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  Contributor(s): Categories:This translation of Tsam’ah Nafshi was made by Avi Shmidman and Tzvi Novick, and first published by the Az Yashir Moshe Project birkon (2009), p. 56-57. . . . צָמְאָה נַפְשִׁי | Tsam’ah Nafshi, a piyyut by Avraham ibn Ezra (interpretive translation by Rabbi Zalman Schachter-Shalomi) Contributor(s): Categories:An interpretive translation of a piyyut composed as an introduction to the prayer Nishmat Kol Ḥai. . . . שיר הכבוד (אַנְעִים זְמִירוֹת) | Shir haKavod (An’im Zemirot), part eight of the Shir haYiḥud (translation by Israel Wolf Slotki) Contributor(s): Categories:A translation of the piyyut, Anim Zemirot. . . . שיר הכבוד (אַנְעִים זְמִירוֹת) | Shir haKavod (An’im Zemirot), part eight of the Shir haYiḥud (interpretive translation by Rabbi Zalman Schachter-Shalomi) Contributor(s): Categories:A “praying translation” of the piyyut, Anim Zemirot. . . . כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmera Shabbat, a piyyut by Avraham ibn Ezra (rhyming translation by Israel Abrahams, 1914) Contributor(s): Categories:The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . .  Contributor(s): Categories:A rhyming translation of the pizmon for maariv on Yom Kippur. . . . כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmerah Shabbat, a piyyut by Avraham ibn Ezra (trans. Rabbi David Aaron de Sola, 1857) Contributor(s): Categories:This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . אֱלֹהִים יִסְעָדֵנוּ | Elohim Yisadenu, a piyyut by Avraham ibn Ezra (trans. Rabbi David Aaron de Sola, 1857) Contributor(s): Categories:This translation by Rabbi David Aaron de Sola of “Elohim Yisadenu” by a paytan named Avraham (possibly Avraham ibn Ezra) was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . בָּרֲכִי נַפְשִׁי | Preise ihn, meine Seele! | Barkhi Nafshi, a piyyut by Yehudah haLevi in abridged translation by Yehoshua Heshil Miro (1835) Contributor(s): Categories:“Zweites Gebet vor Neïla” is an abridged, adapted translation by Yehoshua Heshil Miro of the piyyut by Yehudah haLevi “Barkhi Nafshi et Adonai.” There are seven stanzas missing near the end including the final stanza and a portion of the penultimate stanza. The translation was published in Miro’s anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaicher Religion. It first appears in the 1835 edition, as teḥinah №48 pp. 83-85. In the 1842 edition, it appears as teḥinah №50 on pp. 86-90. . . .  Contributor(s): Categories:This an an untitled piyyut by Eleazer of Worms, eulogizing his beloved wife Dulcea (Heb: דולצא, also, Dulcia and Dolce). The Hebrew text is derived from the transcription offered by Israel Kamelhar inRabbenu Eleazar mi-Germaiza, ha-Roqeah (Rzeazow, 1930), pp. 17-19. The translation and annotation come from Dr. Ivan G. Marcus from his article, “Mothers, Martyrs, and Moneymakers: Some Jewish Women in Medieval Europe” in Conservative Judaism, vol. 38(3), Spring 1986. . . . אֱמוּנֵי שְׁלוּמֵי יִשְׂרָאֵל | Emunei Shlumei Yisrael — a seliḥah witnessing the Blois incident of 1171 by Hillel ben Yaaqov of Bonn Contributor(s): Categories:Some Jewish communities, especially those in the region of the Four Lands, have a custom of fasting on the 20th of Sivan. This day has a full seliḥot service, commemorating a series of horrors that occurred on that day, most prominently the Chmielnicki (Khmielnetsky) massacres of 1648-49. But this poem was written for another horrific occurrence on 20 Sivan, the blood libel of Blois in 1171. This was the first time the accusation of ritual murder was ever made against the Jews of France, but it wasn’t the last. This seliḥah poem, written by Hillel ben Jacob of Bonn, starts with the dramatic accusation that God has abandoned the people