As we move not just toward a new “year” (shanah) but toward a moment when repetition (sheni) becomes transformation (shinui), I hope we will remember the roots of Jewish renewal in the upheavals of the 1960s as well as the upheavals of the 1760s, the roots of Judaism in the great “political” speeches of the Prophets, and the teachings of Rabbi Abraham Joshua Heschel, who said that in a great civil rights march his legs were praying, and who argued again and again that “spirituality” and “politics” cannot be severed. As Heschel also said, “Prayer is meaningless unless it is subversive.” . . .

A common practice among Sephardim both eastern and western is to read the aftará for the morning of the fast of Aḇ with a verse-by-verse midrashic translation. Western Sephardim use an Early Modern Spanish text, while Eastern Sephardim use a Judezmo (or Judeo-Spanish proper) text. Attached is a transcript of a Western Sephardic verse-by-verse targum of the aftará for the Shabbat before 9 Aḇ, based on the text found in Isaac Leeser’s Siddur Siftei Tsadiqim, volume 6: Seder haTefilot laTaaniyot (1838), pp. 174-184. Each verse is included in Hebrew, as well as the original Spanish text, and a slightly modernized Spanish text underneath to clarify archaic forms or words that have fallen out of use. Also included are from-scratch English translations. . . .

In the 18th century, the common practice among Western Sephardim was to read some or all of the aftarót recited in the three weeks before the fast of Aḇ with a verse-by-verse “Ladino” (in this case meaning standard Early Modern Spanish, not Judezmo) translation. According to Joseph Jesurun Pinto (ḥazzan of Shearith Israel in New York from 1759 to 1766), it was customary in Amsterdam for only the final of the three aftarót, the aftará of Shabbat Ḥazon, to be recited with this Spanish targum, while in London it was customary for all three to be recited. This practice fell out of common usage in the past few centuries, although the Western Sephardic community of Bayonne preserved it up until the Shoah. But to this day a unique cantillation system is used in most Western Sephardic communities for the three aftarót before the fast. Attached is a transcript of a Spanish verse-by-verse targum of the aftará for the Shabbat before 9 Aḇ, based on one found in a publication from Amsterdam in 1766. Each verse is included in Hebrew, as well as the original Spanish text, and a slightly modernized Spanish text underneath to clarify archaic forms or words that have fallen out of use. . . .

Rabbi Levi Weiman-Kelman introduced the tradition of reading these verses from Isaiah during the month of Kislev through the end of Ḥanukkah in his Siddur Ha’Avodah Shebalev of Kehillat Kol HaNeshamah (R’ Levi Weiman-Kelman, R’ Ma’ayan Turner, and Shaul Vardi, 2007). The translation provided here was adapted from the one made by Shaul Vardi in Siddur Ha’Avodah Shebalev. –Aharon Varady. . . .

In the 18th and 19th centuries, the common practice among Western Sephardim was to read some or all of the aftarót recited in the three weeks before the fast of Aḇ with a verse-by-verse “Ladino” (in this case meaning standard Early Modern Spanish, not Judezmo) translation. According to Joseph Jesurun Pinto (ḥazzan of Shearith Israel in New York from 1759 to 1766), it was customary in Amsterdam for only the final of the three aftarót, the aftará of Shabbat Ḥazon, to be recited with this Spanish targum, while in London it was customary for all three to be recited. This practice fell out of common usage in the past few centuries, although the Western Sephardic community of Bayonne preserved it up until the Shoah. But to this day a unique cantillation system is used in most Western Sephardic communities for the three aftarót before the fast. . . .

On Shabbat Ḥazon, the Shabbat before Tisha b’Av, many Ashkenazi communities have a custom to read most of the haftarah (Isaiah 1:1-27) in Eikha trop, the cantillation used for the Book of Lamentations. There are many distinct customs, but one of the most common reads verses at the beginning and end in standard haftarah trop, as well as several verses in the middle, selected for their more hopeful message. This edition of the haftarah for Shabbat Ḥazon, along with its new translation, has the verses recited in Eikha trop marked in blue and the verses in haftarah trop in black. . . .