The Birkat Habayit is perhaps the most popular blessing in the Jewish world, appearing as a hanging amulet inside the entrance of many houses of Jews of all streams. I have added niqud to the blessing and I am very grateful to Gabriel Wasserman for his corrections to my vocalization. . . .

A popular prophylactic amulet in the event of an epidemic. . . .

This is a prayer for the welfare of domesticated animals (behemot), specifically cattle. “Tefilat mashbit milḥamot v’ha-dever min ha-behemot” (HUC MS 465) was composed by an unknown author, sometime in the late 18th or early 19th century, and possibly in a Jewish community in Italy. The text contains the following clues: 1) a prayer for a local Duke (instead of the Emperor Napoleon), 2) mention of warfare, and 3) mention of some variety of epizootic contagious disease among cattle. Rinderpest, known since ancient times, is the most likely candidate for the latter, especially in Italy in the 18th century (where it was first described by early veterinary science) but it was also in Europe following the defeat of Napoleon. While typhus and hoof-and-mouth disease are also possible, Dr. Susan Einbinder, who brought our attention to this prayer via a lecture on epidemic prayers for the HUC Klau Library, notes that the biblical reference to the “bellowing of the cattle” evokes the actual tortuous lived experience of the afflicted animals, and the suffering of their human minders, helpless to relieve them. The tragedy of rinderpest only ended in the 20th century after a concerted multi-national effort to eradicate the disease — one of the earliest modern multinational initiatives to improve the world. (A related disease, Ovine Rinderpest, first described in the 20th century, has not yet been eradicated and affects goats and sheep as well as cattle.) . . .

The shabbos table song “Yah Ekhsof No’am Shabbat” by Rabbi Aharon of Karlin, translated by Rabbi Morrison David Bial was first published in his anthology, An Offering of Prayer (1962), p. 29-30, from where this translation was transcribed. . . .

An interpretive translation of the shabbes hymn, Yah Ekhsof. . . .

In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. . . .

“Tkhine of the Matriarchs for the New Moon of Elul” by Rebbetsin Seril Rappaport is a faithful transcription of her tkhine published in Vilna, 1874, as re-published in The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . .

The ḳaddish prayer of Rebbi Levi Yitsḥaq of Berditchev in Yiddish with Hebrew, and English translations. . . .

This is De Rechten van den Menschen van den Burger (“The Rights of Man and of the Citizen” 1795) and its Hebrew translation, דברי הברית החקים והמשפטים אשר בין אדם לאדם (1798), upon the establishment of the Batavian Republic and the ensuing emancipation of Dutch Jewry in the Netherlands. The text of the Declaration, with nineteen articles, follows after the French Republic’s much expanded Déclaration des droits de l’Homme et du citoyen de 1793 written by Marie-Jean Hérault de Séchelles. (The French Declaration, ratified by popular vote in July 1793, was a revision of the initial Declaration from 1789 written by the commission that included Hérault de Séchelles and Louis Antoine Léon de Saint-Just during the period of the French Revolution.) Declarations such as these enshrined the liberal values of the Enlightenment which changed the situation and status of Jews under their aegis. Ultimately, these values were largely enshrined under the Universal Declaration of Human Rights adopted by member states of the nascent United Nations in 1945. . . .

“Lamnatseaḥ Shir” composed by Moses Ensheim, and its accompanying paraliturgical French translation by Isaïah Berr Bing, was first published in 1792 when it was sung in the synagogue of the Jewish community of Metz in celebration of the victory of the French Revolution and their emancipation as full citizens of France in 1791. . . .

