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tag: liberation from mitsrayim Sorted Chronologically (old to new). Sort most recent first? The text of parashat B’shalaḥ, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. Categories: Tags: 31st century A.M., 8th century B.C.E., annual Torah reading cycle, liberation from mitsrayim, mythopoesis, פרשת השבוע Parashat haShavua, פרשות parashot, קריעת ים סוף qriyat yam suf, redaction criticism, שבת shabbat, פרשת בשלח parashat B'shalaḥ, שירת הים Shirat haYam, Song of the Sea, supplementary hypothesis, ימי השובבים Yemei haShovavim Contributor(s): The text of parashat Bo, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. The text of parashat Va’era, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. The text of parashat Shemot, distinguished according to the stratigraphic layers of its composition according to the Supplementary Hypothesis. The Minhag Polin (Eastern Ashkenazi) yotser (piyyut inserted into the beginning of the first blessing of the Shema service) for Shabbat haGadol, by the Sefaradi sage and paytan Joseph ibn Abitur. Translated with preserved acrostic and rhyme scheme. This piyyut juxtaposes the seven days of creation with the miracles of the Exodus as well as the promised future salvation in a three-by-three structure. Categories: Tags: acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Polin, פיוטים piyyuṭim, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): The Minhag Ashkenaz (Western Ashkenazi) yotser (piyyut inserted into the beginning of the first blessing of the Shema service) for Shabbat haGadol, by Binyamin bar Zeraḥ. Also recited by some eastern Ashkenazim, although not as commonly as Aamir Mistater (the standard in Minhag Polin). Translated here with preserved acrostic and rhyme scheme. This piyyut uses the language of Song of Songs to retell the story of the exodus via the language of a romantic relationship. Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Ashkenaz, פיוטים piyyuṭim, Shaḥarit l'Shabbat ul'Yom Tov, יוצר אור yotser ohr, יוצרות yotsrot Contributor(s): A zulat (piyyut inserted into the blessing after the Shema) used in the Minhag Polin (Eastern Ashkenaz) rite for Shabbat hGadol, by R. Joseph Bonfils. This poem is a narrative of a debate between Pharaoh and the sons of Amram on whether the people Israel are engaged to God or not. Categories: Tags: 11th century C.E., 49th century A.M., acrostic, Acrostic signature, Alphabetic Acrostic, liberation from mitsrayim, Minhag Polin, יוצרות yotsrot, זולת zulat Contributor(s): A teachable moment in the life of Emma Goldman to reflect upon whether our practice is liberating or in need of liberation. A prayer anticipating the spring as a metaphor for liberation, mental wellness, and spiritual rebirth. A meditation which can be used to prepare for Pesaḥ, or for sharing at the Seder, to deepen the experience of liberation for yourself and others. Modeled after Gil Scott Heron’s “The Revolution Will Not be Televised,” written for Passover during the pandemic (April 2020). A prayer-poem was written by Kohenet Ilana Joy Streit in January 2024. A Passover adaptation of “Marching through Georgia” by Henry Clay Work (1832-1884). Categories: Tags: English vernacular prayer, Freedom, haggadah supplements, Jewish liberation, liberation, liberation from mitsrayim, Slaveholders' Rebellion (1861-1865), זמירות zemirot Contributor(s): | ||
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