The text of the Sefer Yetsirah presented here follows the “experimental exercise” produced by A. Peter Hayman in his Sefer Yeṣira: Edition Translation and Text-Critical Commentary, “Appendix III: The Earliest Recoverable Text of Sefer Yesira” (Mohr Siebeck, 2004). For details on his construction and his review of the available recensions of Sefer Yetsirah, please refer to Hayman’s complete commentary. Numbers in parentheses indicate sections. I have added spaces between sections indicate traditional chapter breaks. Square brackets indicate some doubt as to whether the included wording was present in the earlier form of the text (p.124). . . .
Contributor(s): Aharon N. Varady (translation)
Categories:  Ma'ariv, Shema, Shaḥarit, Contemplation, Shaḥarit, by Praxis, Art, Nighttime, Daytime | Tags:  meditation, technique, yiḥud, xerography, Teva 
When works are printed bearing shemot, any one of the ten divine names sacred to Judaism, they are cared for with love. If a page or bound work bearing shemot falls to the ground it’s a Jewish custom to draw up the page or book and kiss it. Just as loved ones are cared for after they’ve fallen and passed away, when the binding fails and leaves fall from siddurim and other seforim they are collected in boxes and bins and brought for burial, where their holy words can decompose back into the earth from which their constituent elements once grew, and were once harvested to become paper and books, and ink, string, glue. While teaching at the Teva Learning Center last Fall 2010, I collected all our shemot that we had intentionally or unintentionally made on our copy machine, or which we had collected from the itinerant teachers who pass through the Isabella Freedman Retreat Center on so many beautiful weekend shabbatonim. While leafing through the pages, I found one and kept it from the darkness of the genizah. . . .
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