Israel, continuing by listing those who died in myriad horrid ways, and ending with several citations from the apocalyptic final chapter of the book of Joel. . . . אֲבוֹתַי כִּי בָטְחוּ | Avotai ki vatkhu (“When our forefathers trusted”), a pizmon for the Fast of Tevet ascribed to Ephraim ben Avraham ben Yitsḥaq of Regensburg (12th c.) Contributor(s): Categories:A pizmon recited on the Fast of Tevet in the tradition of nusaḥ Ashkenaz. . . . Haftarah reading for the Second Day of Shavuot (Ḥabaquq 2:20-3:19) with its Targum and the piyyut Yetsiv Pitgam by Rabbeinu Tam (ca. 12th c.) Contributor(s): Categories:The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. . . . אָמוֹן יוֹם זֶה | Amon Yom Zeh, an introduction to the Azharot of ibn Gabirol by David ben Elazar ibn Paquda (ca. 12th c.) Contributor(s): Categories:A poetic introduction to the Azharot of Solomon ibn Gabirol read in the afternoon of Shavuot by Sefaradim. . . .  Contributor(s): Categories:This 12th century Yemenite liturgical poem for Tu b’Av is based on the Babylonian Talmud Taanit 30b-31a. . . . חרוז על שחוק האישקקי | Rhymed Poem on Chess (short), by Avraham ibn Ezra (HS. Vatican 171 f.2, oben S. 180) Contributor(s): Categories:A medieval Jewish poem on the game of Chess by Avraham ibn Ezra.. . . .  Contributor(s): Categories:The piyyut, Agadelkha, in Hebrew with an English translation. . . . Contributor(s): Categories:A popular piyyut for all occasions by Avraham ibn Ezra. . . . אוֹי מֶה הָיָה לָנוּ | Oy Meh Haya Lanu (Oy What Has Happened to Us), by Barukh ben Shmuel of Mainz (ca. 12th c.) Contributor(s): Categories:“Oy Meh Haya Lanu” is a ḳinah traditionally recited on the night of Tisha b’Av directly after the reading of Eikha. According to the Koren Mesorat HaRav Kinot, it is number 1 of 50. The title is the refrain of the poem, a reflective lament. This ḳinah is based on the fifth and final chapter of Eikha, taking the opening phrase of each line of the megillah as the first line of each couplet and poetically expanding the description for the second. This translation is an attempt to convey the vulgarity and horror of the paytan’s depiction of the destroyed Jerusalem in vernacular English. The ḳinah ends just as the megillah ends, with the four verses of pleas for redemption. . . . חֲרוּזִים עַל שְּׂחוֹק שָׁ״הּ־מָ״תּ | Rhymed Poem on Chess (long), by Avraham ibn Ezra (ca. 12th c.) Contributor(s): Categories:A poem on how to play chess, one of the oldest historical descriptions of the game of Chess, by Avraham ibn Ezra (12th century) . . . עֵת שַׁעֲרֵי רָצוֹן | Eit Shaarei Ratson, a piyyut by Rabbi Yehuda ben Shmuel ibn Abbas (ca. 12th c.) Contributor(s): Categories:This is the piyyut, עֵת שַׁעֲרֵי רָצוֹן (Eit Shaarei Ratson) by Rabbi Yehuda ben Shmuel ibn Abbas (12th century Aleppo, Syria (born in Fez, Morocco)). The English translation presented here is by Rabbi Stephen Belsky. . . . אֲֽדֹנָי נֶגְדְּךָ כׇל־תַּאֲוָתִי | Adonai Negdekha kol Ta’avati, a piyyut by Yehudah haLevi (early 12th c.) rhyming translation by Alice Lucas (1894) Contributor(s): Categories:A rhyming English translation of the piyyut Adonai Negdekha kol Ta’avati. . . . רָאשֵׁי עָם עֵת הִתְאַסֵּף | When the chiefs of the people meet, a muwassaha poem by Yehudah haLevi (ca. early 12th c.) Contributor(s): Categories:“Roshei am et hitasef umlekhim b’sodam” by Yehuda Halevi was translated by Herman Prins Salomon in “Yehuda Halevi and his ‘Cid’” and published in The American Sepharadi (1978), pp. 22-46. . . . יָהּ, אָנָה אֶמְצָאֶךָּ | Yah, Where shall I find you?, a piyyut by Yehudah haLevi (ca. early 12th c.) Contributor(s): Categories:A piyyut that expresses the paradox of a divinity that is both “Beyond” and “Present.” . . . |
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