the Open Siddur Project ✍︎ פְּרוֹיֶקְט הַסִּדּוּר הַפָּתוּחַ
a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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The Breath of All Life, a paraliturgical Nishmat Kol Ḥai for Shabbat morning by Rabbi Rachel Barenblat![]() A prayer-poem inspired from the liturgical prayer, Nishmat. . . . ![]() A prayer-poem supplication for the afternoon of Shabbat. . . . ![]() A prayer-poem inspired by the ritual Havdallah, preparing a separation between Shabbat and weekday time. . . . ![]() Please God Let me light More than flame tonight. More than wax and wick and sliver stick of wood. More than shallow stream of words recited from a pocket book. . . . ![]() A prayer-poem for healing by Trisha Arlin. . . . ![]() [In Parshat Vayigash] we read of the members of Jacob’s family who went down to Egypt. There were 53 grandsons listed, but only a single granddaughter – Seraḥ, the daughter of Asher. The commentators wonder, what was so exceptional about this girl that her name was recorded? The Midrash spills forth with stories portraying an image of a unique and endearing Biblical heroine. Seraḥ stands as a trusted, beloved sage of the people. She possessed an uncommon gift of healing through poetry and music. Somewhat as Orpheus is to Greek myth, so is Seraḥ to the Biblical myth – the archetypal poet and bard. . . . ![]() The poem “When I Am Old” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 111-112. . . . ![]() The poem “Shebuoth” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 37-38. . . . ![]() The poem “Through Darkness to Light” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 29. . . . ![]() The prayer-poem “For What I Bless Thee” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 15. . . . ![]() The poem “Confirmation” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 80-81. . . . ![]() The poem “New Year” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 113-114. . . . ![]() The poem “Musings” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 115-116. . . . ![]() The prayer-poem ““Mene, Mene, Tekel Upharsin”” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 94-95. . . . ![]() The prayer-poem “Night” by Miriam del Banco (1858-1931) was included in her posthumously published anthology, Poetry and Prose (1932), p. 90-91. . . . ![]() The poem “Friday Night” by Miriam del Banco (1858-1931) was included in The Standard Book of Jewish Verse (ed. Friedlander & Kohut 1917), p. 269. . . . ![]() “Feldmesten or Measuring the Graves” by Alter Abelson, appears in the section “The Modern Period” in The Standard Book of Jewish Verse (Joseph Friedlander and George Alexander Kohut, 1917), pp. 698-699. The poem may have first been published in the 26 September 1913 edition of the Hebrew Standard, p.10. . . . ![]() “Morning Song [splendor of the morning sunlight]” is a hymn by Felix Adler, published in The Sabbath School Hymnal, a collection of songs, services and responses for Jewish Sabbath schools, and homes (4th rev. ed., 1897), hymn no. 23. . . . White Day of Peace, a poem by Miriam del Banco for the Jewish Women’s Congress (World Parliament of Religion at the World’s Columbian Exposition, 1893)![]() A poem on interfaith tolerance during the Jewish Women’s Congress held at Chicago, September 4-7, 1893, part of the World Parliament of Religion at the World’s Columbian Exposition. . . . Opening Prayer for the Jewish Women’s Congress, by Rachel Frank-Litman (World Parliament of Religion at the World’s Columbian Exposition, 1893)![]() The opening prayer of the Jewish Women’s Congress held at the World Parliament of Religion at the World’s Columbian Exposition as published in the Papers of the Jewish Women’s Congress: held at Chicago, September 4-7, 1893 (1894), p. 8. . . . ![]() “Charity” is a hymn by Felix Adler, first published in The Ethical Record vol. 1, no. 1. (April 1888), sheet music page 4. For an account of this hymn being sung, find The Journal of Industrial Education, “Autumn Festival of the Workingman’s School. Thanksgiving Day, November 28, 1889.” vol. 4, no. 9 (May 1890). . . . ![]() A poem on the meaning of the menorah. . . . ![]() “The City of Light” is a poem written by Felix Adler. The earliest publication I could find for it dates to 1882, in Unity: Freedom, Fellowship and Character in Religion vol. 8, no. 12 (16 Feb. 1882), p. 477. . . . ![]() “Feast of Lights,” from Poems of Emma Lazarus, vol. II (1888), pp. 18. . . . ![]() The poem, “He of Prayer” as published in Henry Abarbanel’s English School and Family Reader (1883), p.14, where it is attributed to the newspaper The Jewish Times, a New York newspaper that circulated from 1869-1877. . . . ![]() The poem, “Sandalphon,” as composed by Henry Wadsworth Longfellow (1807 – 1882) and completed January 18, 1858, first published in Birds of Passage (1858), section “Flight the First,” page 62. . . . | ||
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