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tag: Classical Antiquity Sorted Chronologically (old to new). Sort most recent first? Selected verses from the book of ben Sira for a Seliḥot service Categories: Tags: 2nd century B.C.E., 36th century A.M., Cairo Geniza, Classical Antiquity, deuterocanonical works, Ecclesiasticus, Jews of Alexandria, מוסר mussar, wisdom Contributor(s): The poem lauding the ancestors from Chapters 44 to 50 of Ben Sira (Ecclesiasticus) is considered by many scholars to be the original influence for the Yom Kippur Avodah service, and the paean to Shimon the Righteous bears a striking similarity to the beloved piyyut “Mar’eh Khohen.” This passage from Ben Sira, the great paean on the merit of the ancestors, takes the Hebrew text of one of the Cairo Geniza manuscripts — Bodleian MS Heb e62 — and versifies it according to the standard Septuagintal text, along with vocalization and cantillation per the standard Masoretic EMe”T system for poetic books. It could be read on Yom Kippur for the avodah service, or just studied as a fascinating piece of Jewish history. Categories: Tags: 2nd century B.C.E., 36th century A.M., Cairo Geniza, Classical Antiquity, deuterocanonical works, Ecclesiasticus, Jews of Alexandria, Mar'eh Kohen Contributor(s): The end of the scroll of Ben Sira (Ecclesiasticus) reconstructed from Cairo Geniza fragments not contained within the Septuagint. Categories: Tags: 2nd century B.C.E., 36th century A.M., acrostic, Alphabetic Acrostic, Cairo Geniza, Classical Antiquity, Dead Sea Scrolls, deuterocanonical works, Ecclesiasticus, Jews of Alexandria, reconstructed text Contributor(s): 💬 בן סירא מב:כא-מג:לא | ben Sira 42:21-43:31, a hymn of creation translated by Rabbi Mordecai KaplanEcclesiasticus (ben Sira) 42:21-43:31 is presented as “God the Lord of Nature” in The Sabbath Prayer Book of Rabbi Mordecai Kaplan (The Reconstructionist Foundation 1945), p. 376-372 in the Supplements subsection, “God in Nature.” The text of Ben Sira used here differs in places found in other manuscripts. Categories: Tags: 2nd century B.C.E., 36th century A.M., Classical Antiquity, deuterocanonical works, Ecclesiasticus, hymns of creation, Jews of Alexandria, Openers Contributor(s): This is the Song of Miriam from a parabiblical (or pseudo-biblical) attestation in 4Q365, as reconstructed by scholars based on the work of largely based on the work of Dr. Ariel Feldman, and with addition lacunae filled in by Issac Gantwerk Mayer. Isaac also vocalized, cantillated, and translated the test according to Masoretic norms, and provided a rendering of the text styled according to the Shirat ha-Yam as reproduced by scribes in the Masoretic tradition. Categories: Tags: 21st century C.E., 58th century A.M., Classical Antiquity, Dead Sea Scrolls, Jewish Women's Prayers, Miriam, גאולה geūlah (redemption), Second Temple Period, שבת שירה shabbat shirah Contributor(s): The Apostrophe to Zion is an alphabetical acrostic poem, directed at Zion in the second person. It has been found in multiple locations in Qumran, including the Great Psalms Scroll 11QPsa as well as another fragmentary scroll in 4Q88. It was considered a regular part of their psalmodic canon. Categories: Tags: Contributor(s): Selections from 1 Maccabees, 2 Maccabees, and Pesiqta Rabbati which inform the story of Ḥanukkah: the desecration and re-dedication of the Temple (especially as it relates to Sukkot and the Brumalia), divine intervention in the Maccabean battles, and the Rekindling of the Sacred Fire. Categories: Tags: 2nd century B.C.E., 37th century A.M., Angels, Classical Antiquity, combating anti-Jewish oppression, dedications and consecrations, kindling, Maccabean Revolt, המקבים Maccabees, military, נר תמיד ner tamid, המזבח the Mizbe'aḥ Contributor(s): The poetic portion of the deuterocanonical work, Barukh, in Greek with English translation. Categories: Tags: 2nd century B.C.E., 37th century A.M., Classical Antiquity, deuterocanonical works, early Judaism, exile, שבת נחמו Shabbat Naḥamu, wisdom Contributor(s): The book of Barukh (also, Baruch and Barouch) in its reconstructed Hebrew vorlage from verse 1:1 till 3:8. Categories: Tags: Contributor(s): A rabbinic Hebrew translation of the “Lord’s Prayer.” The story of Yiftaḥ, or Jephthah, is read as the haftara for Parashat Ḥuqqat. However, in most practices the end of the story is not read. This is probably because it is horrific — because of Yiftaḥ’s foolish vow, he sacrifices his own daughter! Unlike the story of Isaac, there is no angel, no last-minute salvation. The knife falls, the girl dies. That would be bad enough, but the daughter of Yiftaḥ isn’t even named in the text! The text of Biblical Antiquities, traditionally albeit incorrectly attributed to Philo of Alexandria, is one of the more interesting and under-studied deuterocanonical works. Almost certainly written in Hebrew but preserved in its entirety only in Latin, it is an example of the genre of “rewritten Bible,” a proto-midrashic genre also found in texts such as Jubilees. It is the earliest source for a substantial number of legends that became part of the midrashic canon — from Abraham’s casting into the furnace to Dinah’s marriage to Job. And it has a unique tendency to elaborate on the stories of women in the Bible. In the case of Yiftaḥ’s daughter, Biblical Antiquities gives her three things she deserves: agency, a song, and a name. Agency, because she is a willing participant in the process of sacrifice, encouraging her father to go through with it and leaving the sages speechless. A song, because she laments the fact she will die a virgin. And a name — in the Latin text, Seila. In the Hebrew, Sheila, “asked for.” Categories: Tags: 1st century CE, 39th century AM, Antiquity, Biblical Women, Classical Antiquity, deuterocanonical works, dreams, Jewish Women's Prayers, martyrdom, mytho-historical chronicles, parabiblical aggadah, polyglot, pre-rabbinic judaism, self-sacrifice Contributor(s): Perhaps Megillat Antiokhus could be read a la Esther on Purim (the holiday with the most similarities), going to Eicha trope in the upsetting parts. A few notes: on the final mention of Bagris the Wicked I included a karnei-farah in the manner of the karnei-farah in Esther. I also included a merkha kefulah in the concluding section, which (according to David Weisberg’s “The Rare Accents of the Twenty-Eight Books”) represents aggadic midrash material. It also serves as a connection to the Chanukah haftarah, which is famously the only one that has a merkha kefulah. –Isaac Mayer | ||
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