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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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18th century C.E. —⟶ tag: 18th century C.E. Sorted Chronologically (old to new). Sort most recent first? In 1785 Friedrich Schiller wrote his ‘An die Freude an ode ‘To Joy’, describing his ideal of an equal society united in joy and friendship. Numerous copies and adaptations attest to its popularity at the time. The slightly altered 1803 edition was set to music not only by Ludwig van Beethoven in his Ninth Symphony but also by other composers such as Franz Schubert and Pyotr Tchaikovsky. Hs. Ros. PL B-57 contains a Hebrew translation of the first edition of the ode (apparently rendered before the 1803 alteration), revealing that the spirit of the age even managed to reach the Jewish community in the Netherlands. Whereas the imagery of Schiller’s original is drawn from Greek mythology, the author of the שִׁיר לְשִׂמְחָה relies on the Bible as a source. In fact, he not only utilises Biblical imagery, but successfully avoids any allusion to Hellenistic ideas whatsoever. Categories: 🇪🇺 European Union, 🇺🇸 National Brotherhood Week, 🌐 Day of Democracy (September 15th), Rosh Ḥodesh Adar (אַדָר) Alef & Bet Tags: 18th century C.E., 56th century A.M., civil declarations and charters, Emancipation, the Enlightenment, euphoria, Felix Libertate, German vernacular prayer, Hebrew translation, liberation, national anthems, Needing Proofreading, Ode to Joy Contributor(s): An interpretive translation of the shabbes hymn, Yah Ekhsof. The shabbos table song “Yah Ekhsof No’am Shabbat” by Rabbi Aharon of Karlin, translated by Rabbi Morrison David Bial was first published in his anthology, An Offering of Prayer (1962), p. 29-30, from where this translation was transcribed. Categories: Tags: Contributor(s): When Rav Yiztḥak Luria, zt”l, also known as the Holy Ari, davvened in Eretz Yisroel he brought about a series of liturgical innovations witnessed in later siddurim. His particular nusaḥ bridged minhag Ashkenaz and minhag Sefarad (the customs of the Rheinland Jews and the customs of the Jews of the Iberian Peninsula) with the teachings of his school of Kabbalists. When two centuries later, the Ḥassidic movement blossomed in Eastern Europe, it found purchase in Lithuania among a mystical school centered around Rav Schneur Zalman of Lyady, the Alter Rebbe and founder of the ḤaBaD movement within Ḥassidism. The Alter Rebbe compiled his own siddur, the Siddur Torah Ohr, “according to the tradition of the Ari.” Categories: Tags: 18th century C.E., 56th century A.M., חבּ״ד ḤaBaD Lubavitch, Ḥasidic, Nusaḥ Ha-Ari z"l, the Alter Rebbe's siddur Contributor(s): One of the earliest bilingual Hebrew-English prayerbooks compiled for Spanish & Portuguese Jews in the British Empire. “God Save the King” was originally written by an unknown author and circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation, “El Shemor haMelekh,” as translated by Hyman Hurwitz with an added fourth stanza, was first published in his The Etymology and Syntax of the Hebrew Language (1831), pp. 276-279, during the reign of King William Ⅳ (1765-1837). Categories: Tags: 18th century C.E., 56th century A.M., British Empire, British Jewry, British Monarchy, אל שמר El Shemor, King George Ⅱ, King William Ⅳ, national anthems Contributor(s): | ||
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