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tag: מערבות maaravot Sorted Chronologically (old to new). Sort most recent first? This is the piyyut “Pesaḥ Emunim (At Passover, the faithful…)” by Yosef bar Yaaqov Kalai for maariv (after the shema) on the seventh night of Pesaḥ, published in Adler and Davis’s Maḥzor for Shavuot, Avodat Ḥag ha-Matzot (1909), pp. 219-222. A “bikkur” piyyut traditionally added at the end of Hashkivenu for Shavˁuot in the Old French (and Maḥzor Vitry) and Romaniote rites. From the acrostic we know the author was named Yosef ben Yaˁakov. Other than that we know very little about this poem’s origin and age, although its structure fits with the early Ashkenazi piyyut oeuvre. Categories: Tags: Contributor(s): The maaravot-cycle of piyyutim for the first night of Shavuot, by Joseph ben Samuel Bonfils. In normative maaravot fashion, it is one extended cycle with an overarching structure (the first words of each of the Ten Commandments) throughout the whole of the kriat shema, with additional piyyutim incorporated into the first blessing after the shema. This piyyut, attributed to Menaḥem ben Aharon, is found in the Maḥzor Vitry, siman 465. It is a note-for-note structural parody of a beloved Pesaḥ maarava poem, Leil Shimurim. Israel Davidson, in his 1907 work “Parody in Jewish Literature,” writes, “The parodist apparently has no other aim than to dress a wine-song in the garb of a religious hymn. The burden of the song is that on Purim one must throw of all care and anxiety… But in order to make our happiness complete, we must remember the needy, and share our luxuries with those that are in want of them.” Categories: Tags: 12th century C.E., 50th century A.M., מערבות maaravot, parody, פיוטים piyyuṭim, Purim parody, purimspiel Contributor(s): This is the Minhag Ashkenaz (western Germany, codified in Frankfurt) Maȝaravot for the seventh day of Pesaḥ, by Rabbi Menaḥem ben Jacob of Worms. This is the piyyut “Eyumah Nikhtrah (Lo, the Mighty Nation…)” by Isaac ben Meshulam for maariv (after the shema) on the second night of Shavuot, was first published in Adler and Davis’s Maḥzor for Shavuot, Avodat Ḥag ha-Shavuot (1909), pp. 178-179. Categories: Tags: 15th century C.E., 52nd century A.M., acrostic, Alphabetic Acrostic, מערבות maaravot, פיוטים piyyuṭim, rhyming translation Contributor(s): While Gevurot Geshem is recited on Shmini Atseret, Baqashat Geshem as an addition to the birkat ha-shanim is recited later — from the seventh of Marḥeshvan in Israel, from sixty days after the Julian-calendar autumn equinox in the diaspora. This passage is added starting in the evening, but since there is no repetition at night there is no special custom for announcing its insertion. I think that’s a shame, so I wrote a series of ma’aravot (piyyuṭim to be inserted into the ma’ariv service) to be recited on the day where we begin to request rain. While the time for beginning to mention God’s power to bring rain in our prayers has a dramatic introductory piyyut (see my work here for a version with Immahot), the time when we begin actually asking for said rain is unadorned by any poetry, and is simply a change in one phrase in our liturgy. Therefore, inspired by a Facebook post by Isaac Gantwerk Mayer (who since wrote his own version here), I wrote the following piyyut over the course of 5785, to be added to the Maariv service on the evening when one begins praying for rain in their location. Each stanza of the piyyut is intended to be added before the ḥatimah of each of the four blessings surrounding the Maariv Shema. I have signed my name to the acrostic, and provided a translation that highlights said acrostic and structure. May we have a year of abundance and goodness. | ||
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