Fanny Neuda’s teḥinah for women experiencing difficulty conceiving children. . . .
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The Nobel prize winning collection of “song-offerings” or Gitanjali by Rabindranath Tagore, in Bengali and English, translated to Hebrew by David Frischmann. . . . The weekday evening service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871. . . . The weekday morning service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871. . . . The Sabbath eve service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871. . . . The Sabbath morning service according to a Karaite Prayerbook adapted from one printed by Abraham Firkovich in 1871. . . . 
The Opening Prayer given in the U.S. Senate on 2 February 1904. . . . 
The Opening Prayer given in the U.S. House of Representatives on 16 February 1905. . . . 
A popular collection of tkhines compiled from earlier collections by Ben-Tsiyon Alfes. . . . 
“Where We Can Find God,” a prayer-poem inspired by passages appearing in David Frishman’s Hebrew translation of Rabindranath Tagore’s Gitanjali. . . . 
A Ladino translation of Psalms 22 first published in mid-19th century Izmir. . . . 
The Masoretic text of Psalms 150 set side-by-side with a Ladino translation published ca. 1852 in Izmir, Turkey. . . . 
The poem “Friday Eve” by Rabbi Alter Abelson (1931). . . . 
The poem “Wormicide” (1931) by Rabbi Alter Abelson. . . . 
The poem “The Phylacteries” (1931) by Rabbi Alter Abelson. . . . 
The poem “Sambatyon” (1931) by Rabbi Alter Abelson. . . . 
The poem, “Im Shamesh” (At Sunrise) by Ḥayyim Naḥman Bialik in June 1903. . . . 
The poem “Gamodei Layil” (Gnomes of the Night) by Ḥayyim Naḥman Bialik, ca. 1894. . . . 
The poem “Tsafririm” (1900) by Ḥayyim Naḥman Bialik with an English translation by Ben Aronin. . . . 
The prayer-poem, “Take Me Under Your Wing” (1905) by Ḥayyim Naḥman Bialik. . . . 
This prayer by Hillel Zeitlin was published as “That We Be Reborn” with an English translation by Eugene Kohn in the Sabbath Prayer Book (Jewish Reconstructionist Foundation 1945) of Rabbi Mordecai Kaplan. I have slightly modified Kohn’s translation by replacing thee and thou with you and your, etc. Zeitlin’s prayer is undated and likely was published earlier and elsewhere. If you have more information on the original publication of this prayer, please contact us or leave a comment. . . . 
The poem, Ayekh (Where are you?), by Ḥayyim Naḥman Bialik. . . . 
The words of the prayer for Armistice Day 1938, “God Bless America” by Irving Berlin, in English and Yiddish. . . . 
Index page for the transcription, proofreading, and decompilation of Καθημεριναι Προσευχαι (Yosef Naḥmuli 1885), a Greek-Hebrew kol bo siddur, nusaḥ sefaradi (minhag Corfu). . . . 
A compilation of Jewish women’s prayers in Yiddish published in Vilna in 1910, with prayers attributed to Rokhl Esther bat Aviḥayil, a Jewish woman living in Jerusalem. . . . 
This is a paraliturgical prayer for rain during the wet season, read during the festival of Sukkot, from Imrei Lev, a collection of teḥinot and paraliturgical prayers adapted for French Jewry by Jonas Ennery and Rabbi Arnaud Aron. The prayer does not appear in Hester Rothschild’s abridged English translation of Imrei Lev: Prayers and Meditations (1855). The translation provided here is from Isaac Leeser’s “corrected and revised” edition from 1866, albeit without the archaisms. –Aharon Varady. . . . 
This is Fanny Neuda’s prayer “on Simḥat Torah,” faithfully transcribed and proofread with the help of German Wikisource contributors from Fanny Neuda’s Stunden Der Andacht (1855), p. 66-67. We are happy to share your translation of Neuda’s tkhines in any language. The translation provided here was made by Julia Watts Belser for Hours of Devotion: Fanny Neuda’s Book of Prayers for Jewish Women (ed. Dinah Berland, Schocken 2007), and set here for the first time side-by-side with Neuda’s original German. . . . 
Abraham Joshua Heschel’s essay “Das Gebet Als Äußerung Und Einfühlung” published in Monatsschrift Für Geschichte Und Wissenschaft Des Judenthums, vol. 83 (1939). . . . 
