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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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the song at the sea of ending one story and beginning another, by Kohenet Ilana Joy Streit (February 2023)  Contributor(s): Categories: Tags:This piece emerged in February 2023 upon realizing that instead of reading ים סוף as Yam Suf (generally understood at the Sea of Reeds), it could be read as Yam Sof: Sea of End[ing]. It was apparent to me that we may have approached this sea (escaping from slavery) thinking that it would be the end of us. It was not. But it was the end of *something*. . . .  Contributor(s): Categories: Tags:“The Song of Miriam” by Rabbi Ruth Sohn was first published as “I Shall Sing to the Lord a New Song,” in Kol Haneshamah: Shabbat Vehagim, Reconstructionist Prayerbook, 1989, 1995 Second Edition. Reconstructionist Press, pp. 768-769. (This poem was also published in several haggadot and other books and set to music by several composers in the U.S. and Israel.) Rabbi Sohn wrote the poem in 1981 as a rabbinical student after immersing herself in the Torah verses and the traditional midrashim about Miriam, and after writing a longer modern midrash about Miriam. Part of this modern midrash was published as “Journeys,” in All the Women Followed Her, ed. Rebecca Schwartz (Rikudei Miriam Press, 2001). . . .  Contributor(s): Categories: Tags:This piyyuṭ, bearing the acrostic signature “Samuel,” is traditionally recited in the communities of Babylonia and India as a petiḥa, or opening poem, before the Song of the Sea. It is also sung on Shabbat Shira, the Sabbath where we read the Song of the Sea in public. This translation is an attempt to preserve the original meaning as well as the rhyme scheme and poetic form. . . . 📜 פָּרָשַׁת בְּשַׁלַּח | Parashat b’Shalaḥ (Exodus 13:17-17:16), color-coded according to its narrative layers Contributor(s): Tags:supplementary hypothesis, קריעת ים סוף qriyat yam suf, annual Torah reading cycle, פרשת השבוע Parashat haShavua, 31st century A.M., 8th century B.C.E., שבת shabbat, redaction criticism, שירת הים Shirat haYam, פרשות parashot, Song of the Sea, liberation from mitsrayim, mythopoesis, פרשת בשלח parashat B'shalaḥ, ימי השובבים Yemei haShovavim The text of parashat B’shalaḥ, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. . . . 📜 Torah Reading for Parashat b’Shalaḥ (Exodus 13:17-17:16): Chantable English translation with trōp, by Len Fellman Contributor(s): Categories: Tags:A Torah reading of Parashat B’shalaḥ in English translation, transtropilized. . . .  Contributor(s): Categories: Tags:According to Rabbinic tradition, the 21st of Nissan is the day in the Jewish calendar on which Pharaoh’s army was drowned in the Sea of Reeds, and the redeemed children of Yisrael sang the Song of the Sea, the (Shirat Hayam, Exodus 15:1-19). The song, as included in the the morning prayers, comprises one of the most ancient text in Jewish liturgy. The 21st of Nissan corresponds to the 7th day of Passover, and the recitation of the Shirat HaYam is part of the daily Torah Reading. Rabbi Hillel Ḥayim Yisraeli-Lavery shares a performance of a melody he learned for the Shirat Hayam from צוף דבש Tzuf Devash, a Moroccan synagogue in the Old City of Jerusalem. If there is something about this tune that strikes one as particularly celebratory, it might be because the relationship between G!d and the Jewish people is traditionally described as a marriage consummated with the Covenant at Mt. Sinai. The passage of Bnei Yisrael through the Sea of Reeds towards Mt. Sinai thus begins a bridal march commencing in the theophany at Mt. Sinai, 42 days later. . . . |
