![the Open Siddur Project [logo]](https://opensiddur.org/wp-content/uploads/2018/09/Open-Siddur-Project-Logo-2016.svg){kind=logo} the Open Siddur Project ✍︎ פְּרוֹיֶקְט הַסִּדּוּר הַפָּתוּחַ
a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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🖖︎ Prayers & Praxes // 🌞︎ Prayers for the weekday, Shabbat, and season // Prayers for Seasons, Shmitah, and Solar Cycles //   Contributor(s):This is an updated version of a chart that I have been creating and sharing for ten years. This grid for counting the omer includes the secular date for 2024 as well as Hebrew dates and the sefirot associated with each day of the omer. More information can be found on my website. . . . Contributor(s):A summary of the lineage of the Mesorah, as it passed through generations of Israelite and Jewish women. . . . סֵדֶר סְפִירַת הָעֹמֶר | Seder Sefirat ha-Omer :: the Order of Counting the Omer between Pesaḥ and Shavuot Contributor(s):Each day between the beginning of Passover and Shavuot gets counted, 49 days in all, 7 weeks of seven days. That makes the omer period a miniature version of the Shmitah and Yovel (Jubilee) cycle of 7 cycles of seven years. Just as that cycle is one of resetting society’s clock to align ourselves with freedom and with the needs of the land, this cycle too is a chance to align ourselves with the rhythms of spring and the spiritual freedom represented by the Torah. . . . Contributor(s):A Hebrew translation of the lyrics to Harry Nilsson’s “One” (1967) as sung by Aimee Mann (1995) . . . Contributor(s):This “Special Prayer” for a Youth Service (11 April 1942) by the Hon. Lily H. Montagu (1873-1963) from the archives of the Liberal Jewish Synagogue, London, was published in, Lily Montagu: Sermons, Addresses, Letters, and Prayers (ed. Ellen M. Umansky, 1985), p. 351. April 11th that year would have corresponded to the 24th of Nissan, i.e., a day following Passover 5702. . . . Contributor(s):A teachable moment in the life of Emma Goldman to reflect upon whether our practice is liberating or in need of liberation. . . . שִׁירַת הַדֶּרֶךְ הָרְחָבָה | Song of the Open Road, by Walt Whitman (1856), Hebrew translation by Shimon Halkin (1952) Contributor(s):The famous poem by Walt Whitman in its original English with its Hebrew translation. . . . Contributor(s):“In der Sephira” was translated/adapted by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. It first appears in the 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion as teḥinah №25 on pp. 32-33. In the 1835 edition, it appears as teḥinah №24 on pp. 37-38. In the 1842 edition, it appears as teḥinah №27 on pp. 40-41. . . . Contributor(s):Psalms 67 is a priestly blessing for all the peoples of the earth to be sustained by the earth’s harvest (yevulah), and it is a petition that all humanity recognize the divine nature (Elohim) illuminating the world. Composed of seven verses, the psalm is often visually depicted as a seven branched menorah. There are 49 words in the entire psalm, and in the Nusaḥ ha-ARI z”l there is one word for each day of the Sefirat haOmer. Similarly, the fifth verse has 49 letters and each letter can be used as a focal point for meditating on the meaning of the day in its week in the journey to Shavuot, the festival of weeks (the culmination of the barley harvest), and the festival of oaths (shevuot) in celebration of receiving the Torah. Many of the themes of Psalms 67 are repeated in the prayer Ana b’Koaḥ, which also has 49 words, and which are also used to focus on the meaning of each day on the cyclical and labyrinthine journey towards Shavuot. . . .
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https://opensiddur.org/index.php?cat=1237 Associated Image:
"Sefirot HaOmer" by Aharon Varady derived from the color correspondences of Reb Zalman Schachter-Shalomi, and the design concept of Lauren Deutsch. Each of the seven weeks and days of the Omer is represented by one of the seven lower sefirot: Ḥesed, Gevurah, Tiferet, Netsaḥ, Hōd, Yesod, and Malkhut, the creative emanations all the worlds were created and continually sustained, as taught in the cosmology of esoteric Jewish tradition. The first day of the Omer at the top left signifies "Ḥesed within Ḥesed." The circle below representing the second day signifies "Gevurah within Hesed," and so forth. The forty-second circle on the bottom row marks the 42nd day of the Omer, Yom Qeshet, Rainbow Day, which is "Malkhut that is in Yesod."(This image is set to automatically show as the "featured image" in category pages and in shared links on social media.)
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The Open Siddur Project is a volunteer-driven, non-profit, non-denominational, non-prescriptive, gratis & libre Open Access archive of contemplative praxes, liturgical readings, and Jewish prayer literature (historic and contemporary, familiar and obscure) composed in every era, region, and language Jews have ever prayed. Our goal is to provide a platform for sharing open-source resources, tools, and content for individuals and communities crafting their own prayerbook (siddur). Through this we hope to empower personal autonomy, preserve customs, and foster creativity in religious culture. If you like what you've found here, please help keep our project alive and online with your financial contribution.
ויהי נעם אדני אלהינו עלינו ומעשה ידינו כוננה עלינו ומעשה ידינו כוננהו "May the pleasantness of אדֹני our elo’ah be upon us; may our handiwork be established for us — our handiwork, may it be established." –Psalms 90:17
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