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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice
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56th century A.M. —⟶ tag: 56th century A.M. Sorted Chronologically (old to new). Sort most recent first? A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., ABAB rhyming scheme, American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina Contributor(s): “Licht und Wahrheit (Light and Truth)” is a hymn translated by Felix Adler from Allgemeines Israelitisches Gesangbuch: eingeführt in dem Neuen Israelitischen Tempel zu Hamburg (1833), hymn №125, pp. 155-157, and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №12, pp. 24-25. We have tentatively dated this hymn to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The hymn as printed in the Hamburg Temple Hymnal is nine stanzas long. That hymnal credits the hymn as printed in the collected sermons of Eduard Kley, Sammlung der neuesten Predigten (1826) where it appears on pages 49-50 in three stanzas as part of a discourse on Passover. Categories: Tags: 19th century C.E., 56th century A.M., diaspora, English Translation, German Reform Movement, German vernacular prayer, hymns, liturgy of the wandering stars Contributor(s): This historically significant prayer for the government of the United States of America offered by the Reformed Society of Israelites (Charleston, S.C.), appears in The Sabbath service and miscellaneous prayers, adopted by the Reformed society of Israelites, founded in Charleston, S.C., November 21, 1825 (1830, Bloch: 1916). Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, South Carolina, United States Contributor(s): “Arise, my soul! with rapture rise!” is the incipit to Hymn №2 in Barnett A. Elzas’s The Sabbath Service and Miscellaneous Prayers (1916), an edited republication of “The Sabbath service and miscellaneous prayers, adopted by the Reformed society of Israelites, founded in Charleston, S. C., November 21, 1825.” The hymn appears on pages 55-56 without any additional attribution. Categories: Tags: Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1830. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, מודים Modim, paraliturgical modim, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1826. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, paraliturgical Psalms 23, Psalms 23, South Carolina, United States Contributor(s): A hymn provided for opening or concluding the morning Sabbath service of the Reformed Society of Israelites (Charleston, S.C.) ca. 1830. Categories: Tags: 19th century C.E., 56th century A.M., American Jewry of the United States, American Reform Movement, English vernacular prayer, hymns, paraliturgical Psalms 133, Psalms 133, South Carolina, United States Contributor(s): This is the poem by Sir Robert Grant known best from its incipit “O Worship the King,” as published posthumously under the title “Psalm ⅭⅣ” by his brother Charles Grant (Lord Glenelg) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 33-35. It was first published without attribution as hymn №31 in the Appendix of Hymns for private devotion, selected and original (ed. Bethia Fuller-Maitland, 1827) on pages 206-207. It was first published with attribution as psalm №104 in Psalms and Hymns for Public, Private, and Social Worship (ed. Henry V. Elliott, 1835) on pages 34-35. Identified as an adaptation of Psalms 104 (and with five of its six stanzas) the hymn was included as №16 in the Union hymnal for Jewish worship (1914). Brian Hehn writes, “This hymn, one of Grant’s most popular, is a paraphrase of Psalm 104. It was originally thought to have been a rendering of William Kethe’s setting of the same psalm in the Anglo-Genevan Psalter of 1561. However, Episcopal hymnologist Raymond F. Glover contends that this is a misconception. He argues that the two settings are in the same meter only because they were written for the same psalm.” Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, hymns of creation, Prayers as poems, Psalms 104 Contributor(s): This untitled poem by Sir Robert Grant was published posthumously by Robert’s brother Charles Grant (Lord Glenelg) as the third poem (“Ⅲ”) in Sacred Poems by the Late Right Hon. Sir Robert Grant (1839), pp. 9-11. It was first published without attribution as hymn №19 in the Appendix of Hymns for private devotion, selected and original (ed. Bethia Fuller-Maitland, 1827) on pages 190-191. Categories: Tags: 19th century C.E., 56th century A.M., English poetry, English Romanticism, Prayers as poems, Psalms 71 Contributor(s): The second anthology of teḥinot published in Judeo-German rather than Yiddish. “Gebete bei dem Anzünden der Lichter Freitag nachts” was translated/adapted by Mayer Wolf and published in his anthology of teḥinot, תְּחִנּוֹת בְּנוֹת יְשֻׁרוּן Gebethbuch für gebildete israelitisch Frauenzimmer (1828) on pp. 107-109. “Gebete einer Frau wenn ihr Kind zur Beschneidung getragen wird” was translated/adapted by Mayer Wolf and published in his anthology of teḥinot, תְּחִנּוֹת בְּנוֹת יְשֻׁרוּן Gebethbuch für gebildete israelitisch Frauenzimmer (1828) on pp. 124-125. “Gebete einer Geschäftsfrau” was translated/adapted by Mayer Wolf and published in his anthology of teḥinot, תְּחִנּוֹת בְּנוֹת יְשֻׁרוּן Techinôs Benôs Jeschurun Ein Gebetbuch für gebildete Frauenzimmer (1828) on pp. 115-117. Categories: Tags: 19th century C.E., 56th century A.M., German Jewry, German vernacular prayer, Jewish Women's Prayers, תחינות teḥinot Contributor(s): These are Yehoshua Heshil Miro’s anthologies of teḥinot, beginning with תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion (1829), one of the earliest anthologies of teḥinot published in German rather than Yiddish. A slightly revised edition with six pieces added and three removed followed in 1833. That work served as the basis for a much larger compilation, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion (1835), which, for the first time, printed the tehinot in German in a Latin (rather than Hebrew) script using the then common Fraktur typeface. A slightly enlarged expanded edition of Beit Yaaqov published in 1842 contains an additional teḥinah (as well as approbations by Rabbi Abraham Geiger and Rabbi Solomon Tiktin). Categories: Tags: 19th century C.E., 56th century A.M., German Jewry, German vernacular prayer, Jewish Women's Prayers, pedagogy, תחינות teḥinot Contributor(s): “Am Todestage des Gedaljahu. Zom Gedalja.” was written by Yehoshua Heshil Miro and published in his anthology of teḥinot, בית יעקב (Beit Yaaqov) Allgemeines Gebetbuch für gebildete Frauen mosaischer Religion. In the original 1829 edition, תחנות Teḥinot ein Gebetbuch für gebildete Frauenzimmer mosaischer Religion, it appears as teḥinah №41, on pp. 52-53. In the 1835 and 1842 editions, it appears as teḥinah №40, on pp. 63-64. | ||
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