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tag: 50th century A.M. Sorted Chronologically (old to new). Sort most recent first? This an an untitled piyyut by Eleazer of Worms, eulogizing his beloved wife Dulcea (Heb: דולצא, also, Dulcia and Dolce). The Hebrew text is derived from the transcription offered by Israel Kamelhar inRabbenu Eleazar mi-Germaiza, ha-Roqeah (Rzeazow, 1930), pp. 17-19. The translation and annotation come from Dr. Ivan G. Marcus from his article, “Mothers, Martyrs, and Moneymakers: Some Jewish Women in Medieval Europe” in Conservative Judaism, vol. 38(3), Spring 1986. . . . Categories: Mourning עֵת שַׁעֲרֵי רָצוֹן | Eit Shaarei Ratson, a piyyut by Rabbi Yehuda ben Shmuel ibn Abbas (ca. 12th c.)This is the piyyut, עֵת שַׁעֲרֵי רָצוֹן (Eit Shaarei Ratson) by Rabbi Yehuda ben Shmuel ibn Abbas (12th century Aleppo, Syria (born in Fez, Morocco)). The English translation presented here is by Rabbi Stephen Belsky. . . . Categories: Rosh haShanah (l’Maaseh Bereshit) אֱלֹהִים יִסְעָדֵנוּ | Elohim Yisadenu, a piyyut by Avraham ibn Ezra (trans. Rabbi David Aaron de Sola, 1857)This translation by Rabbi David Aaron de Sola of “Elohim Yisadenu” by a paytan named Avraham (possibly Avraham ibn Ezra) was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, פיוטים piyyutim, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Avraham ibn Ezra and Aharon N. Varady (transcription) לֵיל שִׁיכּוֹרִים | Leil Shikkorim, a maarava from the Aravit for Erev Purim, as found in Maḥzor VitryThis piyyut, attributed to Menaḥem ben Aharon, is found in the Maḥzor Vitry, siman 465. It is a note-for-note structural parody of a beloved Pesaḥ maarava poem, Leil Shimurim. Israel Davidson, in his 1907 work “Parody in Jewish Literature,” writes, “The parodist apparently has no other aim than to dress a wine-song in the garb of a religious hymn. The burden of the song is that on Purim one must throw of all care and anxiety… But in order to make our happiness complete, we must remember the needy, and share our luxuries with those that are in want of them.” . . . Categories: Purim 💬 הפטרה לחג השבועות ביום השני | Haftarah reading for the Second Day of Shavuot (Ḥabaquq 2:20-3:19) with its Targum and the piyyut Yetsiv Pitgam by Rabbeinu Tam (ca. 12th c.)The haftarah for the second day of Shavuot, Ḥabakkuk 2:20-3:19, interspersed with a cantillated text of the Targum Yonatan ben Uzziel. Since Targum Yonatan is a bit more drash-heavy than Targum Onkelos, it is translated separately as well. The haftarah reading includes the piyyut Yetsiv Pitgam, with an acrostic rhyming translation of the poem, with the second-to-last verse restored to its rightful place, as well as a concluding paragraph for the meturgeman to recite, as found in the Maḥzor Vitry. . . . עַל־מֹשֶׁה אֶרְגָּז וְאָהִים | Al Mosheh Ergaz v-Ahim — a pizmon on Mosheh’s death for Simḥat Torah, by R. Shmuel ha-Dayan of Aram Ṣoba (ca. 12th c.)This pizmon was written by R. Shmuel ben Moshe Ha-Dayan of Aram Ṣoba (ca. 1150-1200) an Aleppine payṭan whose works were almost completely lost before being rediscovered in the Maḥzor Aram Ṣoba. It emphasizes the uneasy juxtaposition of the joy of Simḥat Torah with the tragedy of Moshe’s death. Originally it was probably recited before musaf, but perhaps for those who follow Ashkenazi customs a more appropriate location would be as an introduction to the Yizkor service on Shemini ‘Atseret — which for those who don’t keep second-day yontef is the same day. . . . אוֹי מֶה הָיָה לָנוּ | Oy Meh Haya Lanu (Oy What Has Happened to Us), by Barukh ben Shmuel of Mainz (ca. 12th c.)“Oy Meh Haya Lanu” is a ḳinah traditionally recited on the night of Tisha b’Av directly after the reading of Eikha. According to the Koren Mesorat HaRav Kinot, it is number 1 of 50. The title is the refrain of the poem, a reflective lament. This ḳinah is based on the fifth and final chapter of Eikha, taking the opening phrase of each line of the megillah as the first line of each couplet and poetically expanding the description for the second. This translation is an attempt to convey the vulgarity and horror of the paytan’s depiction of the destroyed Jerusalem in vernacular English. The ḳinah ends just as the megillah ends, with the four verses of pleas for redemption. . . . Categories: Tishah b'Av אֲבוֹתַי כִּי בָטְחוּ | Avotai ki vatkhu (“When our forefathers trusted”), a pizmon for the Fast of Tevet ascribed to Ephraim ben Avraham ben Yitsḥaq of Regensburg (12th c.)A pizmon recited on the Fast of Tevet in the tradition of nusaḥ Ashkenaz. . . . Categories: Asarah b'Tevet אֱמוּנֵי שְׁלוּמֵי יִשְׂרָאֵל | Emunei