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☞   Rosh haShanah la-Melakhim

This is an archive of prayers and songs written for, or relevant to, the New Year’s Day for Sovereigns (Kings & Queens) — marking the beginning of the year of many historic secular calendars including the Jewish calendar, and commencing with the first of Nisan. (Rosh haShanah la-Melakhim coincides with Rosh Ḥodesh Nisan.)

Click here to contribute a public reading you have written or selected for Rosh haShanah la-Melakhim.

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For prayers composed for Rosh Ḥodesh Nisan, visit here.

For prayers composed for Rosh haShanah la-Ilanot (a/k/a Tu biShvat), go here.

For prayers composed for Rosh haShanah (l’Maaseh Bereshit), go here.

For prayers composed for Rosh haShanah la’Behemah, go here.

Just for a Moment, a prayer-poem by Rabbi Menachem Creditor (2020)

A prayer-poem by Rabbi Menachem Creditor reflecting on the challenges of the year 2020 up till Rosh haShanah. . . .

A Prayer for the Earth, by Rabbi David Seidenberg (neohasid.org)

God of all spirit, all directions, all winds You have placed in our hands power unlike any since the world began to overturn the orders of creation. . . .

תפילה להתחדש | A Prayer for Renewal, by Hillel Zeitlin

This prayer by Hillel Zeitlin was published as “That We Be Reborn” with an English translation by Eugene Kohn in the Sabbath Prayer Book (Jewish Reconstructionist Foundation 1945) of Rabbi Mordecai Kaplan. I have slightly modified Kohn’s translation by replacing thee and thou with you and your, etc. Zeitlin’s prayer is undated and likely was published earlier and elsewhere. If you have more information on the original publication of this prayer, please contact us or leave a comment. . . .

פֶּרֶק שִׁירָה | Pereq Shirah, a litany of verses spoken by the creatures & works of Creation (after the arrangement of Natan Slifkin)

Talmudic and midrashic sources contain hymns of the creation usually based on homiletic expansions of metaphorical descriptions and personifications of the created world in the Bible. The explicitly homiletic background of some of the hymns in Perek Shira indicates a possible connection between the other hymns and Tannaitic and Amoraic homiletics, and suggests a hymnal index to well-known, but mostly unpreserved, homiletics. The origin of this work, the period of its composition and its significance may be deduced from literary parallels. A Tannaitic source in the tractate Hagiga of the Jerusalem (Hag. 2:1,77a—b) and Babylonian Talmud (Hag. 14b), in hymns of nature associated with apocalyptic visions and with the teaching of ma’aseh merkaba serves as a key to Perek Shira’s close spiritual relationship with this literature. Parallels to it can be found in apocalyptic literature, in mystic layers in Talmudic literature, in Jewish mystical prayers surviving in fourth-century Greek Christian composition, in Heikhalot literature, and in Merkaba mysticism. The affinity of Perek Shira with Heikhalot literature, which abounds in hymns, can be noted in the explicitly mystic introduction to the seven crowings of the cock — the only non-hymnal text in the collection — and the striking resemblance between the language of the additions and that of Shi’ur Koma and other examples of this literature. In Seder Rabba de-Bereshit, a Heikhalot tract, in conjunction with the description of ma’aseh bereshit, there is a clear parallel to Perek Shira’s praise of creation and to the structure of its hymns. The concept reflected in this source is based on a belief in the existence of angelic archetypes of created beings who mediate between God and His creation, and express their role through singing hymns. As the first interpretations of Perek Shira also bear witness to its mystic character and angelologic significance, it would appear to be a mystical chapter of Heikhalot literature, dating from late Tannaitic — early Amoraic period, or early Middle Ages. . . .