This is an archive of original art shared through the project, templates for traditional letter art, as well as several examples of craft and how-to instructions for crafting siddur related works. ☞ Have you made some art you’d like to share for others to copy and redistribute through their assemblage of resources? Have you produced a mizraḥ, shiviti, or birth amulet, or other work that others can use to derive one for themselves or a friend? Upload it here. Filter resources by Collaborator Name Filter resources by Tag Filter resources by Category Filter resources by Language Filter resources by Date Range The prescribed rabbinic blessing upon observing the meteorological phenomena of a rainbow, together with exceptional art inspired by early rabbinic midrash. . . .
A medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow . . .
There are many illustrated siddurim for children. This Illustrated Kabbalat Shabbat Siddur is an illustrated siddur (in Hebrew) for grownups. The purpose of this siddur is to inspire us during prayer, to help us create and maintain Kavana. I chose to create this siddur for Kabbalat Shabbat, since usually at Kabbalat Shabbat we are more relaxed and open. The siddur has all that is needed (Nusaḥ Sefarad) for the Friday night prayers (Minḥah, Kabbalat Shabbat, and Arvit). The drawings accompany Kabbalat Shabbat. . . .
The essential idea of the liturgy of Ushpizin is to invoke the energies of the seven lower Sefirot in the proper order, so that Shefa, blessing and sustenance, can be drawn down into the world. This is the essence of Kabbalistic liturgy, and a liturgy of the imahot would only make sense if it were to follow that pattern. That means we have the playfully serious task of finding a stable order for the imahot where no clear order exists. . . .
Tags: 21st century C.E., 58th century A.M., Ancestors, archetypes, Avot and Imahot, ecoḥasid, in the merit of our ancestors, North America, Prayers inside sukkot, קבלה ḳabbalah, ספירות sefirot, spirits, אושפיזתא Ushpizata, אושפיזין ushpizin
Basic Hebrew letter and vowel lists adorn the opening pages of a number of siddurim published a century ago — evidence of the centrality of the Jewish prayer book as a common curricular resource. But the Hebrew letters are not only essential to fluency in Hebrew language, they are also the atomic elements composing the world of the rabbinic Jewish imagination. This is especially so for those who conceive in their devotional literary practices an implicit theurgical capability in modifying and adapting the world of language though interpretation, translation, and innovative composition. To create a world with speech relies on thought and this creative ability is only limited by the facility of the creator to derive meaning from a language’s underlying structure. This, therefore, is a table of the Hebrew letters arranged in order of their numerical value, in rows 1-9, 10-90, and 100-900, so that elements with similar numerical structure, (but dissimilar phonetic amd symbolic attributes) appear in vertical columns. Attention has been given to the literal meaning of the letter names and the earliest glyph forms known for each letter in the Hebrew abgad. . . .
A song by Darshan including the alphabetic acrostic piyyut, El Barukh, part of the morning Yotser Ohr blessing made prior to the Shema at the official beginning of the Shaḥarit service. . . .
Tags: 21st century C.E., 58th century A.M., acrostic, Aleph-Bet, Alphabetic Acrostic, animation, אל ברוך El Barukh, English piyyutim, hip hop, otiyot, Prayers as poems, rap, ספר יצירה Sefer Yetsirah, יוצר אור yotser ohr
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