“La Marseillaise” is the national anthem of France. This Hebrew translation was made by Efrayim Dror for the Free French Army (Forces Françaises Libres) and its many Jewish volunteers during the early years of World War II. The translation was published in 1951. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled “Chant de guerre pour l’Armée du Rhin” (“War Song for the Army of the Rhine”). The French National Convention adopted it as the Republic’s anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. After the fall of Napoleon in 1815 “La Marseilles” was banned and it became the anthem of the French left. The Government brought back the iconic anthem in an attempt to motivate the French people during the Franco-Prussian War. During the nineteenth and early twentieth centuries, “La Marseillaise” was recognized as the anthem of the international revolutionary movement; as such, it was adopted by the Paris Commune in 1871, albeit with new lyrics under the title “La marseillaise de la Commune.” Eight years later, in 1879, it was restored as France’s national anthem. On Simḥat Torah (18–19 October) 1973, the Lubavitcher Rebbe adapted the melody to the Jewish prayer “Ha’aderet v’ha’emuna”. In ḤaBaD, the melody is believed to convey the idea of a “spiritual French revolution” – in that Torah should be spread around the world as an advent to the messianic era. . . .

A ḥatimah (closing) prayer delivered by Ḥazzan Gershom Seixas at a special Thanksgiving Day service by K.K. Shearith Israel in 1789. . . .

The Bill of Rights, the first ten amendments to the Constitution of the United States of America, were first adopted in 1791. They were closely modeled on the Commonwealth of Virginia’s Declaration of Rights drafted by George Mason in May 1776. This translation, by Judah David Eisenstein was published in 1891. . . .

Prayers recited on special occasions and thus not part of the fixed liturgy offered America’s foremost Jewish congregation far greater latitude for originality in prayer. At such services, particularly when the prayers were delivered in English and written with the knowledge that non-Jews would hear them, leaders of Shearith Israel often dispensed with the traditional prayer for the government and substituted revealing new compositions appropriate to the concerns of the day. A prayer composed in 1784 (in this case in Hebrew) by the otherwise unknown Rabbi (Cantor?) Hendla Jochanan van Oettingen, for example, thanked God who “in His goodness prospered our warfare.” Mentioning by name both Governor George Clinton and General George Washington, the rabbi prayed for peace and offered a restorationist Jewish twist on the popular idea of America as “redeemer nation”: “As Thou hast granted to these thirteen states of America everlasting freedom,” he declared, “so mayst Thou bring us forth once again from bondage into freedom and mayst Thou sound the great horn for our freedom.” . . .

A prayer of a physician from Markus Herz in German with its Hebrew and English translations. . . .

The Preamble to the Constitution of the United States of America, in English with Hebrew and Yiddish translations. . . .

Fred MacDowell: “Then, as now, war was looked upon by many as a great evil, especially between brothers, and many American Colonists only wanted the oppressive measures of King George III to be lifted, bloodshed ended, and peace restored. The nascent American Congress called for a day of “Humiliation, Fasting and Prayer” along these lines for May 17, 1776. It was for this occasion that this prayer was recited in Congregation Shearith Israel in New York. As you can see, a complete service was arranged for this occasion, meant to invoke the solemnity and seriousness of the occasion; after morning prayer, Taḥanun was to be sung to the tune of a Yom Kippur pizmon; a dozen Psalms recited, and then the Ḥazan would recite this prayer written for the occasion, and of course all were to be fasting. The prayer hopes for a change of heart for King George III and his advisors, that they would rescind their wrath and harsh decrees against “North America,” that the bloodshed should end, and peace and reconciliation should obtain between the Americans and Great Britain once more, in fulfillment of the Messianic verse that Nation shall not lift up sword against nation. Of course this was not meant to be, and six weeks later the American Congress declared independence from Great Britain, and there was no walking back from the hostilities which had already occurred.” . . .

The text of the Declaration of Independence of the United States of America and its signatories in English, with a Yiddish translation published in 1954. . . .

A plaudit of gratitude in Latin and Hebrew for Pope Benedict XIV’s interventions after the River Tiber overflowed its banks and flooded the Jewish Ghetto in Rome. . . .

The Prayer for the mitsvot of kindling the lights of Shabbat from the Teḥinah of the Three Gates by Sarah bat Tovim (18th century). . . .