Ennery contains tkhines translated into French, prayers by German reformers in French translation, and many additional liturgical translations and paraliturgical prayers. Rothschild’s work presents several prayers in English unique to her compilation by Anglo-Jewish writers. This second edition (1859) contains revisions and corrections (“there are some additions and many improvements”). This second edition was also later republished without permission in the United States by Isaac Leeser containing additional corrections. . . .

“Prayer of Thanksgiving for the Last Days of Passover” by Marcus Heinrich Bresslau was first published in his תחנות בנות ישראל Devotions for the Daughters of Israel (1852), pp. 21-22. . . .

“Prayer for the First Days of Passover (פסח)” by Marcus Heinrich Bresslau was first published in his תחנות בנות ישראל Devotions for the Daughters of Israel (1852), pp. 20-21. . . .

A collection of teḥinot translated, adapted, and republished in English. This is one of the first collections of teḥinot published for an English speaking audience. . . .

A collection of teḥinot translated, adapted, and republished in English. This is one of the first collections of teḥinot published for an English speaking audience and the first prayerbook in English for use by Jewish women published in the United States. . . .

This is the anthology of teḥinot, Devotional Exercises for the Use of Jewish Women on Public and Domestic Occasions (1852), translated by Miriam Wertheimer from Taḥnunei bat Yehudah (1846) by Meïr Letteris. On the title page and the preface, the author of the work translated by Wertheimer was somehow misidentified as Wolfgang Wessely. . . .

This is a faithful transcription of a prayer appearing at the end of a sermon delivered by Rabbi Abraham de Sola in K.K. Shearith Yisrael (Montreal), “during the prevalence of asiatic cholera,” and subsequently published in the Occident and American Jewish Advocate (7:7, Tishrei 5610/October 1849). The English translation is a “free translation” made by Rabbi Abraham de Sola. . . .

To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Prayer for the New Moon, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. . . .

“Preis der Gotteslehre” is a hymn translated by Felix Adler from one found in Gebete und Gesänge zu dem von der Genossenschaft für Reform im Judenthum zu Berlin eingerichteten Gottesdienst für die Zeit zwischen dem Schewuoth- und Roschhaschanah-Fest des Weltjahres 5606/7, hymn №23, pp. 19-20 (1846) and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №3, pp. 6-7. We have tentatively dated this translation to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The original hymn in German has three stanzas. . . .

“Gebet beim Eintritt in das Gotteshaus” was written by Meir Letteris and published in his anthology of teḥinot, תחנוני בת יהודה (Taḥnunei bat Yehudah) Andachtsbuch für israelitische Frauenzimmer…. In the 1846 printings, it appears on p. 1. The English translation here was made by Miriam Werheimer and for unknown reasons misattributed to Wolfgang Wessely in Devotional exercises for the use of Jewish women, on public and domestic occasions (1852). –Aharon Varady . . .

“Licht und Wahrheit (Light and Truth)” is a hymn translated by Felix Adler from Allgemeines Israelitisches Gesangbuch: eingeführt in dem Neuen Israelitischen Tempel zu Hamburg (1833), hymn №125, pp. 155-157, and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №12, pp. 24-25. We have tentatively dated this hymn to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The hymn as printed in the Hamburg Temple Hymnal is nine stanzas long. That hymnal credits the hymn as printed in the collected sermons of Eduard Kley, Sammlung der neuesten Predigten (1826) where it appears on pages 49-50 in three stanzas as part of a discourse on Passover. . . .

“Brich aus in lauten Klagen” by Heinrich Heine was preserved in a letter he wrote to his friend Moses Moser dated 25 October 1824. The poem is included in Heinrich Heine’s Letters on The Rabbi of Bacharach, the manuscript of which only survived in a fragment, the rest having been lost, according to Heine, in a fire. The English translation here by Nina Salaman was transcribed from her anthology, Apples & Honey (1921) where it appears under the title of “Martyr-Song,” published at an earlier date in The Jewish Chronicle. . . .

