This is the prayer for Tuesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Tuesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Wednesday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Wednesday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Thursday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Thursday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

This is the prayer for Friday, a paraliturgical teḥinah opposite the Shir shel Yom (Psalm of the Day) for Friday, included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German. Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

A paraliturgical prayer for Shabbat, offered by Fanny Neuda from her collection of teḥinot in vernacular German. . . .

This is Fanny Neuda’s “Prayer for the final days of Sukkot,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66. . . .

Herr des Weltalls, reich geschmückt mit deinen Gaben und Segnungen hast du die Natur. Das Thal mit seinem üppigen Grün, der Berg mit seinem Kranz von Wäldern, das Gefilde mit seiner lachenden Frucht ist ein Erzeugnis; deiner Gnade, zum Segen deiner Menschenkinder, zur Nahrung ihres Leibes, zur Stillung ihrer Bedürfnisse, zur Ergötzung ihres Auges, zum Balsam ihrer Wunden; und kein Blättchen ist so klein, kein Grashalm so niedrig in dem weiten Reiche der Natur, daß es nicht wohlthuende heilsame Kräfte für uns enthielte. . . .

This is Fanny Neuda’s prayer “on Simḥat Torah,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66-67. We are happy to share your translation of Neuda’s tkhines in any language. The translation provided here was made by Julia Watts Belser for Hours of Devotion: Fanny Neuda’s Book of Prayers for Jewish Women (ed. Dinah Berland, Schocken 2007), and set here for the first time side-by-side with Neuda’s original German. . . .

This is the prayer for Rosh Ḥodesh (the day of the New Moon, and first day of the month in the Jewish calendar) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. The translation in English was made by Moritz Mayer in his abridged translation of Neuda’s collection, Hours of Devotion (1866). . . .

As part of our ongoing project creating a new digital edition of Fanny Neuda’s collection of tkhines in German, Stunden Der Andacht (1855), we are setting her prayers (for the first time ever) side by side with that of her work’s first English translation. . . .

This is Prayer for the Shabbat preceding the New Moon (Shabbat Mevorkhim) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . .

“Gebet einer Mutter, deren Sohn In Militärdiensten stehet” by Fanny Neuda was first published in her collection of teḥinot, Stunden der Andacht. ein Gebet⸗ und Erbauungs-buch für Israels Frauen und Jungfrauen (1855), pp. 91-92. In the 1864 Judeo-German edition, it is found on pp. 116-117. . . .

“Gebet für den Landesfürsten” by Abraham Neuda was first published in the collection of teḥinot otherwise authored by his wife, Fanny Schmiedl Neuda, Stunden der Andacht. ein Gebet⸗ und Erbauungs-buch für Israels Frauen und Jungfrauen (1855), pp. 22-23. In the 1864 Judeo-German edition, it is found on pp. 28-29. . . .

A complete transcription of a collection of teḥinot written in German, the first compilation of Jewish prayers known to be authored by a Jewish woman in a language other than English, Stunden der Andacht (1855/1858) by Fanny Schmiedl Neuda. . . .

“Gebet einer schwangern Frau, an הושענא רבה, nachdem sie den Segen über die Etrog-Frucht gesprochen.” was translated/adapted by Meïr haLevi Letteris and published in תָּחֲנוּנֵי בַּת יְהוּדָה (Taḥnunei bat Yehudah): Andachtsbuch für Israelitische Frauenzimmer (2nd edition, 1852), pp. 41-42. In 1852, this teḥinah was translated into English (with a short prayer added for children) by Miriam Wertheimer under the title “Prayer for a woman who is about to become a mother, after the benediction of the citron” in Devotional Exercises for the Use of Jewish Women on Public and Domestic Occasions (1852), pp. 52-54. . . .

“Prinzessin Sabbat” by Heinrich Heine, in Romanzero III: Hebraeische Melodien, (“Princess Shabbat,” in Romanzero III, Hebrew Melodies.), 1851 was translated into English by Margaret Armour (1860-1943), The Works of Heinrich Heine vol. 12: Romancero: Book III, Last Poems (1891). We have replaced “schalet” (unchanged in Armour’s translation) with cholent. . . .

This is a prayer for those fallen in the battle of Kápolna, a decisive battle during the Hungarian Revolution of 1848, written by István Roboz (1826-1916). Translated into numerous languages, the prayer was widely misattributed to enlightened president of Hungary, Lajos Kossuth. Circulated in translation and attributed to Kossuth, the prayer helped to cement his popularity among Jews worldwide praying for liberty from despotic regimes inclined for various reasons towards Jew hatred. . . .

“Gebet einer Frau, wenn Seuchen oder epidemische Krankheiten herrschen” was written by Meïr haLevi Letteris and published in תָּחֲנוּנֵי בַּת יְהוּדָה (Taḥnunei bat Yehudah): Andachtsbuch für Israelitische Frauenzimmer (1846), pp. 110-112. In 1852, this teḥinah was translated into English (with a short prayer added for children) by Miriam Wertheimer under the title “Prayer when epidemic diseases prevail” in Devotional Exercises for the Use of Jewish Women on Public and Domestic Occasions (1852), pp. 70-71. The sad inspiration for this prayer was likely the 1846-1860 Cholera Pandemic. . . .

“Gebet in den Stunden der Wehmuth und Niedergeschlagenheit” was written by Meïr haLevi Letteris and published in תָּחֲנוּנֵי בַּת יְהוּדָה (Taḥnunei bat Yehudah): Andachtsbuch für Israelitische Frauenzimmer (1846), pp. 95-96. In the Judeo-German edition, it is found on pp. 80-81. . . .

“Preis der Gotteslehre” is a hymn translated by Felix Adler from one found in Gebete und Gesänge zu dem von der Genossenschaft für Reform im Judenthum zu Berlin eingerichteten Gottesdienst für die Zeit zwischen dem Schewuoth- und Roschhaschanah-Fest des Weltjahres 5606/7, hymn №23, pp. 19-20 (1846) and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №3, pp. 6-7. We have tentatively dated this translation to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The original hymn in German has three stanzas. . . .