Shlumei Yisrael — a seliḥah witnessing the Blois incident of 1171 by Hillel ben Yaaqov of BonnSome Jewish communities, especially those in the region of the Four Lands, have a custom of fasting on the 20th of Sivan. This day has a full seliḥot service, commemorating a series of horrors that occurred on that day, most prominently the Chmielnicki (Khmielnetsky) massacres of 1648-49. But this poem was written for another horrific occurrence on 20 Sivan, the blood libel of Blois in 1171. This was the first time the accusation of ritual murder was ever made against the Jews of France, but it wasn’t the last. This seliḥah poem, written by Hillel ben Jacob of Bonn, starts with the dramatic accusation that God has abandoned the people Israel, continuing by listing those who died in myriad horrid ways, and ending with several citations from the apocalyptic final chapter of the book of Joel. . . . The twelve hued rainbow above the Sea of Reeds during the miracle of its division into twelve channels of liberationA medieval manuscript illustration of the aggadah that the Yam Suf was split in 12 discrete channels, one for each tribe, as reflected above by a 12-color rainbow . . . A rhyming translation of the pizmon for maariv on Yom Kippur. . . . Categories: Yom Kippur כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmerah Shabbat, a piyyut by Avraham ibn Ezra (trans. Rabbi David Aaron de Sola, 1857)This translation of “Ki Eshmera Shabbat” by Rabbi David Aaron de Sola of a piyyut by Avraham ibn Ezra was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . . Categories: Se'udat Yom Shabbat Tags: 12th century C.E., 50th century A.M., acrostic, Acrostic signature, כי אשמרה שבת Ki Eshmerah Shabbat, פיוטים piyyutim, rhyming translation, זמירות zemirot Contributor(s): David de Aaron de Sola (translation), Avraham ibn Ezra and Aharon N. Varady (transcription) כִּי אֶשְׁמְרָה שַׁבָּת | Ki Eshmera Shabbat, a piyyut by Avraham ibn Ezra (rhyming translation by Israel Abrahams, 1914)The piyyut and popular shabbat table song, Ki Eshmera Shabbat, in Hebrew with a rhyming translation. . . . Categories: Se'udat Yom Shabbat Tags: 12th century C.E., 50th century A.M., כי אשמרה שבת Ki Eshmerah Shabbat, פיוטים piyyutim, rhyming translation, זמירות zemirot Contributor(s): Israel Abrahams (translation), Avraham ibn Ezra and Aharon N. Varady (transcription) שיר הכבוד (אַנְעִים זְמִירוֹת) | Shir haKavod (An’im Zemirot), part eight of the Shir haYiḥud (translation by Israel Wolf Slotki)A translation of the piyyut, Anim Zemirot. . . . Categories: Musaf l'Shabbat שיר הכבוד (אַנְעִים זְמִירוֹת) | Shir haKavod (An’im Zemirot), part eight of the Shir haYiḥud (interpretive translation by Rabbi Zalman Schachter-Shalomi)A “praying translation” of the piyyut, Anim Zemirot. . . . Categories: Musaf l'Shabbat Tags: 12th century C.E., 50th century A.M., acrostic, Alphabetic Acrostic, חסידי אשכנז Ḥasidei Ashkenaz, שיר הכבוד shir hakavod, שיר היחוד Shir haYiḥud Contributor(s): Zalman Schachter-Shalomi (translation), Unknown Author(s) and Aharon N. Varady (transcription) Aish Tukad is a ḳinah for Tishah b’Av, usually recited towards the conclusion of the set of dirges for the morning service (in Goldshmidt’s numbering, it is number 32 of our 46 Kinot). According to Goldshmidt’s introduction, the structure of this Piyyut is based on a Midrash in Eicha Zuta 19, where Moses’ praises for God and Israel are seen as parallel to Jeremiah’s laments, thus creating the concept of a comparison between the joy of the Exodus and the pain of the Temple’s destruction. . . . Categories: Tishah b'Av אֱלֹהִים בְּעָלֽוּנוּ | Elohim B’alunu — a seliḥah on the York massacre of 1190 by Joseph ben Asher of Chartres (trans. Isaac Gantwerk Mayer)This seliḥah poem, written by R. Joseph of Chartres, commemorates the martyrdom of approximately 150 Jews in Clifford’s Tower, York, England, in the year 1190. A summary of the events of 1190, sometimes referred to as “the English Masada,” can be found here. Like many medieval Jewish poems about massacres, Elohim B’alunu carefully treads the line between assuming guilt and declaring innocence. This poem, interestingly enough, directly calls out the person seen by R. Joseph of Chartres as ultimately responsible — the crusader King Richard Ⅰ. Beloved in Christian memory, this radical zealot of a king has a much darker, more horrific reputation among Jewish and Muslim groups. . . . קדיש יתום ליחיד | Mourner’s Ḳaddish for an Individual Without a Minyan (Sefer Ḥasidim, ca. 12-13th c.)A mourner’s ḳaddish in the event there is no quorum. . . . | ||
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