Contributed by: Ḥayyim Obadyah
The ceremony of welcoming ushpizin originated in the Jewish mystical tradition of Qabbala, for which the ushipizin represented the divine emanations called “sefiroth”, in the context of the sukka as a representation of Ultimate Redemption. Because of this mystical association, the ceremony was rejected by some communities (such as Spanish and Portuguese Jews) and individuals (such as diehard rationalists). Without applying mystical implications, however, we can see this ritual as a symbol of how we bring into our lives diverse aspects of Jewish history and tradition as we navigate our spiritual journeys. . . .
Contributed by: Ḥayyim Obadyah
This mi sheberakh prayer, “Farewell to Rabbinic Intern,” was written by Hayyim Obadyah and shared via the Open Siddur Project discussion group on Facebook. . . .
Contributed by: Ḥayyim Obadyah
This mi sheberakh for the ill, and the two additional prayers, all appear on page 15-16 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. . . .
Contributed by: Ḥayyim Obadyah
A liturgy of symbolic foods exclusively for the eve of the Hebrew new year 5781. A traditional egalitarian Hebrew text being a newly revised liturgy with contemporary text and additional prayers suitable to our perilous and worrisome state at the beginning of this second year of the pandemic and including a modern English translation together with learned annotations and guidance for observance in the home. . . .
Contributed by: Ḥayyim Obadyah, Unknown
This prayer appears on page 11-12 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variant of the prayer, “Eloheinu Shebashamayim,” a supplication read in the sephardic tradition during seliḥot. This version contains twenty-five lines as found in Sefer Selihot haShalem, Hazon Ovadia, p.48-51/. Other variations have fifty or more lines. . . .
Contributed by: Ḥayyim Obadyah, Unknown
This prayer appears on page 13-16 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variation of the piyyut Tayanu v’Tayatru albeit with a different opening line. . . .