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a community-grown, libre Open Access archive of Jewish prayer and liturgical resources
This project is sustained through reciprocity for those sharing prayers and crafting their own prayerbooks.
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 Contributor(s):A teshuvah (responsum) on, and text of, a ketubbah whereby a groom acquires a bride, and a ketubbah whereby a bride acquires a groom. . . . Contributor(s):On [day of the week] of the [day of the month] of the month of [month] in the year [year], as we count here in [location], behold, the soul of [name of one member of the couple] and the soul of [name of the other member of the couple] wrote one to the other in documents indicating that the entirety of each soul is consecrated one to the other in accordance with the law of Moses and Israel. They both shall serve, cherish, sustain, and support one another, in accordance with the laws of the Jews. Behold, all that which is written above has been accepted upon these two souls in the valid manner of interconnecting souls. All of the above is in proper, good standing. . . . Contributor(s):This completely egalitarian ketubah uses nedarim, vows before God which bear the full weight of Jewish law, as the central act of marriage, and uses the rings as symbols of those vows. It also details the steps which would be necessary to dissolve those nedarim, an important and integral part of the ketubah. The Hebrew is written in the feminine plural and should be adjusted if the text is used for different gender combinations. . . . Contributor(s):In many eastern Sephardic and Mizraḥi communities, there is a custom that a poetic “ketubah,” or marriage-contract, is recited before the Torah service on Shavuot. This custom, based on the midrashic idea that the Torah is the ketubah for the marriage between the bride Israel and the groom God, is beloved by the ḳabbalists. By far the most commonly used Shavuot ketubah is that of the great paytan and meḳubal Yisrael ben Moshe Najara, who wrote the following some time in the sixteenth century. This is a new translation of Najara’s poem. . . . |
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