Contributor(s): Shared on: 14 April 2024 under the Creative Commons Zero (CC 0) Universal license a Public Domain dedication Categories: Tags: | Source (Hebrew) | Translation (Ladino) | Transliteration (Romanized Ladino) |
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שִׁ֗יר לַֽמַּ֫עֲל֥וֹת
אֶשָּׂ֣א עֵ֭ינַי אֶל־הֶהָרִ֑ים מֵ֝אַ֗יִן יָבֹ֥א עֶזְרִֽי׃ |
קאנטאר די לאס סובﬞיאס.
אלסאדי מיס אווס אה לוס מוטיס ,די אונדי בﬞידרה מי אייוה׃ |
Cantador de las sovridas.
Alçadei mis ojos a los montes, a de onde veidra mi ayuda. |
עֶ֭זְרִי מֵעִ֣ם יְהֹוָ֑ה עֹ֝שֵׂ֗ה שָׁמַ֥יִם וָאָֽרֶץ׃ |
מי אייה ייני די ה׳‚ אזיור די לוס סיילוס אי די לה טיירה׃ |
Mi ayuda viene de HASHEM, hizidor de los çielos y de la tierra. |
אַל־יִתֵּ֣ן לַמּ֣וֹט רַגְלֶ֑ךָ אַל־יָ֝נ֗וּם שֹׁמְרֶֽךָ׃ |
נו דיארה קי טו פיי סי איסמוה. טו גוארדאור נו דורמי׃ |
No dexara que tu pie se a se mueva. Tu Guardador no duerme. |
הִנֵּ֣ה לֹֽא־יָ֭נוּם וְלֹ֣א יִישָׁ֑ן שׁ֝וֹמֵ֗ר יִשְׂרָאֵֽל׃ |
איק‚ נו דורמי אי נו סי אורמיסי איל גוארדאר‚ די ישראל׃ |
Y que no duerme y no se a dormirse, el Guardador de Israel. |
יְהֹוָ֥ה שֹׁמְרֶ֑ךָ יְהֹוָ֥ה צִ֝לְּךָ֗ עַל־יַ֥ד יְמִינֶֽךָ׃ |
ה׳ איס טו גוארדאר‚ ה׳ איס טו סולומברה‚ אה טו מאנו דיריה׃ |
HASHEM es tu Guardador, HASHEM es tu solombra a tu mano derecha. |
יוֹמָ֗ם הַשֶּׁ֥מֶשׁ לֹֽא־יַכֶּ֗כָּה וְיָרֵ֥חַ בַּלָּֽיְלָה׃ |
די דיאה נו טי אירירה איל סול‚ ני לה לונה די נוי׃ |
De día no te herirá el sol, ni la luna de noche. |
יְֽהֹוָ֗ה יִשְׁמׇרְךָ֥ מִכׇּל־רָ֑ע יִ֝שְׁמֹ֗ר אֶת־נַפְשֶֽׁךָ׃ |
ה׳ טי גוארדארה די טוו מאל‚ גוארדארה טו אלמה׃ |
HASHEM te guardará de todo mal; guardará tu alma. |
יְֽהֹוָ֗ה יִשְׁמׇר־צֵאתְךָ֥ וּבוֹאֶ֑ךָ מֵ֝עַתָּ֗ה וְעַד־עוֹלָֽם׃ |
ה׳ גוארדאלה טו סאליה אי טו אינטראה‚ די אגורה אי אסטה סיימפרי׃ |
HASHEM guárdala tu salida y tu entrada, y hasta siempre. |
This is a Ladino translation of Psalms from תהילים או לוס סאלמוס ; טריסלאד’אד’וס דיל לשון הקדש אין לה לינגואה ספרדית (Tehillim, or the Psalms, translated from the Holy language [Hebrew] into the Sephardic language, Estampado por Ǧ. Griffit 1852/3), p. 187. The Romanization schema for the Ladino closely follows the style of Professor Moshe Lazar z”l, of the University of Southern California (USC), who in 1988 produced the transcription of the Constantinople Codex of 1547 and provided a novel transliteration of the vocalized Ladino. This transliteration scheme for the Ladino language loses no information coming from the Hebrew letters, keeping the form of the ancient tongue while eschewing the Atatürk language reforms which are foreign the original base Spanish and Portuguese roots of the language. –Shmuel Gonzales Source(s) “תהלים קכ״א בלשון לאדינו | Salmo 121 | סאלמו קכא | Psalms 121 in Ladino (Estampado por Ǧ. Griffit, ca. 1852/3)” is shared through the Open Siddur Project under the Creative Commons Zero (CC 0) Universal license a Public Domain dedication.
 Shmuel Gonzales is a Mexican-American punk and ḥasid, of Sephardic Bnei Anusim roots. He shares his transcriptions of Jewish liturgy here at the Open Siddur; with the bulk of his work dedicated to the preservation and proliferation the historic liturgical texts of the Sephardic, Mizraḥi and the ḤaBaD Lubavitch Nusach ARI z”l traditions. His divrei torah are available via his blog, Hardcore Mesorah, Since the mid-1990s Shmuel has served as lay leader and shaliaḥ tsibur for several communities across the Los Angeles Eastside, while doing kiruv (Jewish outreach) and teaching Jewish education throughout the inner-city in working-class communities. He is the founder of the Boyle Heights Chavurah – a grassroots Jewish community in East Los Angeles. He is also a community organizer, serving Clergy and Laity United for Economic Justice (CLUE) and was elected as President of the Boyle Heights Neighborhood Council. He is privileged to be recognized as a renowned professional historian, as founder of Boyle Heights History Studios (& Tours) and author of the Barrio Boychik Blog. He is a proud volunteer for the Pico Union Project, which has successfully transformed the oldest synagogue building in Los Angeles into a thriving community center under the leader of famed musician and Cantor Craig Taubman; which is serving as a model for renewing vibrancy for older historic Jewish communities in what are today’s BIPOC landscapes. George Griffith was an English Protestant whose missionary press in Izmir published Ladino translations of the Scriptures in the mid-19th century Ottoman Empire. Established in 1838 to serve the Anglican mission, Estampado por Ǧ. Griffit was the only press in Izmir with a Sepharadi cursive ("Rashi") typeface available for publishing in Ladino. The Mesorah (Heb: מָסוֹרָה) a/k/a, the Masoretic text is the authoritative Hebrew and Aramaic text of the TaNaKh for Karaite and Rabbinic Judaism. It was primarily copied, edited and distributed by a group of Jews known as the Masoretes between the 7th and 10th centuries CE. The Masoretic Text defines the Jewish canon and its precise letter-text, with its vocalization and accentuation known as the Masorah.
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