“Do not I fill heaven and earth?” is a translation by Rabbi Morrison David Bial of a portion of Reb Nosson of Nemyriv’s Liqutei Tefilot I:7.1, as adapted from the teachings of Rebbe Naḥman of Bratslav in Liqutei Moharan I:7.1. The translation was first published in his anthology, An Offering of Prayer (1962), p. 76, from where the English was transcribed. I have set this translation side-by-side with the Hebrew noting some elisions in Rabbi Bial’s adaptation. –Aharon Varady . . .

A paraliturgical birkat hamazon in Ladino. . . .

Bendigamos is a hymn sung after meals according to the custom of Spanish and Portuguese Jews. It has also been traditionally sung by the Jews of Turkish descent. It is similar in meaning to the Birkat Hamazon that is said by all Jews. Bendigamos is said in addition to Birkat Hamazon, either immediately before or immediately after it. The text is in modern Spanish, not Ladino. The prayer was translated by David de Sola Pool. Below is the actual text as well as the translation by de Sola Pool. The melody is one of the best known and loved Spanish and Portuguese melodies, used also for the Song of the Sea (in the Shabbat morning service) and sometimes in “Hallel” (on the first day of the Hebrew month and on festivals). . . .

Ribon Kol Ha-Olamim is a teḥinah (supplication) for entering the Shabbat that can be found in many siddurim following after the custom of the school of Rabbi Yitsḥak Luria. In his Ha-Siddur Ha-Shalem, Paltiel (Philip) Birnbaum includes it, commenting as follows: “Ribon kol Ha’Olamim is attributed to Rabbi Joseph of Rashkow, Posen, who lived towards the end of the eighteenth century. The adjectives in the first paragraph are in alphabetic order.” This can’t be correct however as a copy of Ribon Kol Ha-Olamim can be seen in the siddur Tikunei Shabbat from 1614 (see below for source images). Google Books attributes Tikunei Shabbat to Rabbi Yitsḥak Luria (1534-1572), which is the attribution we have followed, although as a posthumously published work we wonder whether it might be more properly attributed to “the School of Rabbi Isaac Luria.” Please comment below if you know of another attribution. The English translation is that of Paltiel (Philip) Birnbaum, with some minor changes that I have made to divine names and appelations.– Aharon Varady . . .

Perhaps Megillat Antiokhus could be read a la Esther on Purim (the holiday with the most similarities), going to Eicha trope in the upsetting parts. A few notes: on the final mention of Bagris the Wicked I included a karnei-farah in the manner of the karnei-farah in Esther. I also included a merkha kefulah in the concluding section, which (according to David Weisberg’s “The Rare Accents of the Twenty-Eight Books”) represents aggadic midrash material. It also serves as a connection to the Chanukah haftarah, which is famously the only one that has a merkha kefulah. –Isaac Mayer . . .

The Megillat Antiochus was composed in Palestinian Aramaic sometime between the 2nd and 5th century CE, likely in the 2nd Century when the memory of the Bar Kochba revolt still simmered.. The scroll appears in a number of variations. The Aramaic text below follows the critical edition prepared by Menaḥem Tzvi Kaddari, and preserves his verse numbering. The English translation by Rabbi Joseph Adler (1936) follows the Hebrew translation in the middle column, the source of which is a medieval manuscript reprinted by Tzvi Filipowsky in 1851. Adler and Kaddari’s verse ordering loosely follows one another indicating variations in manuscripts. Where Aramaic is missing from Kaddari’s text, the Aramaic version from Adler’s work is included in parentheses. Adler also included a Yiddish translation which we hope will be fully transcribed (along with vocalized Hebrew text, a Hungarian translation, and perhaps even a Marathi translation from South India) for Ḥanukkah 5775 , G!d willing. . . .

The critical text of Megillat Antiokhus in its original Aramaic, prepared by Menaḥem Tsvi Kaddari and translated into English by John C. Reeves. . . .

Psalms 36 with an English translation updated from the 1917 JPS Tanakh. . . .

Psalms 65 with an English translation updated from the 1917 JPS Tanakh. . . .

This psalm was the Wednesday song of the Levites in the Holy Temple. . . .