הֲרֵינִי מְקַבֵּל עָלַי | A kavvanah to love your fellow as yourself, before prayer (ca. 1572)

A crucial intention to align one’s davvenen practice with the command to love one’s fellow as oneself per Leviticus 19:18, as recorded in Minhagei ha-Arizal–Petura d’Abba, p.3b by Ḥayyim Vital. . . .

Tags: 16th century C.E., 54th century A.M., fellowship, כוונות kavvanot, Leviticus 19, love, love your fellow as yourself, Openers, school of the ARI z"l

Contributor(s): Yitsḥak Luria and Aharon N. Varady (transcription)

“Just Walk Beside Me” (לֵךְ פָּשׁוּט לְצִדִּי | امشي بجانبي | נאָר גיין לעבן מיר), lines from an unknown author circulating in 1970; Jewish adaptation with translations in Aramaic, Hebrew, Yiddish, and Arabic

Variations of the original three lines culminating with “…walk beside me…” first appear in high school yearbooks beginning in 1970. The earliest recorded mention we could find was in The Northern Light, the 1970 yearbook of North Attleboro High School, Massachusetts. In the Jewish world of the early to mid-1970s, a young Moshe Tanenbaum began transmitting the lines at Jewish summer camps. In 1979, as Uncle Moishy, Tanenbaum published a recording of the song under the title “v’Ohavta” (track A4 on The Adventures of Uncle Moishy and the Mitzvah Men, volume 2). . . .

Categories: Travel, Social Justice, Peace, and Liberty, Additional Preparatory Prayers, 🇺🇸 Brotherhood Week

Tags: 20th century C.E., 58th century A.M., political and religious anarchism, Arabic translation, Aramaic translation, children's education, Hebrew translation, love your fellow as yourself, Pedagogical songs, Universal Peace, universalist, universalist prayers, Yiddish translation, זמירות zemirot

Contributor(s): Moshe Tanenbaum, Unknown Author(s), Aharon N. Varady (transcription), Aharon N. Varady (translation) and Isaac Gantwerk Mayer (translation)

האותיות של האבג״ד בעברית | A Periodic Table of the Hebrew Aleph Bet Emphasizing Phonetic Grouping, Symbolic Association, and Diversity of Letter Form

Basic Hebrew letter and vowel lists adorn the opening pages of a number of siddurim published a century ago — evidence of the centrality of the Jewish prayer book as a common curricular resource. But the Hebrew letters are not only essential to fluency in Hebrew language, they are also the atomic elements composing the world of the rabbinic Jewish imagination. This is especially so for those who conceive in their devotional literary practices an implicit theurgical capability in modifying and adapting the world of language though interpretation, translation, and innovative composition. To create a world with speech relies on thought and this creative ability is only limited by the facility of the creator to derive meaning from a language’s underlying structure. This, therefore, is a table of the Hebrew letters arranged in order of their numerical value, in rows 1-9, 10-90, and 100-900, so that elements with similar numerical structure, (but dissimilar phonetic amd symbolic attributes) appear in vertical columns. Attention has been given to the literal meaning of the letter names and the earliest glyph forms known for each letter in the Hebrew abgad. . . .

Categories: Art & Craft, Additional Preparatory Prayers, Theurgy

Tags: Aleph-Bet, gematria, otiyot

Contributor(s): Aharon N. Varady

Stable Link: https://opensiddur.org/index.php?cat=6712

Associated Image:

🧿

(This image is set to automatically show as the "featured image" in shared links on social media.)

Terms of Use: Be a mentsch (a conscientious, considerate person) and adhere to the following guidelines:

Properly attribute any information in the description of this archive page to the Open Siddur Project (<https://opensiddur.org>).
Clearly indicate the date you accessed this page and in what ways, if any, you modified it. (If you have adapted the work, let us know so that the contributor might consider endorsing your revision.)
Provide the stable link to this archive: <https://opensiddur.org/index.php?cat=6712>.
Indicate that the original page was shared under the Creative Commons Attribution-ShareAlike (CC BY-SA) 4.0 International copyleft license. (To redistribute or remix this page in any format, modified or unmodified, you must refer to the terms of the CC BY-SA license.)

Additional Notes:

The views expressed on this page and in these shared works represents the views of their creator(s) and do not necessarily represent the views of the Open Siddur Project's developers, its diverse community of volunteer contributors, or its institutional partners.
We strongly advise against printing sacred texts and art containing divine names as these copies must be regarded with reverence, complicating their casual treatment and disposal.
If you must dispose of a printed sacred text (one containing Divine Names), please locate the closest genizah (often established by a synagogue) and contact its custodians for further instructions. We also recommend using Morah Yehudis Fishman's Prayer for Adding a Work to the Genizah.

Support this work: The Open Siddur Project is a volunteer-driven, non-profit, non-commercial, non-denominational, non-prescriptive, gratis & libre Open Access archive of contemplative praxes, liturgical readings, and Jewish prayer literature (historic and contemporary, familiar and obscure) composed in every era, region, and language Jews have ever prayed. Our goal is to provide a platform for sharing open-source resources, tools, and content for individuals and communities crafting their own prayerbook (siddur). Through this we hope to empower personal autonomy, preserve customs, and foster creativity in religious culture.

ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." –Psalms 90:17

Pocket Reddit Facebook Bluesky Telegram WhatsApp SMS Email