מגילת איכה | Megillat Eikhah: Chantable English translation with trope, by Len Fellman

A “transtropilation” of an English translation of Lamentations (Eikhah) by Len Fellman. . . .

איכה פרק ו׳ | Lamentations “chapter 6” in cantilized English, a supplement to public readings of Eikhah by HIAS (2018)

As we prepare to observe Tisha B’Av and commemorate the destruction of Jerusalem that led to the exile of the Jewish people for centuries to come, we are acutely aware that we find ourselves in the midst of the worst refugee crisis in recorded history, with more than 68 million people displaced worldwide. Given these extraordinary numbers, the continued attacks on asylum and the refugee resettlement program in the United States over the last eighteen months are even more inhumane. Of course, we know that the proverbial 10th of Av will come, and we will rise up from our mourning with renewed resolve to support refugees and asylum seekers. First, though, we take time to dwell fully in the mourning demanded by the 9th of Av. We fervently lament the many cruel actions this administration has taken to limit the ability of refugees and asylum seekers to seek safety in our country, and we mourn for lives destroyed and lives lost. . . .

מגילת איכה | Megillat Eikhah (Lamentations), translation by Rabbi David Seidenberg (neohasid.org)

This translation of Laments, the book of mourning poems read on Tish’a B’Av, uses principles of the Buber-Rosenzweig Bible. It strives to be “concordant”, translating related Hebrew words with related English words and following the order and syntax of the Hebrew where possible. It also focuses on the more physical, earthy meaning of words, in order to draw the reader from modern towards more ancient ways of seeing and feeling. Sometimes alternate translations are given, indicated by a slash. (When reading aloud, simply pick one of the translations. For YHVH, you can read Adonai or Hashem or “the Eternal”.) James Moffat’s 1922 translation was consulted. As a somewhat literal translation, Laments uses “He” and “His” as pronouns for God, even though Torah and common sense command us not to make an exclusively male or female image of God. If you are using Laments liturgically, please feel encouraged to change the pronouns. For brief essays on the theology of Eikhah and more, see the bottom of this page. This work is dedicated to all refugees fleeing war and upheaval, and to our remembering their needs. . . .

The Last Tisha b’Av: A Tale of New Temples, by Rabbi Arthur Ocean Waskow and Rabbi Phyllis Ocean Berman (2006)

Long ago there came a Ḥassid, visiting from Vitebsk to see his Rebbe. Struggling up hills, over cobblestones, through narrow alleyways, the Ḥassid came panting, shaking, to the door of a pale and quiet synagogue. So pale, so quiet was this shul that the pastel paintings on the wall and ceiling stood out as though they were in vivid primary colors. As the Ḥassid came into the shul, he saw his Rebbe high on a make-shift ladder, painting a picture on the ceiling above the bimah. . . .

תשעה באב | Eikha for the Earth: Sorrow, Hope, and Action from the Shalom Center

Tisha b’Av, the ninth day of the month of Av, has historically been a day to mourn the Destruction of the First and Second Temples, centers of Israelite practice before the rise of Rabbinic Judaism (First Temple 975 BCE – 586 BCE; Second Temple 515 BCE – 70 CE) and the exiles that followed those destructions. Over the course of Jewish history this day of mourning and fasting has also come to commemorate many other tragedies that have befallen the Jewish people throughout history. This year we are beginning a new tradition. We are suggesting that in addition to, or instead of (depending on the norms of your community and personal practice) the traditional observance of Tisha b’Av, the time has come to use this powerful day to mourn the ongoing destruction of the “temple” that is our Earth, a tragedy for all peoples, creatures and living things, but one that is not complete and thus, with sufficient will and action, is in part, reversible. . . .


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