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📖 עלת תמיד (רפורמי) | Olat Tamid: Gebetbuch für Israelitische Reform-Gemeinden, by Rabbi David Einhorn (1858) Contributor(s):Rabbi David Einhorn’s prayer book `Olat Tamid (lit. the perpetual sacrifice)…first penned in Germany, served as the model for the Union Prayer Book,….the prayer book of the American Reform movement for almost eight decades. It reflected what is now called “classical Reform,” eliminating prayers for the restoration of Zion, mentions of the messiah, and bodily resurrection of the dead, while diminishing mentions of Jewish chosenness and the like. This is עלת תמיד Olat Tamid by Rev. Dr. David Einhorn (1809-1878), in its German-Hebrew edition (1858). . . . Preis der Gotteslehre, a hymn translated by Felix Adler (1868) adapted from a songbook of the Cooperative for Reform Judaism in Berlin (1846) Contributor(s):“Preis der Gotteslehre” is a hymn translated by Felix Adler from one found in Gebete und Gesänge zu dem von der Genossenschaft für Reform im Judenthum zu Berlin eingerichteten Gottesdienst für die Zeit zwischen dem Schewuoth- und Roschhaschanah-Fest des Weltjahres 5606/7, hymn №23, pp. 19-20 (1846) and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №3, pp. 6-7. We have tentatively dated this translation to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The original hymn in German has three stanzas. . . . Contributor(s):“Erhöre, Herr, mein Wort” is a hymn selected by Rabbi Gotthold Salomon, Immanuel Wohlwill, and Maimon Fraenkel for inclusion in the Hamburg Temple Hymnal (1833), hymn №300, pp. 367-368. The first three stanzas were translated by Rabbi James Koppel Gutheim and published as “Erhebung zu Gott! (Trust in God)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №2, pp. 4-5. . . . Morgen-Lieder (Auf, auf, den Herrn zu loben) | Morning Song (Arise to praise the Lord), a hymn by Johann Franck (1674), adapted for use in synagogue (1850) Contributor(s):“Auf, auf, den Herrn zu loben” is a hymn by the Lutheran composer of hymns, Johann Franck (1618-1677). The first two stanzas were translated by Rabbi James Koppel Gutheim and published as “Ein gottergehener sinn (Pious Resignation.)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №4, pp. 8-9. The use of these two stanzas in a Jewish context can be found in Gebet- und Gesangbuch für die sabbathe und Feste des Jahres: eingefuehrt in der israelitischen Gemeinde zu Coblenz (1850), hymn №18, p. 117. The source of the text from a Christian hymnal is that of Schatzkästlein von hundert und fünfzig geistreichen Liedern älterer Zeit (Samuel Christian Gottfried Küster, 1821) where it is hymn №6, p. 10. The original printing of the hymn is found in the first volume of Franck’s collected hymns Teutsche Gedichte, enthaltend geistliches Zion samt Vaterunserharfe nebst irdischem Helicon oder Lob-, Lieb-, Leidgedichte, etc (Guben, 1674), pp. 212-214. . . . Contributor(s):“Heil’ge Sabbath-Ruhe” is a hymn selected by Rabbi Gotthold Salomon, Immanuel Wohlwill, and Maimon Fraenkel for inclusion in the Hamburg Temple Hymnal (1833), hymn №342, p. 415. The first, fourth, and sixth stanzas were translated by Rabbi James Koppel Gutheim and published as “Der Sabbath (The Sabbath)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №1, pp. 2-3. The hymn also appears as the preface to Gotthold Salomon’s sermon “Der Segen des Sabbathtages” in Der berg des Herrn: Kanzel-vorträge über den Decalog (1846), p. 32 lending me to think that the hymn was at the very least appreciated by him, and possibly also written by him. –Aharon Varady . . . 📖 Allgemeines Israelitisches Gesangbuch eingeführt in dem Neuen Israelitschen Tempel zu Hamburg (1833) Contributor(s):This is the Hamburg Temple Hymnal in its original 1833 edition, alternately titled, Allgemeines Israelitisches Gesangbüch fur Gotteshaüser und Schulen, compiled by Maimon Fraenkel, Gotthold Salomon, and Immanuel Wohlwill. . . . Licht und Wahrheit | Light and Truth, translated by Felix Adler (1868) from a poem by Eduard Kley (1826) Contributor(s):“Licht und Wahrheit (Light and Truth)” is a hymn translated by Felix Adler from Allgemeines Israelitisches Gesangbuch: eingeführt in dem Neuen Israelitischen Tempel zu Hamburg (1833), hymn №125, pp. 155-157, and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №12, pp. 24-25. We have tentatively dated this hymn to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The hymn as printed in the Hamburg Temple Hymnal is nine stanzas long. That hymnal credits the hymn as printed in the collected sermons of Eduard Kley, Sammlung der neuesten Predigten (1826) where it appears on pages 49-50 in three stanzas as part of a discourse on Passover. . . . מָעוֹז צוּר | Schirm und Schutz in Sturm und Graus, a German translation of Maoz Tsur by Leopold Stein (1906) Contributor(s):A German translation of Maoz Tsur, by the early Reform rabbi Leopold Stein. This singable German translation was cited as an inspiration for Gustav Gottheil and Marcus Jastrow’s well-known English edition. In some communities in the German Empire, for instance the community of Beuthen (now Bytom, Poland), it was recited during the morning service on Ḥanukkah. It poetically translates the first five verses in their entirety, avoiding the controversial sixth verse (said by some to have been added post-facto, and rejected by the early Reform movement). . . . |
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