Ḥayyim Naḥman Bialik’s “People’s Blessing” (בִּרְכַּת עָם, also known by its incipit תֶחֱזַֽקְנָה Teḥezaqnah), with its first, fourth, and final stanzas translated by Eugene Kohn and titled “Redemption through Labor.” The translation can be found in The Sabbath Prayer Book (Jewish Reconstructionist Foundation 1945) on pages 484-485. It appears in the section, “The Restoration of Zion” containing Zionist themed prayers. Before HaTikvah was chosen, Teḥezaqnah was once considered for the State of Israel’s national anthem. Bialik was 21 years old when he composed the work in 1894. It later was chosen as the anthem of the Labor Zionist movement. . . . 
Reb Ahrele Roth, a”h, wrote a list of 32 mitsvot whose fulfillment is completed in the brain, the heart and the mouth. (The Hebrew alphabetical equivalent of 32 is ל”ב, the letters of which spell the Hebrew word LEV for Heart.) . . . 
“That Religion Be Not a Cloak for Hypocrisy,” by Rabbi Mordecai Menaḥem Kaplan can be found on p. 435-5 of his The Sabbath Prayer Book (New York: The Jewish Reconstructionist Foundation, 1945). . . . 
This is the sonnet, “The New Collosus” (1883) by Emma Lazarus set side-by-side with its Yiddish translation by Rachel Kirsch Holtman. Lazarus famously penned her sonnet in response to the waves of Russian-Jewish refugees seeking refuge in the Unites States of America as a result of murderous Russian pogroms following the assassination of Tsar Alexander II in 1881. Her identification and revisioning of the Statue of Liberty as the Mother of Exiles points to the familiar Jewish identification of the Shekhinah (the Divine Presence, in its feminine aspect) with the light of the Jewish people in their Diaspora. . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
This is the תפילת הנוטע (Prayer for Planting [trees]) by Rabbi Ben-Zion Meir Ḥai Uziel. . . . 
Rabbi David Einhorn’s prayer book `Olat Tamid (lit. the perpetual sacrifice)…first penned in Germany, served as the model for the Union Prayer Book,….the prayer book of the American Reform movement for almost eight decades. It reflected what is now called “classical Reform,” eliminating prayers for the restoration of Zion, mentions of the messiah, and bodily resurrection of the dead, while diminishing mentions of Jewish chosenness and the like. This is עלת תמיד Olath Tamid by Rev. Dr. David Einhorn (1809-1878), in its expanded German/Hebrew edition (1862), the third edition after its initial publication in 1856. . . . 
Rabbi David Einhorn’s (1809-1878) prayer book `Olat Tamid (lit. the perpetual sacrifice)…first penned in Germany, served as the model for the Union Prayer Book,….the prayer book of the American Reform movement for almost eight decades. It reflected what is now called “classical Reform,” eliminating prayers for the restoration of Zion, mentions of the messiah, and bodily resurrection of the dead, while diminishing mentions of Jewish chosenness and the like. . . . 
To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Prayer for Thursday, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. . . . 
To the best of my ability, this is a faithful transcription of a teḥinah (supplicatory prayer) composed in parallel to the Prayer for the New Moon, following in the paraliturgical tradition of Yiddish tkhines, albeit written in French. . . . 
This is Prayer for the Shabbat preceding the New Moon (Shabbat Mevorkhim) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. . . . 
This is the prayer for Rosh Ḥodesh (the day of the New Moon, and first day of the month in the Jewish calendar) included by Fanny Schmiedl Neuda in her collection of teḥinot in vernacular German, Stunden der Andacht (1855). Fanny Neuda likely either composed or translated this teḥinah into German (from Yiddish) while performing in the capacity of firzogerin (precentress) of the weibershul (women’s gallery) in her husband’s synagogue in Loštice, Bohemia. The translation in English was made by Moritz Mayer in his abridged translation of Neuda’s collection, Hours of Devotion (1866). . . . 
The paraliturgical tkhine for the new month of Nissan read on the shabbat preceding the new moon during the blessing over new month. . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
A kavvanah for focusing one’s intention before working with the soil of Erets Yisrael. . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ שְׁבָט (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Shvat”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
The proclamation and prayer of chief rabbi Yaakov Yosef Joseph, on the centennial of President George Washington’s Inauguration . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ טֵבֵת (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tevet”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
“Prinzessin Sabbat” by Heinrich Heine, in Romanzero III: Hebraeische Melodien, (“Princess Shabbat,” in Romanzero III, Hebrew Melodies.), 1851 was translated into English by Margaret Armour (1860-1943), The Works of Heinrich Heine vol. 12: Romancero: Book III, Last Poems (1891). We have replaced “schalet” (unchanged in Armour’s translation) with cholent. . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ כִּסְלֵו(“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Kislev”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . 
To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מַרְחֶשְׁוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Marḥeshvan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . . |
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