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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources — for those crafting their own prayerbooks and sharing the content of their practice | ||
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tag: free culture Sorted Chronologically (old to new). Sort most recent first? SHARE WHAT YOU LOVE ♡ A Decision Tree for Choosing Free-Culture Compatible Open Content Licenses for Cultural & Technological WorkSince we all live under the current terms of each of our respective nation’s copyright laws, simply making something available or accessible over the Internet doesn’t make it free under copyright for others to use and improve upon. That’s why open content licenses exist: to abrogate the restrictions imposed by copyright law. We rely upon these open content licenses here at the Open Siddur Project. . . . Categories: Advocacy Given that more than 50% of the Siddur is comprised of text from the תנ׳׳ך (TaNaKh) any project that seeks to rigorously attribute its sources depends on a critical, digital edition of the Masoretic text of the Hebrew bible. And such is the case for our Open Siddur Project. The entire history of the transmission of such a profoundly important sourcetext illustrates the degree to which we rely on each others most positive intentions to advance our love of the Torah through sharing — regardless of sect, creed, scholarly or theological inspiration. Moving ahead we are supported by each others gifts and by the preserved legacy of our cultural inheritance. . . . Categories: Advocacy Tags: free culture The Afikoman Hiding in Plain Sight, a meditation on freedom and roleplaying in re-enacting Judaism’s archetypal Hero’s Journey — by Aharon Varady (Open Siddur 2011)How good are you playing this amazing, venerable role-playing game called Judaism? Playing your whole life? Grand. So is it fun? Is it worthwhile? Would you recommend it to your friends? No. All right… so why not? Oh. Yeah. Oh… true. Ok, yeah, those are all good reasons. But what if I told you there was a way to play it better. Not everyone will catch on at first, but it should satisfy the most conservative players AND the most innovative. The geeks will love it and it will lower the bar for entry to even the most simple of players. Ok, it does sound too good to be true. But hey, what’s the point of playing the game if you’re not willing to suspend the physics of the familiar and try on a new set of rules. Embrace the illusion. Try on a new reality. Help create a new one, together. I just want players to use their imagination, feel appreciated instead of alienated, and just improve the game for everyone. So what is it? I’ll tell you. . . . Categories: Advocacy The free culture community has developed mechanisms to make sharing and collaborative development easier. The principles that define works of free culture are:
Note that these freedoms do not discriminate on the basis of endeavor, and all free culture works allow creation of derivative works and commercial use. . . . Categories: Advocacy Free, open data prevents the necessity of duplication of effort, which, in turn, prevents the community as a whole from unnecessarily wasteful spending. Particularly for organizations with a social mission, its use is a win for everyone. . . . Categories: Advocacy Openness, remixability, and free Jewish culture: a response to Russel Neiss — from Efraim Feinstein (Open Siddur 2009)Advocacy for creative works’ freedom represents a paradigm shift in thought among content creators: In a free culture, a premium is not placed on the material as-such or even the particular rights associated with the material. Instead, it is on the users’ freedom, and it is that freedom that is the prerequisite to large-scale creative engagement with educational material. . . . Categories: Advocacy Copyright and Commercial Use: the Problem with Creative Commons’ Non-Commercial Use Licenses (Efraim Feinstein, 2010)This post continues the series of advocacy posts directed at Jewish content creators and aggregators. Other parts of the series discussed the global communal benefit of free primary data resources and issues of copyright license compatibility and the connection between copyright licensing and remixability. While my previous post briefly mentioned the non-free Creative Commons licenses, this post details why you should choose a free culture license. In particular, it urges you to avoid the licenses with the non-commercial-use only (NC) terms. . . . Categories: Advocacy Access, Sharing, and Innovation through Digitization and the Public Domain — by Aharon Varady (Open Siddur 2010)Cultures, including our own, breathe creativity and exhale innovation. We rely on the creative works bequeathed to us by earlier generations to remain rooted in our cultural identity. Synagogue members and kids in day schools, summer camps, youth orgs, and creative Jews working on their own can all benefit from our educational, cultural, and spiritual institutions cooperating with one another in sharing the bounty of our cultural heritage. As Jews, are we not all collaborating on a grand project of Torah learning, spiritual improvement, and tikkun olam? It’s time our cultural licensing choices reflect these profound intentions. . . . Categories: Advocacy | ||
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